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3.4/10
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A restaurant owner leads a double life.A restaurant owner leads a double life.A restaurant owner leads a double life.
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This movie (not a film -- clearly recorded on a cheap cam-corder) may be one of the greatest cinematic stink-bombs in history. Beware: the packaging advertises the flick as an erotic exploration of sex-addiction. The film is not an exploration of anything, and it is no more erotic than staring at one's own warts. The script is pointless and meandering, with all plot elements serving as segways between supposed sex scenes. However, even the sex scenes are lame lame lame. Except for the first, they are around three seconds long (then again, maybe my version was cut) and comically overwrought.
If you are looking for a decent film, you don't want this. If you are looking for a titillating sex-flick, you don't want this. Whatever your life's goals, desires, or perspectives, you do not want to watch this movie. How they got Rosanna Arquette, Natashia Kinski, and Ed Begly to act in this stink bomb is puzzling in the extreme.
If you are looking for a decent film, you don't want this. If you are looking for a titillating sex-flick, you don't want this. Whatever your life's goals, desires, or perspectives, you do not want to watch this movie. How they got Rosanna Arquette, Natashia Kinski, and Ed Begly to act in this stink bomb is puzzling in the extreme.
2=G=
"Diary of Sex Addict" is a pathetic attempt at a serious drama about sexual compulsiveness. Probably a movie marketing scam, this flick is a stylish shoot with a good cast and little else going for it. Bottom line, "Diary..." would have us believe that our sex addict character has the dumbest wife in the world, a stable of babes on the side who have nothing better to do than drop their panties for him at his whim, and no job in spite of being a restaurateur. At the best, this flick could have been good drama. At the worst, cheap softcore. "Diary..." isn't either and nowhere in between. This one's for the dumpster. (D-)
I write about film professionally, but have never felt the drive to comment here. However, I read the previous viewer comment and was inspired. I stumbled on the thing much as the other writer did, and was similarly aghast. Probably deserves some special sort of recognition, and I'm happy to do my part in spreading the word. I can almost imagine this film being some sort of "Springtime for Hitler" -type scheme. It's text book bad. A must-see.
This trashy B movie attempts to masquerade as a study of sexual addiction, but it is really a poor excuse for a sexploitation flick. The story revolves around Sammy Horn (subtle name) played by Michael Des Barres. Sammy is a restaurant owner with a clueless wife Grace (Rosanna Arquette) and a young child. He has a sexual addiction and must have meaningless sex every five minutes with any woman in his field of vision who will agree (and of course every woman on the planet finds him irresistible despite the fact that he looks old enough to be collecting Social Security).
The story is centered on a conversation with his therapist (Nastassja Kinski) where he is describing each of his sexual exploits via flashback. This is nothing more than a convenient launching point for a parade of serial sex acts, which consumes at least 75% of the screen time.
It is hard to know where to begin criticizing a film this bad. The production values are abysmal. The movie is shot on video with a look somewhere between a TV soap opera (at best) and an amateur porn flick shot in someone's garage. The direction by Joseph Brutsman is horrible with bad lighting, uninspired framing and poor actor direction. The script is vapid and the dialogue mindless and vulgar.
Women are generally portrayed as sex obsessed nymphomaniacs just waiting for an addict like Sammy to come along and rough them up while feeding their insatiable appetites with some impersonal copulation. As an example, Grace's sister comes over to indignantly inform Sammy that she knows he's been sleeping around and that she is going to tell his wife. His response to that is to throw her up against the wall and begin raping her. About three seconds into it she has an epiphany and is instantly converted to one of his sex disciples begging him to give her more. Just as they finish Grace walks in and sis says to her, `Oh, great to see you, gotta run to pick up Timmy' and mum's the word about Sammy's indiscretions. The bond of loyalty has been sealed with a good ravishment. No spoiler here because it is so typical of the obvious nature of the film that anyone who had seen the first fifteen minutes could have predicted it.
The sex depictions are all overdone, mechanical, and so poorly simulated that they are more comical than erotic. Most of them are done with both participants fully clothed. The acting is wretched. Michael Des Barres presents all the depth of a rain puddle. He really seems to get into the thrusting and profanity of the sex parts, but when it comes to actually acting with Arquette and Kinski, he is adrift. Rosanna Arquette is the closest thing to an actor in this film, giving a bearable performance and looking genuinely hurt when she finally discovers that her perfect husband is a lecherous animal. Nastassja Kinski is far too compassionate as the therapist, but at least we have some acting happening here. The rest of the cast is just a collection of elevated body doubles to whom they give thought provoking lines like `hit me harder, is that the best you can do?' and `Oh, God YES'.
This movie is among the worst I have ever seen, a dubious distinction given the thousands of films I have viewed. I have given it the extremely rare dishonor of rating it 1/10. Not to be seen within three hours of any meal.
The story is centered on a conversation with his therapist (Nastassja Kinski) where he is describing each of his sexual exploits via flashback. This is nothing more than a convenient launching point for a parade of serial sex acts, which consumes at least 75% of the screen time.
It is hard to know where to begin criticizing a film this bad. The production values are abysmal. The movie is shot on video with a look somewhere between a TV soap opera (at best) and an amateur porn flick shot in someone's garage. The direction by Joseph Brutsman is horrible with bad lighting, uninspired framing and poor actor direction. The script is vapid and the dialogue mindless and vulgar.
Women are generally portrayed as sex obsessed nymphomaniacs just waiting for an addict like Sammy to come along and rough them up while feeding their insatiable appetites with some impersonal copulation. As an example, Grace's sister comes over to indignantly inform Sammy that she knows he's been sleeping around and that she is going to tell his wife. His response to that is to throw her up against the wall and begin raping her. About three seconds into it she has an epiphany and is instantly converted to one of his sex disciples begging him to give her more. Just as they finish Grace walks in and sis says to her, `Oh, great to see you, gotta run to pick up Timmy' and mum's the word about Sammy's indiscretions. The bond of loyalty has been sealed with a good ravishment. No spoiler here because it is so typical of the obvious nature of the film that anyone who had seen the first fifteen minutes could have predicted it.
The sex depictions are all overdone, mechanical, and so poorly simulated that they are more comical than erotic. Most of them are done with both participants fully clothed. The acting is wretched. Michael Des Barres presents all the depth of a rain puddle. He really seems to get into the thrusting and profanity of the sex parts, but when it comes to actually acting with Arquette and Kinski, he is adrift. Rosanna Arquette is the closest thing to an actor in this film, giving a bearable performance and looking genuinely hurt when she finally discovers that her perfect husband is a lecherous animal. Nastassja Kinski is far too compassionate as the therapist, but at least we have some acting happening here. The rest of the cast is just a collection of elevated body doubles to whom they give thought provoking lines like `hit me harder, is that the best you can do?' and `Oh, God YES'.
This movie is among the worst I have ever seen, a dubious distinction given the thousands of films I have viewed. I have given it the extremely rare dishonor of rating it 1/10. Not to be seen within three hours of any meal.
let me first say, i watched this movie around midnight, and usually there only is trash around this hour, but this movie broke the record
first of all the main character is an old non attractive creepy guy, yet he gets to f*ck all girls that come on his path for example he goes to a shop, talks to a girl and then you see them f*ck
secondly there are loads of sex scenes, and in many of them there is no nudity at all, i would not have been surprised if one of the characters in the movie would say: fast put your clothes on so we can f*ck!
thirdly this movie should show what a sexual addiction can do to a man or a family, this movie only shows soft bad acted erotica it makes me wonder why those actors agreed to play in such trash
first of all the main character is an old non attractive creepy guy, yet he gets to f*ck all girls that come on his path for example he goes to a shop, talks to a girl and then you see them f*ck
secondly there are loads of sex scenes, and in many of them there is no nudity at all, i would not have been surprised if one of the characters in the movie would say: fast put your clothes on so we can f*ck!
thirdly this movie should show what a sexual addiction can do to a man or a family, this movie only shows soft bad acted erotica it makes me wonder why those actors agreed to play in such trash
Did you know
- Quotes
Sammy Horn: Can anyone say they had a relationship that they didn't lie in?
- ConnectionsReferenced in The Holiday (2006)
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