Wooly Boys

I've just gotten out of a screening of this film and I have to say, WOW!This one will hopefully be up for some awards.Kris Kristofferson is as always charming, sexy, and wonderful. I loved his comic repartee with newcomer Adam Stradlin. Where did they find this guy, he's great!Stradlin has the intensity of a young Gary oldman and the charisma of Mel Gibson. Everyone shines.Lil' blond Bonnie Borst as the wacky greyhound bus passenger, this girl should have her own sitcom.Peter Fonda tops his performance in "The Limey" and really carries this film. Co-stars Greg Sporleader and Jad mager who I've heard are hardened Shakespeare thespians create believable in-bred hic's, better than Cooter and Roscoe P. Coltrane from "Dukes of Hazzard" I highly recommend it. 10!

Mediocre movie in the vein of "An Unfinished Life" that has its moments, but falls apart because it doesn't know whether to be a drama or a slapstick comedy. Peter Fonda and Kris Kristofferson give amazing performances, and share some very funny and bittersweet scenes, but they're constantly being interrupted by pointless comic relief. A movie about an old man waiting to die should not have bungling cops, Dukes of Hazzard villains, and annoying teenagers. The latter is especially grating. I realize the entire plot centers around the kid, but after ten minutes of his shrill, nasal whining I wanted him to get trampled to death by the sheep.

It has beautiful footage of the North Dakota landscape (after a confusing side trip to Minneapolis), and like I said before, Fonda and Kristofferson are wonderful, but the rest is a wash. If they'd scrapped the comedy, this would have been a great movie.

I recently had the opportunity to see this film at the FARGO FILM FESTIVAL. As a North Dakotan, I must be proud of any project that promotes North Dakota. WOOLY BOYS definitely does its fair share of "promoting." To be honest, I expected more. For a film that falsely calls itself "North Dakota's first major feature film" I was anticipating a sincere look at Modern North Dakota, or maybe an ernest approach at our history. I did not, however, expect to see yet another film that explores the "golly gee" persona of our elderly and silly folk. (Though these people exist and I love them!)

In regards to FARGO (THE MOVIE), some of the same people that support WOOLY BOYS fame, claim the film (FARGO) makes us look like a bunch of "idiots" and "dorks" and "other such silly names"...In WOOLY BOYS, apparently we are epitomized by Scruffy "Sheep Lovers." That's great.

Meanwhile, Kristofferson gave a hell of a performance. I was in awe. The film had its funny moments and I was impressed with some of the photography. However, the film did not exemplify what it is to live in North Dakota or what it is to be a North Dakotan. Look for this film on USA (CABLE) Saturday afternoons. Because it is good enough to watch in its entirety, if you're a fan of the named actors. (or some silly manure jokes)

Decades ago actors (and, certainly, actresses) often used to quit making movies, to retire and be remembered for what they've done while being young, strong, beautiful. Some decided to reappear for a special occasion, like James Cagney, some kept their decision till the end. Greta Garbo and Cary Grant come first into my mind.

Today the times have changed. After Katherine Hepburn, Bette Davis, Jack Lemmon, Henry Fonda and others that didn't want to waste their last breaths, many actors that have approached the years where traditional lover and action hero roles don't fit much any more not only keep on playing, but aren't satisfied to get supporting roles for new young stars movies – they even make movies where all top casting positions contains their peers. And while Clint, Tommy Lee and others decided to go to space, Kris, Peter and Keith's movie takes place in (similarly isolated) American wilderness.

For Kristofferson, as a country composer and singer, and as a "Heaven's Gate" star, this is a natural environment. Carradine also had his share of roles that took him to middle USA, "Nashville" and "The Long Riders" among best remembered. And for Fonda this may be the kind of landscape that he rode along in "Easy Rider".

Though their best years are behind them they are still capable of making a good job. They are not stars like Jones and Eastwood (and, unfortunately, never have been – just a step behind, having maybe just a teaspoon less luck to make few successes in a line), and they don't get first class productions. However, taking what's been offered, none of them disappointed us. There was no need for a big theater type of acting, the three men are small people from small town and big gestures would be overacting.

Though the story keeps running in the limits of solid TV production, the writers made some unusual and funny jokes (stolen dead body, agent Collins' enthusiasm...) and avoided making the conflict between worlds of a teenage computer fan and his grandfather from isolated farm become a center point of jokes (so many times repeated in movies like "Crocodile Dundee", "Coming to America", "Starman", "Les visiteurs" etc) – screenplay is definitely better than one would expect seeing that long list of writers. However, the directing seems rather slow and too mainstream, leaving some scenes underused and a lot of potentials partially ignored. As it could be expected, the end is too sentimental containing no surprises, very TV-ish, but doesn't ruin the integrity.

Anyway, it is always a pleasure to watch those three next-to-top stars and, without having to big expectations, those who like all or some of them won't regret.

This is one of those heart warming movies about a technologically advanced grandson (Joe Mazzello, "Jurassic Park") and a backwoods sheep farmer grandfather (Peter Fonda). After being disconnected for many years from one another, they get the chance to discover what the other one is all about. A supporting role by Kris Kristofferson makes this movie a must see.