Standard Time

If you are a fan of MGM and RKO musicals of the 30s and 40s, you will get the references in this film and enjoy them!!! If not, but like movies that let you escape, you will love this film. It's sweet, clever, poignant, and funny the way a good Cole Porter or Irving Berlin tune is. I saw this movie last night and had a wonderful time. Go see it!!!!! :)

I loved this movie. It's sweet, romantic, sentimental, and reminds me of the old-fashioned films that we grew up with. The songs are wonderful and it's a feel-good movie you can watch with your mom, or your grandmother. The shots of New York City are gorgeous; the city never looked so good. You can tell that the filmmaker took extra care in his presentation. Although Andrew McCarthy isn't on screen all that much, he was fun to watch when he does appear. There are so many dark, disturbing films out, that this is truly a breath of fresh air. I'll admit it's a bit of a "chick flick" but also a date movie. Enjoy it for the romance that it has, and the beautiful visuals.

I saw 12 films at the 2002 Fort Lauderdale Film Festival and Standard Time was by far my favorite.

In my opinion Isabel Rose has done a remarkable job of creating a polished and entertaining film with a low budget. The script and story, performances, music, costumes, and the wonderfully vivid and lush cinematography successful blend to make Standard Time such a pleasure to watch.

Hopefully Standard Time will secure U.S. distribution because I would love to see this movie released in theaters. I found it thoroughly entertaining and enjoyable and I would certainly see it a second time.

Andrew McCarthy is very appealing in this movie. Eartha Kitt also has a small, but very significant role. The rest of the cast is less familiar, but all gave quality performances.

Just happened to catch the Canadian Premiere of 'Standard Time' at our local indie film festival. What a surprise! My fiancee and I thoroughly enjoyed seeing this wonderfully charming film. The star, Isabel Rose, introduced the film, and it was great to see how much of herself she put into it.

A lot of understanding and research of the Musical heyday was required to make this film authentic and Ms. Rose has a look that brings the experience together and makes it work.

Unlike a lot of other referential films, the 40's musical aspect of the film does not bog it down with obscure references, instead making the film a treat for the experienced and newbie alike. The narrative is compelling and in contrast to the films of the period in which our protagonist 'dreams', progressive as well, far more so than many of the other romance/comedy/marriage films of today.

I must mention that Andrew McCarthy does a wonderful turn as the piano teacher, probably a note better even than New Waterford Girl, showing far better chops and charm than he ever did in 'Pretty in Pink'.

Overall, an amazing debut effort that deserves a turn on the distribution merry go round; it just might pick up as much steam as that 'Ethnic Wedding' film.

Billie Golden (played by Isabel Rose, in a part she wrote herself) is an extremely small-time cabaret performer in a seedy neighborhood of Queens (or is it Brooklyn?). She sings pretty well, and loves the great cabaret standards, but her musical career is going nowhere, and when she loses the one real performing job she's ever had it precipitates a crises in her life.

Billie lives in a world of Technicolor musical numbers, which occur at frequent intervals throughout this extremely entertaining romantic comedy. She meets a handsome corporate lawyer and falls in love with him, then gets an unexpected chance to perform again at her old stand. Many complications ensue, some of which are quite predictable, but all of which are written and enacted in a very charming way.

Andrew McCarthy as the third corner of the love triangle is very appealing here, in a scruffy sort of way. Isabel Rose is terrific, and the remaining cast members turn in quirky and convincing performances. Of particular note are the cinematography, set decoration, and costumes, which manage to achieve the look of vintage Technicolor on what must have been a very small budget.

This film has been released for cable under the title "Anything but Love," from the song that is a key part of the musical score. Whatever the title, "Standard Time" is well worth watching.