K-19 : Le Piège des profondeurs

This was a pretty solid supposed true story of a Russian submarine and its captains during the early 1960s. It's memorable, story-wise, for the radiation victims among the crew members. There are some really dramatic scenes involving that horrific event. Otherwise, it's a story of the sub's problems and the conflict between two captains.

The story starts slowly so you have to stick with it as it gets better and better as it goes on and rewarding enough to make you glad you hung in there for the whole 137 minutes.

Profanity is minor and the Russian accents are handled well by the lead actors, led by Harrison Ford, Liam Neeson and Peter Sarsgaard.

It's not a great film, but it's good and interesting enough to recommend a rental, but not something I'd watch numerous times. Those radiation scenes would be a little too grim to watch numerous times.

Come on, Liam Neeson and Harrison Ford in one movie. And it doesn't disappoint. OK, the accents are a bit corny at times but then, Russian accents can be, even in real life :)

This is a great film and the unusual setting, a Soviet sub, makes it even more interesting. It's up there with Crimson Tide and Hunt for Red October. Comparing it to the best sub movie, Das Boot though, one can see why this one is great: It shares the sense of "There might be politics at the surface (both metaphorically and physically) but when it comes down to it, we are alone down here, with the problems, the danger and the decisions".

Got an 8/10 from me mainly for the exceptional atmosphere.

Forget the critics, forget about the whiney Russian sailors: this film is worth watching. This just goes to show how idiotic the general viewing public has become. Critics have become nothing but a bunch of "good review" whores who work for commission and free gifts. It just goes to show idiotic they are, embracing schlock like Spider-man but putting down audacity like this film. For shame. With a good cast, excellent tension and Harrison Ford, they still want more action and silly exposition.

Maybe it is the subject matter, or maybe it's the fact Harrison Ford isn't killing anyone and trying to act sexy, but I cannot understand why anyone would put this film down. I don't think this film is detrimental to the reputations to the Russian sailors, who were portrayed with gusto and bravado not exhibited in most submarine films. Also, the claustrophobic nature of the film must have been difficult to film, considering the close quarters the characters had to work with. Overall, the film probably could have used some fine tuning, but the way it is, it is still quite a film to watch. 7.2/10

K-19 has a massive cast, especially in the two lead characters of Mikhail Polenin (Liam Neeson) and Alexei Vostrikov (Harrison Ford). My understanding is that Ford wanted to take on a role different than ones he had taken in the past to prevent type-casting, and while he does a good job in his role (as does just about everyone involved), the movie does slip up a little bit by having an almost nonexistent Russian presence in what is supposed to be the story of a Russian submarine.

Comparisons to the far superior Hunt for Red October are inevitable, and it is interesting to note that that movie was also about a Russian submarine but was presented all in English, but it doesn't lose credibility the way K-19 does, probably because it at least maintained a Russian accent, while Ford is speaking an unmistakable American accent and Neeson, well, Neeson is just Neeson and that's always good. He makes a great German but is less convincing as a Russian. I don't know why.

Nevertheless, as a story about an extremely important submarine mission rife with problems the movie succeeds brilliantly. K-19 is basically Russia's protection again nuclear war, which they fear the Americans might start at any moment. They hope to deter attack by showing evidence that they can issue destruction in return, and it is because of this that the sub is commissioned and sent on a mission to the polar ice caps to launch a test missile. There is a great scene where all of the crew and many other people are witnessing the launch of the submarine, and a woman swings a bottle of champagne on a rope to smash against the hull, but it bounces off unbroken. "We're cursed," one of the dismayed crewmen says. That woman must have felt terrible.

There is an immediate rivalry between Polenin, who understands the ship's limitations and wants them corrected before beginning the mission, and Vostrikov, who also understands the ship's limitations but also understands how important the mission is and so outranks Polenin's protests. One of the best things about the movie is that the dramatic action is pushed along by genuine concerns. The movie would have suffered terribly if they were ignoring such important problems with the submarine without good reason.

One of the best things about the movie is that it is able to create so much dramatic tension, even though it takes place during peacetime. There was a huge amount of political tension in the air, but there wasn't a war going on. This is why there is not a lot of concern shown when an American destroyer is sighted near the submarine, because one of the goals of the mission is for the Americans to see what they're doing.

Instead, a small leak aboard the nuclear sub becomes a problem big enough to potentially start a war. Incidentally, one of the crewmen noticed something wrong with one of the dials at least twice before the leak was discovered (once before the ship left port). Had he reported that problem when he first noticed it, he could have saved the lives of everyone who died because of the radiation and prevented the entire thing. At any rate, once the leak is discovered, the options are to abandon ship and surrender the crucial technology to the Americans (a single concession which could dramatically alter the futures of the two nations, and thus rendering it unacceptable), try to repair the reactor without sufficient protection against the radiation, or scuttle the ship (also unacceptable because of the boat's importance).

There is a tense scene where Vostikov orders the ship to dive to almost crush depth, one of the obligatory scenes in submarine movies where the hull creaks and groans and everyone stares at the ceiling, like there's something to see there, and then he orders the ship to ascend at breakneck speed, surfacing through a layer of ice. Vostrikov intends to push the boat and the men to the limit so that they all know what the limit is, but unfortunately it culminates in a hugely disappointing display of digital effects as the ship breaks through the ice in something that looks more like it belongs in a cartoon than a serious film like this (I was reminded of the unfortunate Scrat's efforts to save an acorn from a splitting glacier in Ice Age).

The film requires an extra bit of suspension of disbelief to accept a story about a Russian submarine but without any Russian actors. I'm curious to know how it was received in Russia. I imagine it was a hit, despite the lack of Russian presence in the film, because it illustrates their courage and dedication to their country in the most difficult of times. But nonetheless, it is hugely effective and never lets up once it gets going. The ending strikes me as the part where the most creative liberties were taken with the original true story, leaving you with the feeling of a Hollywood ending imposed on a true story from Russian and American history. But if nothing else, the movie is a fascinating look at how close we came to widespread destruction during one of the most tense times in modern history.

Despite some bad reviews, being the war film fanatic that I am, I went to see this movie. I was expecting something much like U-571, (Men trapped in a disabled boat surrounded by the enemy), and this movie wasn't far from it. I must say that U-571 is my all-time favorite war picture, so I didn't expect The Widowmaker to surpass it. However, it came very close. The story was told well and the acting from most of the newcomers was superb. However, when I left the theater, I didn't want to watch it again for a long while. Not that it was a bad movie. It was just a little too graphic. I'm one who can watch people get blown to bits, decapitated, and crushed, however, since this story is true and the way these men suffered before they died a horrible death, was a little too much for me to watch. I know they couldn't have filmed it any other way. That is what makes this movie so good... the mere fact that I was uneasy while watching it. I found myself gasping... (I'm not one to gasp.)

The film is based on the story of a Russian sea captain (Harrison Ford) that is ordered to command a new nuclear powered submarine that has been thrown together in a very short amount of time. The objective is to test a missile near the north pole in hopes that the Russian government can catch up to the US who is threatening nuclear war. Although the crew is hesitant to board the ship, they fear the captain's wrath and work without complaint. Of course, the captain is 'do or die' and works the crew mercilessly, much to the dismay of the ship's original captain (Liam Neeson), who can do nothing but watch as his crew gets ready for mutiny. When the nuclear generator malfunctions, it is up to a few brave men to expose themselves to radiation and try and fix the power before disaster strikes and World War 3 begins. What I found most disturbing was the captain's refusal for American help until 7 men were dead and hundreds more were already exposed to dangerous levels of radiation. Watching these brave men slow-cook themselves for the rest of the crew was enough to make me cringe, (while other men dove into freezing water rather than go back into a radioactive submarine.)

All in all, this movie was a bit too much reality for me. However, it was wonderfully written, directed, and acted. I gave it ********/10.