Strange Hearts

Strange Hearts is probably one of the biggest film surprises I've had all year, it's a very well-done little independent film that deserves much more then a straight-to-dvd release. The story revolves around Jack, a down-trodden middle-aged man who's best friends with a mysterious and very disturbed young woman called Moira. Their friendship is stretched when a young man, called Henry, enters their lives. Henry, a strangely lucky guy, "steals" Moira away from Jack, unaware of her emotional fragilities and disturbing past, forcing Jack, who treasures Moira more then anything AND who you start feeling very sorry for by now, to put his luck to the test and gamble on everything he has.

The entire cast is exceptional. Robert Foster's renowned charisma shines through in many ways, and Kip Pardue is very hateable as the cocky Henry. Rose McGowan (who I've become very interested in since seeing this movie) is probably the stand-out of the film, utilising her interesting role to the very hilt and stealing every scene she is in. First-time director and screen writer Michelle Gallagher delivers a powerful punch on her debut, and I look forward to seeing what she has to offer in the future.

Overall Strange Hearts is a thoroughly enjoyable drama, that really makes us think about how much of a big part friendship, trust and loyalty play in all our lives. A definite 3/4.

I loved this film. Rose M is all grown up and Forester couldn't be better. It moved me. i loved this movie. The fragile balance in life between what we mean and what we say are well explored. The consequnce of inaction is heartbreaking and can hurt us more than the things we do say. Well done.

I wasn't expecting much at the start of watching this low budget comedy, but found myself liking both the plot and the players. The film is launched under three names, "Strange hearts", "Road to riches" and "Rat in a can". It's more of a drama than a comedy, and stars well known actors Robert Forster, Kip Pardue, Rose McGowan and Harry Hamlin.

Young Henry, a Texan carpenter, is a lucky naive honest guy, able to charm everyone. In addition to that he's a lucky one. As audience a a game show he meets up with the quite more unhappy and unlucky scam artist Jack Waters, which has a female scam artist and show girl companion, Moira. Henry doesn't really understand they are pulling his leg, and Jack sees every opportunity to exploit him and his wallet. After charming audience at a game show, Henry is asked to take over as a game show host, and the show is on. Telling more will spoil.

The film is easy entertainment, but has a cult side to it which I like. Not your average stupid American comedy, but a charming one, due to the charming two leading guys. Forster is good as the slick con artist, and Pardue is elegant naive charmer. Rose McGowan I haven't seen better since the Grindhouse movies if Rodriguez and Tarantino, "Planet Terror" and "Death proof". (Haven't seen her TV-series "Nip/Tuck" and "Charmed" though.) Forster is loved both by David Lynch and Quentin Tarantino, and the reasons are obvious after watching this, and Pardue delivers once again a great role here. This film has a certain feel of Lynch, and that is something likable as well.

Some animal protectors will be put of on an idea of Jack's with a rat in a soda can, but remember that this is film. Production value is good, but the clue to the liking is that the good actors are making this a charming gem with good entertainment value. A little possible future cult movie, due to the actors.

This is a film which easily could have been overdone, and also a film which could have been so much more. Charming anyway.

"Road to Riches" is a lightly romantic dramedy about a down-on-his-luck middle aged professional game show contestant (Forster) who harbors affection for a beautiful stripper (McGowan) and befriends a fresh-faced naive young interloper from Texas (Pardue) - a sort of poor man's Joe Buck (Midnight Cowboy) - until both men find themselves competing for the same woman. A B-flick at best, this little indie is rough around the edges showing signs of low budgetness and a lack of attention to detail with plot parts which don't dovetail well. However, when all is said and done, the film's good naturedness, poignant crescendo, and feel good conclusion make it a worthwhile watch for the couch potato in the mood for some casual small screen entertainment. (C+)

Breathtakingly ridiculous dialog, wholly unlikely plot features, and characters who seem crafted specifically to mock any attempt to take them seriously didn't stop this amazing mess from being made (of what, though? One imagines there had to be some promising kernel that ended up flowering into this egregious waste of time.) and never cleaned up. Hence, it's clear that *anything* can find the financing to see celluloid (or HD), although the process by which this one got finished would have to be more interesting than the film itself. It's entirely possible that the film's off-kilter pacing and made-for-70s-TV sensibilities could eventually land it a cult gig, but of course there's always a lot of competition for those; perhaps a film-school tale-of-caution will be this three-titled train-wreck's legacy.