Yamakasi : Les Samouraïs des temps modernes

In the bright lighted side, we could see the yamakasis, these stuntmen of cities in the luc Besson movie. In the shadowed side, there is parkour, that is also called the art of movement, and that most of the public doesn't know about, and it is understandable: these spider-men's reputation grew, and other young people wanted to practice. David and Sébastien share their passion with anybody who wants to know. The news is spreading: from neighbour cities of noisy and sarcelles, young people move to evry to learn the parkour. The rumour works well, and the show 'notre dame de Paris' offers them to go on a tour, but David and sébastien refuse: a two years tour across France would cut them from their base, and above all they don't want to abandon the other young people who need their help. Then luc besson comes up with a script for yamakasi. They refuse that too. The scenario presents them as revolted boys from housing estates who trick the police and use their skills to steal. Seb explains: 'us, that we don't want, it's to prostitute our art' chilling incorruptible ones. For how long? Seven of the newcomers - including David's cousin give in the temptation and play in the movie. They separate from the group of evry, and rename themselves the yamakasis (strong man, strong spirit). Once famous, they claim to have invented the Parkour, betraying the true parkourists. David, Seb and the others (Stéphane Vigroux, Yoann Vigroux, Jérome ben Aoues, Rudy Duong, Kazuma and Michael Ramdami) rename themselves the 'traceurs'. Irritated by this story, they tell me that: 'to anyone who want to learn the art of parkour, it's welcome, but for the media events, we reserve us the right to choose: now we know who come to train when there's a TV near, and who's really got the passion'. We understand them.

In the wonderful world of the well fed children who have nothing to fear but taxes when it comes to having to deal with the state there grows the fairy tale of the Yamakasi. It's fake. It lacks imagination unless for the idea of the tall building climbers. But that thing is going to be done far better in New Police Story three years later.

Probably the worse thing in this production is the scenario and the political goals. In a world where young people of low qualification and of foreign descent hardly gets any employment, in a world where most young people of that region can't find steady jobs even with good genes and an education, well, all the Yamakasi are employed if they don't have anything better to do. In this fantasy dimension the police knows them, wants them, yet they can't get them at home as they do in real life France.

And if the prototype of the idiot is the cop in most bad taste jokes, the maghrebin cop has no contact with the outside world. He's precisely the virgin who's trying, hard, to run a brothel.

Really, if there wasn't the purpose of propaganda nobody would have produced such junk. But, hey, the whole nation can see the darkies have it all: a fair chance for transplant, friendly police and jobs to choose from. It's only their evil nature that stands in the ways of friendship between the white majority and the others. And to keep things simple for the target audience to be able to follow the simple ideas they are fed all the targets live in the area of the same police district and the same cops are on duty on each event.

Myself, I'm disgusted.

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Although i do not understand French, this movie has the ability to show that performing crazy stunts CAN be done without the use of Special effects and computer animations. This movie makes SPIDER-MAN and the MATRIX look realistic and without the millions of dollars used to actually make the visual effects.

Rating 10/10

Yamakasi is a refreshing change from Hollywood style films. It's not Besson's masterpiece, the story is not THAT original, but the music, the cool "action" and the fresh style makes it a worthwhile experience.

The story itself is about 7 modern samurai, "yamakasi", that try to help a dying boy by stealing money from rich people in order to buy a donor-heart.

The action, although there isn't as much in it as the trailer would led you to believe, mostly consists of the yamakasi running away, climbing buildings, doing crazy jumps, and other stunts involving pedestrians.

Rating: 7/10

I honestly don't understand why so many people complain about this movie. It doesn't take itself that seriously, so why should you?

A few examples you ask? To the people who have been b*tching in earlier comments, and to those who agree, here goes:

• Wrong message/example? What the f*ck about Robin Hood? That story is regarded classic and rightly so, modern times - modern solutions...

• Weak story/plot? True, true, but that is not what this movie is about. It's lighthearted and humorous. Look at it that way.

• Threatening people with guns? Please, have you even watched the movie? They use a gun, which they obtained from someone who was shooting them, once and they're not aiming at a person.

I don't even wanna elaborate on everything else. Why not? I enjoyed the movie because of the fast pace, good soundtrack and the seemingly (try it yourself and find out!) easy stunts. Add the fact that only one of the seven main characters (Yann Hnautre) has ever played in more than one movie, they're not doing a bad job.

If you're looking for a fun way to spend 90 minutes, go see it, if you only expect to pay for good movies (hint: read some of the other comments for this movie), go and see it anyway. If you wanna nitpick about everything that does or doesn't occur in a movie, see it and go b*tch about it.