Braquages

The cast alone suggests that this will be an amazing movie...and it was. The amazement however, ended just before the movie did. The performances were all great - however the writing talents were not well suited for actors of this caliber. The writer's talents were more on par with ... well... fortune cookies. This is not to say that the whole thing is bad. It is just that the ending is just over done. The whole 'tricked-ya' thing is a little old, but still acceptable. The 'tricked-ya tricked-ya tricked-ya' type endings are about as creative as a dream-sequence ending. To the defense of the movie, it is better the second time, as you are no longer worried about the ending and just enjoying the acting.

This movie has one twist too many. The actual heist is so complicated that the desired tension sags earlier than it should. Heist has nothing of the suspense of a Hitchcock thriller, and trying to outwit your opponent gets boring after a while when you start forgetting what it is all about. There are some nice scenes around the airport though, some memorable dialogue ("everybody needs money, that's why it's called money"), and it's always fun to watch great professionals like Hackman, Rockwell and DeVito. Mamet's stock actor Ricky Jay adds flavour to the movie as usual, Rebecca Pigeon's part was ungrateful to play and somehow superfluous.

Hackman and his boys are doing The Swiss Job. Some old and newer clichés of my country pop up, viewers here were amused. And, believe me, the Swiss are always pleased when someone across the Atlantic acknowledges their mere existence, in whatever way this is done. Well, I have to go now: It's time to wind up my cuckoo-clock and to put a second lock on my own private stash of gold bullions.

Knowing the quality of Mamet's previous works, maybe I expected too much out of this one, but as it stands I just wasn't impressed by this film. Am I the only one who got bored during this movie? The characters were good except Fran (Rebecca Pidgeon). She is just there to deliver one-liners the whole time and provide sex appeal. I know her demeanor is quiet and conniving, but she just struts around waiting to make overly witty replies. The rest of the cast were excellent, Delroy Lindo outshined Hackman as his right-hand thug, Ricky Jay pulls off the calm and collected badass, Sam Rockwell delivers a good presence that you just hate, DeVito was awesome as the break-your-balls "bad" criminal and Hackman played his part well as he always does.

The story bored me however. You knew what was going to happen before it happened and there were too many twists in the movie that they lost their affect. Twists are good when used sparingly and when used at the right time. I didn't like the timing of them in this movie or the overuse of them. It got boring because the characters always pull something out of their hat when you "least expect it."

For me dialogue has to be two things, witty and believable. Now the dialogue in this film is witty, Mamet probably took a while to compile all these quotes into one movie, but it is too much. It is simply to much. All Rebecca Pidgeon says is these crafty responses and she engages no real conversation. As for believable, people don't speak like this. No one, not even the coolest cat in the world and half the time I am trying to figure out what the hell they mean.

The plot is way too contrived, it is too much. Their is a backup plan, for a backup plan, for a backup plan, for a ... The scene on the runway was crap, impossible. Never would have happened. Too many "overly" perfect plans and too many twists make this plot boring to watch.

Wait for the rental.

In "Heist", Hackman plays and aging thief who, saddled with a beautiful young wife, no pension, and the disintegration of the old school thief ethic, decides to pull one last job so he can sail off into the sunset with his babe. The film, fraught with implausibilities, is all about who's the smarter thief (which, of course, would be the one with all the loot at the end) and deals with strategizing, conflict containment, greed, and other thief problems while forsaking action stuff (stunts, chases, sex, etc) as it labors through its somewhat convoluted plot. Good old Hollywood thief stuff with a solid cast worth a watch. Turn off brain and enjoy.

Does exactly what it says on the tin, with perhaps a slight overload on the double-crosses and some surprisingly cringeworthy dialogue from such a practised ear:

"Everybody needs money - that's why they call it money" spouts Danny DeVito. Uh? Am I missing something or is this utter nonsense? Maybe it looked good on the page, but it stinks when it's out in the open.

Nowhere near as tight and entertaining as 'House Of Games' or 'The Spanish Prisoner', but then even an average Mamet thriller is worth a look.