During WWII, acclaimed Polish musician Wladyslaw faces various struggles as he loses contact with his family. As the situation worsens, he hides in the ruins of Warsaw in order to survive.During WWII, acclaimed Polish musician Wladyslaw faces various struggles as he loses contact with his family. As the situation worsens, he hides in the ruins of Warsaw in order to survive.During WWII, acclaimed Polish musician Wladyslaw faces various struggles as he loses contact with his family. As the situation worsens, he hides in the ruins of Warsaw in order to survive.
- Director
- Writers
- Stars
- Won 3 Oscars
- 57 wins & 74 nominations total
- Street Musician
- (as Lucie Skeaping)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Summary
Featured reviews
This is the kind of magnificent filmmaking that shows a director not only being as true to the story given to him (that of Painist Szpilman, based on his autobiography) but to his past as well- Roman Polanksi faced similar conditions as a boy in the early 40's, and has found the best line to show, never crossed or mis-stepped, in representing the characters and the period. There aren't any hints of tightened suspense, no clues as to where the film could veer to, it just is. The big difference to be seen between a film like this and Schindler's List is not just in the people and situations (Schindler's List was a film about two people, Schindler and Goeth, in the foreground while the Pianist is a total first person tale), yet also in the filmmaking qualities being here surely European. And while the accents on the Polish-Jewish actors sounds a bit too British, that is quite forgivable considering the scope of the project (thank heavens he didn't put in English speaking Germans).
In conclusion, Brody turns in a superb performance, and this indeed is in with Polanski's best, a deserved of 2002's Palme D'Or. Great music too. A+
Enter "The Pianist". With no Spielberg around to put his trademark sappy material, we finally have a movie that shows the true horror and tragedy of Jewish people in World War II. The story is told through the eyes of one man - Wladislaw Szpielman, Jewish pianist who works in a radio station in Warsaw during the German occupation of Poland. Together with him we watch his world getting torn apart, witness his family being taken away, his existence being reduced to bare essentials. Brody gives a subtle yet spectacular performance, his best work yet. And never once are we reminded that we are watching a movie. Everything is shown from Szpielman's point of view, and it is all very gritty and realistic. While Spielberg's rendition of German atrocities always had a slightly staged feel to augment their dramatic purpose, here they are so true to life there impact is much greater - you watch and are being reminded in horror that this things actually happened.
While being very hard to watch sometimes, this is a movie that "Schindler's List" was supposed to be. This movie doesn't judge anybody, or tries to explain anything - it shows historical events as a reflection of one man's fate, making a powerful testimony that stays with you long after the beautiful last shot and the end credits are over.
I looked on the message boards you know and some other user comments that didn't enjoy this film much, they criticized Adrien Brody's performance and say that he was boring and only showed emotions that are easy to act. Please, you have got to be kidding me. This man portrayed the total feeling of hopelessness, being alone, being hated. I one time had an audition in high school like this to see if I could improvise, and the way I imagined this feeling is like in dodgeball where you have no one else on your team and you're the only one left standing, yet on the other team there is 20 big men that are just waiting to wack that ball at you. Adrien couldn't have done a better job, I was so frightened for him and cried for him during the whole film while he was one the run.
Roman Polanski as the director, he himself escaped the terrors of being a prisoner in The Holocaust, yet he lost his mother and other family members. Yes, I'm sure this film must have been hard to re create for him, but he was probably the only director that could have done this movie as brilliantly as he did. He created this story and made it so effective, I called up my mom and told her that I loved her so much because we take so many things for granted. True, this isn't the 1930's or 40's, and we are in America. But it's still frightening to think that human beings are capable of that much hate and being so brutal to another human.
World War II is one of the most frightening wars in history, if you read more about The Holocaust, you get more into it and you should. If you are not interested, then watch this film. It's a must see, otherwise how else will we learn from our mistakes? The Pianist is a beautiful and extremely dark tale about a man and the struggle to survive. The ending is so powerful and moving to know that sometimes one man can make a difference in a crowd of so many and I'm not talking about Adrien Brody's character. You'll see what I mean.
10/10
Did you know
- TriviaDuring the shooting of the movie, while scouting locations in Krakow, Roman Polanski met a man who had helped Polanski's family survive the war.
- Goofs(at around 1h 55 mins) Near the end of the movie, Szpilman leaves the house where he has been hiding for a while. Warsaw is completely destroyed, and all buildings are in shambles, but all the streetlight poles are perfectly straight.
- Quotes
Wladyslaw Szpilman: What are you reading?
Henryk Szpilman: "If you prick us, do we not bleed? It you tickle us, we we not laugh? If you poison us, do we not die? And if you wrong us, shall we not revenge?"
Wladyslaw Szpilman: [seeing that it is Shakespeare's The Merchant of Venice] Very appropriate.
- Crazy creditsAside from the Universal and Focus Features credits, there are no opening credits. All credits, including the title, appear at the end of the film.
- ConnectionsFeatured in The Making of 'The Pianist' (2003)
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- El pianista
- Filming locations
- Instalatorów, Ochota, Warsaw, Mazowieckie, Poland(Umschlagplatz scenes)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $35,000,000 (estimated)
- Gross US & Canada
- $32,590,750
- Opening weekend US & Canada
- $111,261
- Dec 29, 2002
- Gross worldwide
- $120,098,945
- Runtime2 hours 30 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1