Arrête-moi si tu peux

This was an entertaining and fun piece of film making from the ever-reliable Steven Spielberg. It is a bit of a depart from his usual full-blown and hugely epic pictures, yet this does not detract at all from the fascinating story of Frank Abagnale Jr. I was interested in this man before I'd seen the movie, and it only served to increase my interest. Although it is important to remember (as with any such film) that this is only 'inspired' by a true story and not told word for word from one, the plot is fascinating and keeps you laughing, crying and wondering until the end.

Frank Abagnale Jr. is an astounding and interesting character. The real life Abagnale originally said that he did not believe Dicaprio to be 'suave' enough to play the role, but he certainly does pull it off. Dicaprio's acting is superb, and totally believable as a man who could lie to, deceive, and con everyone he met without once losing any of his charisma or charm. Hanks is also excellent, he plays the role of the obsessed FBI agent well, and also with a likable quality. The interaction between these two characters was great, it was interesting to see a budding relationship slowly build between two characters who were actually positioned against one another.

I loved the look of the film. It was a refreshing blast to see the 60s portrayed in such a vivid and colorful way. The whole setting and atmosphere of the film gave it a wonderful and almost (I hesitate to use the word) 'magical' sense. This tone appealed to me much more than a darker tone might have.

However, the film is rife with moral ambiguity. As much fun as it is to watch Dicaprio jumping from one place (and identity) to the next, forging checks and spending inordinate amounts of money at a whim, the film never really focuses on the morally bankrupt side of the story. The portion of the film devoted to this at the end still seems to skim over the fact that this man has stolen millions of dollars. It ends on a high note for Frank Abagnale Jr., never fully spelling out the wrongs he committed. Still, this would probably bring the whole film down, and sometimes it's fun just to enjoy a bit of escapism without being told off for desiring such things. I mean, it's hard to be totally strict and upright - you have to love it when Dicaprio's character swindles Jennifer Garner's prostitute for $400!

Overall, this is a fun film and really enjoyable. Not as much of an epic masterpiece as some of Spielberg's other movies, but still a great film!

'Catch Me if You Can' has such a talented cast, the true story is a fascinating one and while Steven Spielberg is an inconsistent director he was a big childhood influence and he has proved several times that he is capable of masterpieces of iconic status.

While 'Catch Me if You Can' is not quite one of Spielberg's best films (in a list that sees the likes of 'Schindler's List', 'Jaws', 'Raiders of the Lost Ark' and 'ET'), it is one of his better later films, for me that's since 'Schindler's List'. There are occasional lapses into overly-sentimental schmaltz with the depiction of Abagnale's family life, not the first or last time with Spielberg and a long way from the worst case, but that is the one fault that was had for me.

Spielberg directs impeccably, both in visual style and dramatic momentum, a directorial job that just screams of pure class. 'Catch Me if You Can' further benefits from as always beautiful cinematography from Janusz Kaminski and 60s period detail that not only looks sumptuously handsome but also evocative to make one think that it is more than just a film with a 60s setting.

John Williams' score is not one of his best or most memorable, but still fits really well and has the right amount of slick jazziness, whimsy and understated pathos without over-emphasising (over-emphasis was the reason why his score for 'Amistad' was a rare misfire from him). The story takes a fascinating story and makes a ceaselessly engrossing film out of it, from the ingenious opening credits sequence to the heartfelt ending, the film is long but never feels it.

This is further helped by a script that has a deft mix of genuinely funny comedy, poignant emotional moments and nail-biting suspense. The characters are intriguing. Can't praise the performances enough. Leonardo DiCaprio is movie star charisma personified, and brings wit, larceny and charm to a character that is a true crook in every sense but it is easy to see why one would fall for his actions.

It is easy to overlook Tom Hanks, due to the role being not as colourful or as showy, but he brings charismatic command, generosity and doggedness in a role that could have been really bland and annoying in lesser hands. Of a sterling supporting cast, Christopher Walken is especially superb, particularly in the latter parts of the film as his life is ruined. Martin Sheen and Amy Adams are memorable, and Nathalie Bye solid.

Overall, even if 'Catch Me if You Can' is not one of Spielberg's masterpieces it is one of his better later films and one of his most purely enjoyable ones. Well worth catching. 9/10 Bethany Cox

When his parents file for divorce and he has to chose between them for custody, Frank Abagnale Jnr runs away from home. He begins to con his way around - getting better and better at it with each ruse. Posing as a pilot, a lawyer and a doctor he earns his money from cashing forged cheques. As the numbers go up, FBI agent Carl Hanratty starts tracking him in a game of cat and mouse.

Based on a true story, although it doesn't rely on `and it really happened' to be a good film - although that this guy could even do half of this stuff is impressive, this film is a slick bit of entertainment even if it left me feeling a little bit like it was too much presentation. The plot starts at the end and jumps back to see the whys and the hows of the tale. It is told with a slick energy that keeps the story moving and never really lingers on any scene longer than it has to. It is for this reason that the two hours goes by relatively quickly.

The presentation is good. Williams' score is not as memorable as his usual work but it is what the film needs it to be - unobtrusive and slick. Just like the opening credits, this film is very much a chase movie with a nice sense of period. The only downside of this slickness is that it feels like eating a sweet - it is very nice while it lasts but it doesn't fill you up. I enjoyed the film but it did leave me wondering what else there was; even if I did still have a sugary taste in my mouth. But to be fair - this is a minor compliant as the film didn't set out to be some massive thought provoking film; it was a chase movie and it was a very stylish and enjoyable one at that.

The cast is good even if they aren't all used well. If anyone can tell me why Jennifer Garner even bothered to show up I'll be happy to listen. DiCaprio is very good. I'm not a massive fan of his but he was engaging here and looked about the right age to play the part - sort of between man and boy. Hanks does good work in support. Because his character is quite drab it is easy to forget him but I really enjoyed him and thought he brought more to the film than DiCaprio. Walken is good in support and Sheen adds another famous name to the end credits but it is very much a two hander with Hanks and DiCaprio more than able.

Overall this film is a slick, stylish chase movie which should be enjoyed as such and is slightly more enjoyable for being a true story. If anything it is a little too slick for it's own good, but that is a petty complaint to make against a film that kept me pleasingly entertained for the past two hours!

At first I thought I was going to see a lightweight film from a great director but instead I watched another impressive achievement by Steven Spielberg. A few things stand out and of course the performances are terrific. Leonardo Dicaprio is believable as a guy that can convince people that he's someone else. Dicaprio is a charmer and is very smooth as we watch his character do some fancy talk to the young ladies. Tom Hanks as the FBI agent reminds me of his cynical character that he played in "A League of Their Own" and his mere presence adds more to this film. The sign of a great film star. And Christopher Walken gives one of his best performances in his already interesting career. The last scene of him as he talks to his son in the restaurant is so moving that it reflects on the great talent of Walken. You can understand why Dicaprio admires and loves his father. Walken conveys these emotions and makes the audience react just accurately. I'll be rooting for him at Oscar time. Another impressive thing about this film is the beautiful cinematography by Janusz Kaminski who's a real artist with a camera and has worked on several Spielberg films. One shot in particular stands out. The ray of sunshine coming in through the kitchen window on Walken. Very thought provoking. And of course since its a Spielberg film its very personal. Spielberg was interested in the Frank Abagnale character because as a youngster he also came from a broken family and wanted to be someone else. Spielberg would sneak onto the studios and tell people that he worked there. Also, the real Frank Abagnale jr. appears as a French police officer. Well made, extremely well acted and sharply written. Viewers seem to forget that this is really a film about the breaking up of a family and the aftermath. This really is a personal film from Spielberg, and a very good one.

While watching 'Catch Me If You Can' I had so much fun I smiled constantly. Well, that smile was interrupted by laughs. The movie tells the story of Frank W. Abignale, Jr. who is just a kid as he pretends to be a schoolteacher. After his father and mother get a divorce he runs away and starts pretending to be a co-pilot, a doctor, a lawyer. The way he does this is funny and brilliant.

I am not a big fan of Leonardo DiCaprio who plays Frank but in this movie he is perfect. He gives a very fine performance. Tom Hanks is the FBI-agent Carl who is after him, and as always Hanks is good.

The story is inspired by a real story. I don't know in how many ways it is true but watching this guy all I wanted to see was him pulling more of his nice little tricks. The scene where he pretends to be a schoolteacher is just great. If you want a nice funny movie, not too heavy, this one will definitely please you.