Based on Robert Walser's play, Branca de Neve is a recital of Snow White over a black screen with spontaneous flashing images of clouds and some unintelligible dialogue.Based on Robert Walser's play, Branca de Neve is a recital of Snow White over a black screen with spontaneous flashing images of clouds and some unintelligible dialogue.Based on Robert Walser's play, Branca de Neve is a recital of Snow White over a black screen with spontaneous flashing images of clouds and some unintelligible dialogue.
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It's fundamental ideia is the choice between the horrors darkened by emotions or the beauty enlightened by reason. The director makes his choice and invites the audience to choose.
The movie has an original communication technique. And, like all artistic expression, may or may not reach the spectator. As it is so fresh and a violent cut on the established way of communication through cinema, it produces a lot of negative response.
Because it's so original, because it's Wasler adaptation is so beautiful, I recommend this movie as a philosophical experience.
The movie has an original communication technique. And, like all artistic expression, may or may not reach the spectator. As it is so fresh and a violent cut on the established way of communication through cinema, it produces a lot of negative response.
Because it's so original, because it's Wasler adaptation is so beautiful, I recommend this movie as a philosophical experience.
never ceases to amaze me the double standards between literature and film; those who whine about this walser adaptation wouldn't dare complain if it were in a book. and those who walk out of the cinema, does it mean they never read? the statement has to be made; it's about the sublime, anything from kant to brakhage, contrasted with that perpetual lame mimesis, democracy and identification, most cinema is rubbish.
there are staggeringly beautiful interventions of image, the sky and roman murals, and sound (i can't remember exactly). we are left to imagine in the wilderness. the theater becomes as do we.
film ceases to be constrained to the human figure and to the pro-filmic space and in the glorious nature of modern cinema leaves the frame and allows the viewer a freedom that has not been equaled in other art forms or, in fact, in life itself.
that is why modern, next to avant-garde in this art form definitely (and mostly in other artforms) has been rejected by the majority; it's too much for them.
the three movies i've reviewed in IMDb, i've claimed they were the best movies of all time. that is hardly possible when this one beats them all.
there are staggeringly beautiful interventions of image, the sky and roman murals, and sound (i can't remember exactly). we are left to imagine in the wilderness. the theater becomes as do we.
film ceases to be constrained to the human figure and to the pro-filmic space and in the glorious nature of modern cinema leaves the frame and allows the viewer a freedom that has not been equaled in other art forms or, in fact, in life itself.
that is why modern, next to avant-garde in this art form definitely (and mostly in other artforms) has been rejected by the majority; it's too much for them.
the three movies i've reviewed in IMDb, i've claimed they were the best movies of all time. that is hardly possible when this one beats them all.
The author shows that we can «see» a movie even if there are not images in the screen: you can «see» what happens following the dialogs and the description of the scenes. Like a story before sleep in a dark room. Anyway, there are some color plans (a few minutes): clowds on the sky, stone figures and César Monteiro itself in front of a wonderfull tree in the Lisbon's botanic garden.
For me it is very difficult to talk about this film, I hated it so much that it is very hard to me to have an opinion, i just feel like writing curse words, and start a huge rant on how bad this film is.
Basically in this version of the classic "Snow White" we are presented with a black screen from start to finish and, about a dozen characters narrating the story, this movie is incredibly bad, and a huge waste of time.
I strongly believe this isB he worst movie Portuguese of all time and one of the worst I've ever seen, surely.
There isn't anything good about this movie. My vote is 1.
Title (Portugal) - "Branca de Neve" ("Snow White")
Basically in this version of the classic "Snow White" we are presented with a black screen from start to finish and, about a dozen characters narrating the story, this movie is incredibly bad, and a huge waste of time.
I strongly believe this isB he worst movie Portuguese of all time and one of the worst I've ever seen, surely.
There isn't anything good about this movie. My vote is 1.
Title (Portugal) - "Branca de Neve" ("Snow White")
This is the work of a genius. An honest and genuine piece of art that caused so much controversy because people are too "globalised" to accept something so far from the commercial standards as this one. This is a film with no compromises.
Did you know
- TriviaFunded with taxpayers money, this film created a controversial public debate about the limits of freedom of creation, funding and cinema in Portugal.
- SoundtracksIncidental Music
Composed by Gioachino Rossini
Details
Box office
- Gross worldwide
- $813
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