La Prophétie des ombres

John Klein (Richard Gere), a Washington Post reporter, finds himself somehow drawn to a small town in West Virginia. In fact, his car dies, along with his cell phone and watch. He knocks on a nearby house to call for help, and the man who answers the door attacks him, saying Klein's been around three days in a row. But has he?

Two years earlier, John's wife died from injuries sustained in a car wreck, and before she died, in an apparent delirium, she had been etching weird drawings. Could her drawings have some connection with this town?

Based on true events, The Mothman Prophecies follows John through his search for the truth. People in the town report seeing a strange being - are they lying, or are they misinterpreting? Are they simply seeing UFOs, or is there more to the story? Intrepid reporter that he is, John wants to know more - although of course his thirst for knowledge is accompanied by a need to know what happened to his wife (why did the car crash?).

Thrillers such as this one are hard to come by. It's not exactly a horror movie, but there are more than enough creepy moments to send a few chills reverberating through your body. It's a film that relies less on special effects than on such quaint ideals as character motivation and development and atmosphere. In fact, this movie's just brimming with atmosphere. We've all seen those cheesy movies in which a car runs out of gas along a desolate country road, and then BAM - some serial killers make dinner or belts out of the hapless occupants. But in this case, the monster is hardly ever seen, thereby heightening the scares.

At the centerpiece is Gere as Klein. I've never, ever been a Gere fan; it seems to me he has one expression. He's never been terribly emotive and has been known in recent years more for the age disparity with his female costars than for anything else (they get younger, he stays the same old dude). Call him ruggedly handsome if you will, but vacuity is never really appealing.

But this is not your typical Gere at all. He definitely turns in the best work of his career. Sure, he was appealing in Pretty Woman, but it was Julie Roberts' movie. Officer and a Gentleman? Ok, but that was Lou Gosset Jr.'s movie. Primal Fear? Red Corner? Runaway Bride? No, no, no. This is acting on a ledge for Gere. It's a true departure from the romantic comedies and the sly psuedo-mystery/dramas. Ordinarily, I would think such a movie would expose Gere for the terrible actor he is. But I would be wrong. This movie was so well written and directed that Gere rose to its level, rather than sinking it. That's a huge credit to him as an actor.

Now, I need to differentiate between good acting and appeal. An actor can look good or be charming in a role and still be a bad actor; by contrast, an actor can look uncharming and turn in a great performance. But what's key is how the actor draws the audience in - do they sympathize with his plight? Are they on his side? How good of an actor he is will answer that question.

Gere's Klein starts out as an average joe, and then we get to see him slowly descend into madness - we even descend a little with him. That vaunted atmosphere is so vibrant and realistic that we turn when he turns and feel things he feels. This is an absolute hallmark of excellent filmmaking (by Mark Pellington, whose only other big film was 1999's Arlington Road). The writing is crisp and eminently believable, and the acting in addition to Gere (including Laura Linney, Debra Messing, and Will Patton) is simply superb. And don't forget the prophecies part of the title, either; this "Mothman" entity issues warnings to whomever it deems worthy. Which sounds good, as long as one can interpret them correctly. Apparently, many have not.

The story is based on actual events that took place in Point Pleasant, West Virginia, but this is no Amityville Horror story. With Amityville, one could distance oneself from the experiences of the family involved; we could say that it would never happen to us, it was only a movie. This is a little trickier with The Mothman Prophecies. It's a creepy, tingly movie that gets under your skin and crawls all over your heart.

Starting off promisingly with X-Files creepy events (deaths and visions) this young persons horror movie has a suitably tense edge. Based on a myth last discussed in great detail in the 60s, this is a modernised version of the legend of the Mothman, a mysterious figure who comes to people to foretell disastrous events. There is an air of Saturday night channel 5 about this film, but don't let that discourage you as its in the upper echelons of b-movie fair.

Richard Gere is surprisingly entertaining as someone who essentially doesn't say much and just gets creeped-out. A lot. His character isn't that challenging for any actor, so there won't be any Oscar gongs headed his way for this. Laura Linney is excellent as the town sheriff, like someone straight out of Twin Peeks. The other characters are pretty much just there to move the plot along, rather than to catch your interest.

The first half hour or so is entertainingly tense, but then the film lulls for the plot in the middle. The ending is satisfyingly and beautifully tidy, with a wonderful action sequence that clears up the vast majority of the weirdness from earlier on. The tight ending, while pleasurable and final is also one of the reasons that the movie isn't better than it is. There is no sensation upon leaving of question or edge. No concerns about turning the next corner for fear of what might be there. This is perhaps why this movie feels like Channel 5, and perhaps why its a 12 not a 15. Essentially its a creepy movie and not an out and out horror.

Except for its obvious moments of self indulgence and lethargy, the most of the screenplay's inventive writing was extremely effective. Not only was I emotionally invested, but the film also possessed a hypnotic, surreal quality that kept my eyes and mind transfixed on whatever was unfolding.

I am perplexed as to how works of this quality could remain unnoticed for so long, when works of limited value and output almost always garner the greatest attention from both the public and reviewers. Irrefutably, it is one of the most overlooked and underappreciated psychological thrillers ever.

"In the end it all came down to just one simple question. Which was more important, having proof or being alive? Trust me. I turned away years ago, and I've never looked back."

(**** out of *****)

What a wonderful and rich role for Gere who should maybe experiment more in movies that deal with the realms of the unknown.

A much respected reporter for the Washington Post John Klein (Richard Gere) is about to have his life turned upside down when his wife dies in an automobile accident that seems to have been caused by a mysterious flying creature which he never did see himself. The plot takes Gere to the Ohio/West Virginia border where he meets with the local residents who all seem to be having their troubles with strange lights, weird phone calls and a bird like creature which they call the Mothman. Klein investigates the mystery at the cost of his own sanity and career.

The film is very scary but lacks the pace and fibre that made the John A. Keel's book an awe inspiring read. There are no Men In Black, UFO's, alien impregnated women, phone tapings or a clear resolution to some of the character's fate. In fact only about 10% of the book is actually reproduced in the film. The other 90% seems to have been plucked from an episode of the `X-files'... but what a good episode it is! This is a film that has high production values. The lighting, camerawork, sound and editing are always on top form which is something that prevents the movie from disappearing into the ranks of science fiction B movie hokum. `The Mothman Prophecies' looks simply `weirdly' gorgeous on the big screen.

There is not enough Mothman revealed to the viewer but country folk Gordon Smallwood (the well cast and superbly acted Will Patton) creates a much needed conduit into the effects that the Mothman has on the people of Point Pleasant and this is what the film is really all about - The consequences that the supernatural can have on the psyche of a small backward town's population. Although the ending is Mothman free it certainly does jolt the emotions and evokes a sort of belittling sympathy for the human beings of this planet.

Watch this film and then go read the book for a much better look at really went on. All in all, the film is a spine-chilling riveting stuff and well worth repeated viewing even though it never truly escapes its `X-Files' feeling.

The film is simply terrific, fantastic special effects, good plot and a really shocking and surprising ending! This is really a horror film mixed with a thriller that has respected my own perspectives. I suggest it to all the people who liked films like "The sixth sense" and "The others"...It's almost a masterpiece of his genre!