Missamma

Missamma is a masterpiece. The real hero of the film is not the NTR, but Savithri, and Relangi's role is a memorable one along with his two songs. Apart from story, performance of the artistes all of them, music has played very dominant role in this super hit cinema. As ko.ku mentioned in his review misplacement was the real reason for the story in this hilarious all time great film produced by VIJAYA.often it was reported late bhanumathi was supposed to enact the role of Missamma, but ultimately SAVITHRI essayed the role with an ease inimitable style and élan. The three hour plus film never lacks an interesting scene in its entirety and still drags crowds wherever it was shown whether on TV or in cinema houses.ANR, NTR, SVR, RELANGI, RAMAMNAREDDY, JAMUNA, AND SAVITHRI made the film as a masterpiece with the technical inputs from Marcus Bartley and rajeswararao

Comedy at its best. This movie has a masterful cast at their best. I have seen this movie more than 50 times and would never pass a chance to see it again. Missamma is a well written, well acted and well made masterpiece that has to be subtitled and shown to an international audience.

Misamma (1955) : Brief Review -

NTR steals the show in this Savitri-centric evergreen rom-com. Misamma is a cleverly titled film that merges two religious references-"Miss" and "Amma"-into one, symbolizing the cultural blend at the heart of the story. The character says the title in such a way that it adds to the chaotic charm of the narrative. As with most memorable romantic comedies, Misamma thrives on chaos, misunderstandings, and charades. The central idea-of a man and a woman pretending to be a married couple for the sake of employment-is borrowed from classic Hollywood screwball comedies and carries with it the signature "happy ending" those films are known for. However, unlike Hollywood, which rarely delved into the "lost and found" child trope, Indian cinema embraced it wholeheartedly. Misamma takes one key conflict from a Hollywood narrative, layers it with the Indian lost-and-found formula, and finally blends it with the timeless trope of two people falling in love while faking a relationship. The film is titled after Savitri's character, and thematically, it does revolve around her, making it a significant role in her career. Yet, in my opinion, the movie truly belongs to NTR. He is the engine of the story-building it, driving it forward, and dominating nearly every scene. While Savitri stands strong beside him, it's NTR who answers the tough questions, sings meaningful songs, navigates conflict,, and uses his wit to solve problems. His character is one of the most complete hero roles of the 1950s-smart, charming, and deeply involved in the story. The film's storyline is simple, but it's the screenplay that makes it engaging. The comedy, situational humor, light-hearted chaos, and even the confrontations have a sweetness that lingers. The songs are beautifully composed, with lyrics that resonate deeply. Misamma is packed with delightful moments that stay with you long after the credits roll. L. V. Prasad delivered a film for generations. While it may not have pushed the boundaries of classic cinema in terms of innovation, as an entertaining rom-com, it's an evergreen gem.

RATING - 7.5/10*

By - #samthebestest.

We rarely get to see such clean comedy. The Actors bahave like characters and not like the actors themselves, which is widespread in Telugu cinema today.

It is a benchmark for comedy.

So you have a young NTR and Savitri. You have the absolutely talented Ramana Reddy. You have a delightful Relangi. And the surprise package, ANR. He was perfect as a detective who can't sing (you must hear that song).

The main theme is love and feminine jealousy. Padded with enough humor, religion, song and dance. Jamana is the kiddish girl and a good dancer.

All leading to a climax that balances everything out.

Watch the movie for Savitri.