Disparition programmée

Not the best on TV movie lists. A stellar cast does mediocre job with bad script. I guessed the killer from the beginning. Won't reveal. A shame to make you watch this terrible movie to find out, but thoze the rules, baby. With the likes of Veronica Hamel as her usual cold look self, Michele Greene, a bit on the boring side, John Ratzenberger a bit on the over weight side, William Katt, looking middle aged these days, George Dzundza, looking like he's serious about this movie, Marty Papazian, looking like he doesn't know what's going on, Alice Hirson, looking like she's lost Ellen DeGeneras and Marc Singer giving an over the hill acting job. Way over the hill.

Now some of these actors are good actors. So you hate to see them do a bad job, but this script demands it from them. I hate to think of the money it cost to hire them, so my heart goes out to the producer.

Everyone is a suspect, everyone had a motive, everyone had plenty of reasons to kill that particularly beastly man who only made a nuisance of himself and destroyed everyone's lives, and yet the mystery of his death becomes unfathomable, everyone groping around in the dark for any clue without finding anything except loose ends, and yet it is all perfectly clear. The tempo is slow to begin with but gradually builds up into a tremendous pile of mysteries collapsing into nothingness, as actually everyone is more or less proved innocent or at least convincingly so. And yet there is still the final dot on the final i in the end.

The acting is gorgeous, everyone is absolutely convincing, Michele Greene almost takes the prize with hard competition from Veronica Hamel, not even Marc Singer is overacting, while I still would like to propose George Dzundza, the insurance agent with some experience, as the ultimate glory of the show. The dialog is terrific all the way, the music is excellent without being intruding, in brief, this is something of a perfect thriller.

It's a long way from Hill Street to this, but Veronica Hamel is still good to watch. In this case in an interesting situation wherein everybody would like to see her brother-in-law dead. And this seems to happen without anyone knowing how. Then a fat insurance policy turns up, the company sends in their investigators, but nobody finds out anything – except the spectator in the last five seconds. Ho, hum; good TV-style scripting, as may be guessed from the director's experience in producing these kinds of films. Of course Hamel is OK, and Michele Green is quite good, but Marc Singer as her husband has played this rôle so many times he did not have to try very much. The result is an entertaining TV-style film, with only a little violence at the beginning, and lightly humourous touches to keep things rolling. Nothing difficult: just to keep you amused trying to guess who did what to whom – and you won't get it right! Worth five out of ten, simply because it does not try to be pretentious and does not leave you with a headache afterwards.

Decent cast but the plot plodded along very slowly. It was very hard to suffer all the way to the end. A few twists here and there towards the end helped a little but not a lot.

The whodunit is a genre that has not fared well over the years. Murder, She Wrote is typical - uninteresting stories, poor acting (except, in M,SW, for the lead actress) and an unimaginative climax. This movie is the very rare exception. The story is quite good for a TV movie and the actors keep you engaged. Yes, Marc Singer's performance is over the top, but so is his character, as evil a villain as you'll find in any film. Singer is a fine actor, which makes his wildly intense bad guy a pleasure to watch. All of the other actors do a better than creditable job, and the ending is a genuine surprise and makes sense to boot. The writing is entertainingly manipulative, designed to keep you guessing and off the track. -- Remarkably, the movie never drags and everything going on is essential to the internal logic of the story - except of course for the obligatory love interest between Greene's and Katt's characters. And the use of flashbacks to the attempted murder is a bit overdone. But on the whole this film is far better paced and absorbing than 8 or 9 out of 10 of the TV thrillers turned out these days.