IMDb RATING
5.4/10
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Germany, 1944. The forests of the Ardennes. A platoon of battle weary German soldiers, forced into confusion and retreat by advancing Allied forces, take refuge in an isolated Siegfried Line... Read allGermany, 1944. The forests of the Ardennes. A platoon of battle weary German soldiers, forced into confusion and retreat by advancing Allied forces, take refuge in an isolated Siegfried Line bunker.Germany, 1944. The forests of the Ardennes. A platoon of battle weary German soldiers, forced into confusion and retreat by advancing Allied forces, take refuge in an isolated Siegfried Line bunker.
- Awards
- 2 nominations total
Peter McNeil O'Connor
- Corporal 1
- (as Peter O'Connor)
Nicholas Rutherford
- Deserter
- (as Nick Rutherford)
Simon D'Arcy
- SS officer
- (as Simon Darcy)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I've started to watch this on a few different occasions, but for whatever reason I've never gotten the whole way through. Until tonight that is, and I wish I hadn't put it off so long! Though it moves at a very slow pace, it's worth it in the end. There are some very tense and creepy scenes, especially once the soldiers begin to lose their grip on sanity near the end of the film. I do have some gripes with the movie however. First off, I cant quite fathom why a battalion of German soldiers all has British accents. Sure, the actors were good and everything, but you think they would have at least tried to sound German, eh? That aside however, this is a surprisingly tense and atmospheric horror film. Any worries that I may have had about Rob Green directing the Dog Soldiers sequel are officially washed away.
7.5/10
7.5/10
After watching the disappointing Deathwatch, another British-made horror film set during war-time (this time the WWI trenches), I was hoping that The Bunker would prove a better option. Unfortunately, The Bunker falls into the same trap as Deathwatch, in that they're both over-long, characterless and (most heinous crime for a movie) boring.
There is an effectively creepy atmosphere built up during the first half-hour, but this evaporates into the standard horror cliché - creeping up and down poorly-lit corridors - and with such poorly sketched characters, that it generates very little tension.
Towards the end there is an effectively-eerie looking scene where the main characters' hallucinations take on the shape of zombie troops. And there's a vague parallel drawn between the actions of the bunker's supernatural spirits and the Nazis themselves, but it is framed in such a woolly manner that it's almost entirely lost in the mire of mediocrity.
There is an effectively creepy atmosphere built up during the first half-hour, but this evaporates into the standard horror cliché - creeping up and down poorly-lit corridors - and with such poorly sketched characters, that it generates very little tension.
Towards the end there is an effectively-eerie looking scene where the main characters' hallucinations take on the shape of zombie troops. And there's a vague parallel drawn between the actions of the bunker's supernatural spirits and the Nazis themselves, but it is framed in such a woolly manner that it's almost entirely lost in the mire of mediocrity.
I heard about THE BUNKER as soon as it came out ( Being a British movie it would have received far more publicity here than it did in America ) and it seemed to split the critics right down the middle . Some people thought it was a great and atmospheric horror movie while others thought it was a confused cross genre story . Some critics thought it was a good idea to let the cast talk in their native accents while others were puzzled why a bunch of British soldiers are wearing German uniforms fighting against the Americans !
I don't have any problems with the British accents and idioms such as pronouncing the rank of Leutnant as " Left-ten-ant " but I do have a problem trying to identify with the characters . They're Germans from the mid 1940s , they're " the enemy " and even though they're doing a soldier's duty the audience can't think of them as anything but bad guys . It's the same with the very similar THE KEEP where the audience wonder who they're supposed to be rooting for . Perhaps if the characters were Volkstrum protecting Germany from the Red Army this aspect could have worked better but as it stands it's difficult to feel sorry for the characters . Incidentally aren't the surnames Franke and Engels of Jewish descent ?
Ironically enough while watching this I found myself often wishing that this was either a straightforward horror film or a straightforward war film . The early action scenes are very well directed by Rob Green while the scenes set in the dark catacombs are certainly atmospheric but it's the revelation at the end that you suddenly realise that THE BUNKER is neither a war film nor horror film but a ghost story mixed in with a redemption plot and its at this point you are allowed to decide if the film is successful or not and I'm afraid that it failed for me , an interesting failure but still a failure . Some people have complained it would have been better if the soldiers had faced zombies or something more horrific and I agree . Certainly it would have made for a more ridiculous less thoughtful film but would also have made for a more memorable and entertaining movie .
I don't have any problems with the British accents and idioms such as pronouncing the rank of Leutnant as " Left-ten-ant " but I do have a problem trying to identify with the characters . They're Germans from the mid 1940s , they're " the enemy " and even though they're doing a soldier's duty the audience can't think of them as anything but bad guys . It's the same with the very similar THE KEEP where the audience wonder who they're supposed to be rooting for . Perhaps if the characters were Volkstrum protecting Germany from the Red Army this aspect could have worked better but as it stands it's difficult to feel sorry for the characters . Incidentally aren't the surnames Franke and Engels of Jewish descent ?
Ironically enough while watching this I found myself often wishing that this was either a straightforward horror film or a straightforward war film . The early action scenes are very well directed by Rob Green while the scenes set in the dark catacombs are certainly atmospheric but it's the revelation at the end that you suddenly realise that THE BUNKER is neither a war film nor horror film but a ghost story mixed in with a redemption plot and its at this point you are allowed to decide if the film is successful or not and I'm afraid that it failed for me , an interesting failure but still a failure . Some people have complained it would have been better if the soldiers had faced zombies or something more horrific and I agree . Certainly it would have made for a more ridiculous less thoughtful film but would also have made for a more memorable and entertaining movie .
We are on the German/Belgian border in 1944 and a group of German soldiers are holed up in a bunker trying to survive. But just as they find a tunnel system underneath the bunker, and the enemies outside are closing in, they suspect that something very sinister is down there with them......
One of the most frustrating British films I have watched in a very long time. You see there is a real great movie at its core, one that is desperately trying to get out, but instead of a top notch eerie thriller we get something that looks like a chopped together homage to John Carpenter. Definite shades of Carpenter's chiller, The Fog, and Russell Currie's great and creepy score sounding suspiciously like a reworking of Morricone's scoring for The Thing. The production is not helped by using an array of non German actors for this German soldier based picture. Much as i like Jason Flemying and Christopher Fairbank {my reasons for watching this film}, it's a bit of a stretch to accept them as German soldiers.
With a better director than Rob Green at the helm, Clive Dawson's story could have been fully realised as a serious and dramatic horror film. Instead the end product comes off as something that was too big a task to handle, and sadly the nicely tuned atmosphere is lost amongst the insipid and unimaginative cop out that the film invariably is. 3/10
One of the most frustrating British films I have watched in a very long time. You see there is a real great movie at its core, one that is desperately trying to get out, but instead of a top notch eerie thriller we get something that looks like a chopped together homage to John Carpenter. Definite shades of Carpenter's chiller, The Fog, and Russell Currie's great and creepy score sounding suspiciously like a reworking of Morricone's scoring for The Thing. The production is not helped by using an array of non German actors for this German soldier based picture. Much as i like Jason Flemying and Christopher Fairbank {my reasons for watching this film}, it's a bit of a stretch to accept them as German soldiers.
With a better director than Rob Green at the helm, Clive Dawson's story could have been fully realised as a serious and dramatic horror film. Instead the end product comes off as something that was too big a task to handle, and sadly the nicely tuned atmosphere is lost amongst the insipid and unimaginative cop out that the film invariably is. 3/10
A group of German soldiers find refuge into an isolated bunker during the final months of WWII. They are escaping the advancing US army, and they are sharing a terrible secret (that will be revealed to the spectators only in the final minutes of the movie). Inside the bunker and in the tunnels below it, they will find their worst fears and nightmares materializing, the ghosts of war coming to get them. Without any special effects, director Rob Green manages to make a scary movie, played almost totally on the inner fears of humans caught in something bigger than any of us, into the darkness of the human minds, capable to create such a war. So, if you are an horror fan, waiting for slimy creatures or tentacled nightmares to come out of the cave, beware of this movie. But if you are a real horror movie fan, searching for the atmosphere that a good horror movie can manage without the use of any particular effect, you are for a big surprise in this little, misguided gem of an independent movie. Two thumbs up!!
Did you know
- TriviaDuring their first night in the bunker, when Kreuzmann is expressing his worries to Ebert about an American attack and the bunker being "not quite right," at the end of the conversation he says "God with us." Aside from being an obvious religious statement, it also refers to the saying that was inscribed on Germany Army belt buckles: "Gott mit uns" or "God with us." This was also common inscription on armour in the German military until the end of the Third Reich, and has a history and usage in Germany dating back as far as the Teutonic Order.
- GoofsWhen Schenke fires his P38, the slide locks back, indicating the magazine is empty. Yet he fires a few rounds more in the next scene, without any reload in between.
- Quotes
Cpl. Baumann: They don't deserve to wear that uniform, prove that you do! Do I have to spell it out? They are traitors and cowards! Shoot them!
- ConnectionsReferences Suspiria (1977)
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Details
- Release date
- Country of origin
- Language
- Also known as
- The Bunker: The Evil Is Within
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 35m(95 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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