When a man is diagnosed with terminal cancer, he takes custody of his misanthropic teenage son, for whom quality time means getting high, engaging in small-time prostitution, and avoiding hi... Read allWhen a man is diagnosed with terminal cancer, he takes custody of his misanthropic teenage son, for whom quality time means getting high, engaging in small-time prostitution, and avoiding his father.When a man is diagnosed with terminal cancer, he takes custody of his misanthropic teenage son, for whom quality time means getting high, engaging in small-time prostitution, and avoiding his father.
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I am now 30 years old, and I have yet to find a film that speaks to me the way this film does.
The story is filled with believable characters and relationships. The dynamics between Sam and his parents through the film definitely reflected my relationship with my family as I was a troubled youth (though my problems were vastly different and caused by abuse). As a 12 year- old watching this, I saw in Sam what I didn't want to become. Sadly, the events in my life parellled me to him. The movie was, at one point taken away from me, as it was blamed for my rebellion (by my abusers). I didn't see the movie again until I was 18, and survived my own battles with depression and drugs. As I movied into adulthood, I figured my ability to identify with the film had waned. Surprise! I relate to it now more as an adult. I relate with not only Sam more, but with George, Peter, Allyssa, and Robin. Especially after loosing my mom to Cancer.
This is a film for the ages, and I look forward to watching it with my children as they move into their teen years.
California Cinematic Dreamin' aside, the people here are real. Their vulnerabilities are in the open and they deal with each other as best they can. Kline's son is confused about more than his sexuality, far more. His first girlfriend accepts him and, more importantly, her own sexuality, with a maturity in no way undermined by a delightfully playful demeanor.
As in similar films, the viewer has to suspend reality when the doomed character accepts his fate with no mention of palliative, much less curative, medical intervention. His condition is never fully described but a quick, distant shot of murmuring doctors examining x-rays (x-rays? No MRIs, CAT scans or PET scans in a CA hospital?) brings home that the architectural model builder has hit a brick wall.
The cast is first-rate - everyone plays his/her role convincingly.
The message of the film is, of course, the enduring need for community. And this celluloid community is moving and loving. A truly fine film. (Yep, I cried into my popcorn.)
It is well written, directed, and acted, especially by Kevin Kline and Kristin Scott Thomas. Hayden Christensen gives us the same believable anger, sullenness and pathos as his Anakin Skywalker character did in Episode II; maybe better. He makes a good troubled teen. And Jena Malone is good with the script she is dealt.
I'd recommend this film to anyone.
Did you know
- TriviaThe video of George and young Sam playing in the surf was shot by Kevin Kline's wife, Phoebe Cates. She videotaped Kevin and their son Owen on the beach in Bermuda.
- GoofsThe sun appears to rise in the same place in the sky as it sets.
- Quotes
George: You know the great thing, though, is that change can be so constant you don't even feel the difference until there is one. It can be so slow that you don't even notice that your life is better or worse, until it is. Or it can just blow you away, make you something different in an instant. It happened to me.
- Alternate versionsThe DVD has the one scene that William Russ filmed playing the role of Officer Kurt Walker before a motorbike crash made unable to film the rest of his role
- ConnectionsEdited into The Making of 'Life as a House' (2001)
- SoundtracksWhat You Wish For
Written by Ryan Miller, Adam Gardner and Brian Rosenworcel
Performed by Guster
Courtesy of London-Sire Records, Ltd.
By Arrangement with Warner Special Products
Details
Box office
- Budget
- $27,000,000 (estimated)
- Gross US & Canada
- $15,667,270
- Opening weekend US & Canada
- $294,056
- Oct 28, 2001
- Gross worldwide
- $23,903,791
- Runtime2 hours 5 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1