A captivating step back in time, Pozieres explores the small village in Northern France which, during the Great War in 1916, was the setting of one of the bloodiest battles in history, a twe... Read allA captivating step back in time, Pozieres explores the small village in Northern France which, during the Great War in 1916, was the setting of one of the bloodiest battles in history, a twentieth century tragedy. The village was stormed and captured by Australians and became key... Read allA captivating step back in time, Pozieres explores the small village in Northern France which, during the Great War in 1916, was the setting of one of the bloodiest battles in history, a twentieth century tragedy. The village was stormed and captured by Australians and became key to the success of the Battle for the Somme. But in less than seven weeks they suffered 23... Read all
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One of the most striking features of this film is the matter-of-fact way the narrator provides a short biography of each of the soldiers "interviewed." It nearly always ends with line "...and will be killed in eight months" (or three weeks, or two years, the recurring theme being that nearly every soldier featured was subsequently killed in action).
It is a very emotional, very personal and deeply moving account of the largely unremembered Battle of Pozieres, where Australia lost 23,000 men in seven weeks, nearly as many casualties as in the entire eight months of the Gallipoli campaign. The final scene, returning to the modern village of Pozieres, examines the legacy of the Australian soldiers that is still relevant today, and is sure to bring a tear to every Australian eye.
Show of the Week, Sydney Morning Herald
'It is a masterpiece, pulling off the remarkable achievement of instilling a tragically humanized reality into a distant war and a near forgotten tragedy.' Marrying newsreel footage, photographs,a brilliantly researched narration and finely acted vignette style re creation of soldiers at the Western Front and their loved ones at home, this moving documentary offers viewers a real taste of a ridiculous battle. This is a great film.' —
The Herald Sun
'Gone are the days of dull, staid documentaries. Today, the good ones rival film for creative storytelling and presentation. One such documentary is Pozieres.' —
West Australian
'Pozieres is a remarkable docudrama that takes us to the tiny village of Pozieres in Northern France, drenched with Australian blood in 1916 during one of the bloodiest battles of the Western Front. Australia suffered 23,000 casualties - the 1st Australian Division lost 5,000 men in three days and Pozieres was turned to powder and blown away. The style of Pozieres brings to life a well-worn historical subject for a contemporary television audience. Scripted and narrated in the present tense, using diggers personal letters and diaries, the camera takes us on a journey from the point of view of 'witnesses' to the tragedy and the horror of war. Using this inventive camera style, diggers are interviewed and questioned about their experiences before and after battle, filmed as though they are protagonists for our nightly news. It's an honest account of both fear and bravery.' —
NSW Premier's History Awards
The documentary begins with Australians (some of them survivors of the Gallipoli disaster) ordered to take and hold the village of Pozières as part of the Somme offensive. They did that courageously and suffered horrendous casualties for no gain at all; the whole offensive failed to attain any of its objectives. General Haig was displeased with Australian soldiers, repeatedly calling them "colonials," and accusing them of not understanding "modern war." Haig considered them "subversives," even objecting to mixing Australian and British wounded in hospitals. Haig requested from Australian Prime Minister Hughes the right to shoot Australians for insubordination (there was no death penalty in the Australian Army). To his credit, Hughes flatly refused.
Then there was the home front. All Australians in WWI were volunteers. As the stream dried up, Hughes called a plebiscite on implementing a conscription law. It was close, but the proposal was strongly opposed by many women and most trade unions and Catholic clergy and was defeated. On the negative side, there were ugly incidents concerning Germans (and ethnic Germans) in Australia, but these were hardly unique among the countries participating in the war.
If you (like most of us) have been exposed to flag waving accounts of WWI this film is an antidote.
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