Crève Smoochy, crève !

I've never seen a Danny De Vito film I didn't like, and Smoochy is no exception. Original and creative at every turn, with great performances from Edward Norton, Robin Williams, Catherine Keener, and everyone else in the cast. I smiled and/or laughed through the whole film. What more can you ask from a bent and twisted comedy, I ask you?

I have watched this movie four times by now, and it still keeps on being funny. And there is just something uniquely odd about the comedy in the movie which makes "Death to Smoochy" a fantastic comedy movie.

The story told in "Death to Smoochy" is just hilarious. It is about a vindictive former children show star, Rainbow Randolph (played by Robin Williams) who seeks revenge on Smoochy, the new star who replaced his time slot on the network TV. Smoochy (played by Edward Norton) is a gullible person unfamiliar with the way of running children's TV.

There are tons of hilarious situations throughout the entire movie, and they are well-played by the acting talents, and also accompanied by funny dialogue. The characters are colorful - literally and physically. And they all have very real and lovable qualities. I especially love how Rainbow Randolph's appearance becomes more and more ravaged throughout the time.

"Death to Smoochy" is, in my opinion, one of Robin Williams best movies.

There is an impressive ensemble of talents in this fine comedy, and people deliver where it counts.

If you are not already familiar with "Death to Smoochy", then it is a movie well-worth sitting down to watch. Great fun and laughs all around.

This movie was hated by critics and bombed at the box office, but I actually liked this movie, It's my biggest guilty pleasures of all time.

The story is about a puffy fascia rhinoceros. As Smoochy catapults to fame - scoring hit ratings and the affections of a jaded network executive Randolph makes the unsuspecting rhino the target of his numerous outrageous attempts to exact revenge and reclaim his status as America's sweetheart.

The good things about this movie: The movie is a dark comedy and to me that worked, because when you got a story about Robin Williams trying to kill or ruin a kid friendly pink rhino called Smoochy, you really can't take that seriously and the movie is aware of that and takes it like a joke. Edward Norton and Robin Williams both did great in this movie. Trying to beat each other to win the kids hearts by taking some dark turns.

The thing that didn't work: As I said before about the dark comedy and how it worked for me, well some scenes it lost that dark but funny tone and goes full serious at times. Some jokes didn't work for me and Danny DeVito directed this, now let me get something straight here; I don't hate Danny DeVito directing in this movie or any other movies that he did, his a good actor and a good director, but everybody can agree that most of his films allow on awkward close ups of actors looking straight into the camera or goofy and weird scenes with characters doing awkward stuff, all that is is this movie and let me tell you it's not pretty.

Overall it's not a perfect movie but to me it's a lot of fun, but it's not for everybody, but if you want some cheesy, goofy fun than Smoochy is your film.

Throughout the years of cinema, a certain dilemma has remained unresolved: how to market a black comedy. Elusive to categorize, it remains equally difficult to articulate exactly what such films are offering, and to which demographic. Certainly such an obstacle arose when marketing Danny DeVito's Death to Smoochy. With a misleading trailer boasting a broad comedy Robin Williams vehicle, the film was greeted as a scornful box office failure that few seemed to know how to approach and proved miles away from what they had expected. Yet this reaction proves all the more disappointing considering the rare treat the film offers - one of a steadily decreasing few which genuinely subvert viewer expectations. While far from perfect, Death to Smoochy remains the sort of fundamentally bizarre yet gloriously daring picture which seldom makes it to theatres, offering a gleefully warped, macabre wit almost guaranteed to please those willing to take it for what it is.

The fact that the word 'death' being present in the title of a mainstream comedy is a rarity should be indicative of exactly how offbeat and downright sinister the film is. Despite a sparkly visual palate of pastel colours, the film could hardly be more dark tonally, with its infusion of frequent brutal violence and sadistic, uncomfortable humour making it about the farthest thing away from the safe, mainstream comedy its trailer attempted to depict. Yet its shady sensibilities cannot possibly quench the film's manic, wickedly sadistic wit, and the enormously quotable screenplay delivers such a varied slew of humour that the viewer cannot help but consistently be caught by surprise. DeVito amplifies such an ambiance with bizarre, off-kilter camera-work and a continuous transitioning from satire to the deadly serious to goofy slapstick and back again, leaving the viewer uncertain when to roar with laughter or to cringe uncomfortably. In fact, the blurring between the two becomes poignantly indiscernible, with DeVito seemingly impishly suggesting that whether cinema makes us laugh or cringe, either way it does not deter our fascination with watching, and that perhaps the boundary becomes simply redundant in the end.

Nonetheless, as fresh as such a fusion of the comedic and the grotesque may be, the lack of obvious prerequisites also results in Death to Smoochy suffering from certain design flaws. The film starts off as a devilish satire of network television, with Norton's sickeningly wholesome entertainer Sheldon Mopes thrust into the fish out of water figure in a sea full of greedy, merchandise obsessed execs. Yet about halfway through DeVito loses his pace, and the film begins to feel more like a chaotic jumble, continually stuffing in new characters and plot twists, and with at least three seeming climaxes uneasily leading into further narrative development. Similarly, the film's treatment of Robin Williams' vengeance obsessed TV host Rainbow Randolph remains equally indecisive. Perhaps due to Williams' star casting, DeVito appears to struggle with exactly what to do with the character, whether to situate him as protagonist or depraved quasi-antagonist. As such, Randolph appears uncomfortably stuck between the two, and the film's ensuing rocky focalization makes it harder for the viewer to maintain their emotional bearings. The addition of a rather conventional romantic subplot also feels somewhat out of place in so uniformly dark and vindictive a picture, making the third act feel all the more unnecessarily chaotic. Nonetheless, despite this mishmash of content, somehow DeVito's loopy pace and zany, twisted sense of humour never quite loses the audience even at its most imbalanced, but instead only becomes more bizarre (often appealingly so) without sacrificing the entertainment front.

DeVito also delights in inverting the typical characters his stars would play, resulting in a deliciously unconventional tweaking of expectations. Despite the publicity hyping Williams, Edward Norton is the most firmly situated as the film's 'main character', which works, as Norton is unreasonably hilarious, superbly counteracting his usual intensity as charming yet irritatingly well intentioned children's entertainer Smoochy the Rhino, who goes out of his way to refuse merchandising money in favour of promoting organic, sugar free foods and respecting hostile step-parents on children's television. Norton is careful to keep the character crucially likable, even at his most simperingly moronic, crafting an enduring emotional centre and grounding the calamity of the film around him. Similarly, fans of Robin Williams' less family sanctioned stand-up act will be enthralled by his performance as unhinged Rainbow Randolph. Retaining his usual flair for colourful improvisation, Williams lets loose in a twisted, exceedingly dark fashion barely glimpsed before, and while he unquestionably rockets light years past being over the top, his slew of bitter, incensed, profanity-fraught rants are just about worth watching the film by themselves.

Catherine Keener's credible charisma and warmth also help acclimatize a shaky character transition from nihilistically jaded producer to earnest, hopeful young woman, making the potentially weakest point of the film instead burst to life with a quirky spark. Danny DeVito himself delivers a familiar but still enjoyable lampoon of the greedy agent figure, and an early performance by TV comic Jon Stewart delivers a tantalizing taste of a gestating talent. The film also offers a collection of memorable character bits worthy of the Coen brothers, from Michael Rispoli's blustering, often incomprehensible lovable nitwit of a former boxer, Danny Woodburn's sardonic children's television actor, and an utterly hilarious Vincent Schiavelli as a narcoleptic, heroin addict assassin.

While certainly not for all tastes, Death to Smoochy delivers a unique, daringly morbid and raucously hilarious product which manages to continually dodge expectations while remaining enjoyable. While its unfavourable reaction is perhaps typical of so unconventional a picture, such a rare delight deserves to be enjoyed and appreciated, flaws and all, and those willing to take in a different kind of comedy are unlikely to be disappointed.

-8/10

This film's been released on DVD for a while and at my local blockbusters, i noticed it quietly sitting in a corner next to Day after tomorrow and dirty dancing 2. But as i work in blockbusters, i get free rentals every week so thought i might as well rent it out. Man, was i in for a shocker!! Talk about totally hilarious.

Some of the gags in this film were quality - Robin Williams is at his comical best. I'm not saying it's Williams' best ever film (cough good will hunting cough) but certainly he's never been this funny. His gag about the abnormally shaped cookie was so funny. In fact, i've never laughed this much since Dumb and Dumber.

Edward Norton was actually very believable as the clean cut good guy. I didn't expect it from him after watching Fight club and American history X but he carried out his role really well.

Catherine Keener also looked really beautiful, she played her power-hungry turned nice chick character to a tee.

Even though the story is about a kids show, there's a lot of dark comedy in it e.g. the involvement of the Irish gangsters (by the way also very funny) showing what a good job Danny devito has done directing this film. Credit to him. All the characters in the film served a purpose and above all, did it well!! All seemed believable and Robin Williams was the star.

If you watch this film, persevere for the first 20 minutes because after which the jokes and plot come in hard and thick.

Top stuff, rent if you want a comedy with original storyline and a little bit of good humoured smut thrown in for good measure.