Km. 0

Watch closely at the beginning as the ensemble characters are introduced. There are a lot of characters and the interplay between them is superb. For being funny, the movie still has a lot of power to shock with dark humor. The gay content is very frank, very natural, and very funny.

This film is a delight and somewhat of a surprise for its frank treatment of all kinds of sexual relationships. Each character has his or her unique adventure seeking companionship,love, or excitement during one steamy afternoon and evening in Madrid, the unifying element being the meetings at the kilometer zero marker in one of the city's plazas, from which distances to other locations in Spain are measured. There are various mishaps ranging from mistaken identities to a minor auto accident. Everything has a delightfully light touch, and this viewer empathized easily with all the characters in their amorous adventures, ranging from the neglected middle-aged wife who hires a gigolo to the young backpacker who wants to help a prostitute gain more self-confidence. The use of a wallet photograph to establish a crucial identity reminds one of Restoration comedies in which a portrait in a locket is so important to the plot. In so many ways Km.0 is very traditional and in other ways, as in its frank depiction of a variety of sexual relationships, very modern. My one criticism of the film is the relegation of Tristan Ulloa to a role in which the talents he displayed in Sex and Lucia are not utilized.

Low-budget and light, KM 0 is - nonetheless - a refreshing blend of drama and romantic comedy. Combining a sprawling Altman-size cast, a touch of Almodovar camp, and a Frank Capra sweetness, the film follows the interaction and evolving connections between 14 strangers from various backgrounds who all share a coincidental meeting place at the center of Madrid, during a highly symbolic heat wave. The varied situations they find themselves in are fairly cut-and-dried at first, but each evolves in an unusual direction, and at least a few of the characters (the younger gay man, the middle aged woman) are quite fascinating and endearing. This attention to detail elevates this charming but messy film above the usual romantic comedy, and the Capra-esquire twist near the film's end was pleasantly unexpected. With the exception of the middle-aged woman, I found the male characters to be much more well developed. The fact that a couple of the women preserve connections to men who treat them badly seemed highly unnecessary - though perhaps realistic, it didn't really work as a critique of sexual politics, and this threw a sour note into an otherwise breezy and pleasant film.

But overall there's plenty of charm here, and I found KM 0 to be mostly a treat.

Picture a romantic sex comedy as it might have been codirected by Frank Capra and Pedro Almodóvar, and you'll have a vague idea of the kind of quirky confection Serrano and Iborra have cooked up.

Iborra introduced the screening I saw in April 2001 at the Miami Gay & Lesbian Film Festival. He said he got the idea for "Km. 0" while standing in Madrid's Puerta del Sol, watching different combinations of people meet up at the plaza's famous zero-kilometer mark. This engaging, surprising, very funny and sentimental ensemble piece follows more than a dozen such characters of varying ages, professions and sexual orientations as their stories cross and separate over the course of one day.

My only gripe: the plot twist at the end seems unecessarily corny, though admittedly it's not at odds with what we saw earlier in the film. On the whole, "Km. 0" is worth seeing.

Madrid's Puerta del Sol, is considered the central point in the city. It's a busy place in the old section of town. The plaza is also a meeting point for people, as it's the case in the film. We are presented about a dozen people that are more interconnected than we imagined, as each life touches another.

"Km. 0" is an entertaining film that shows some characters that are in search of discovering themselves as some of they embark in several sexual encounters. Some will pay off, others not too well. All the characters are affected by the heat wave during that summer day. Most of them will discover something about themselves and will make resolutions for changes in their lives.

The film credits two directors, Yolanda Garcia Serrano and Juan Luis Iborra, who have collaborated before and are also the screen writers. They work a lot on Spanish television. The ensemble cast do a wonderful job under the directors commands.

This is a light fun film with fast pacing that will entertain the viewer. The only odd note is the ending, which is seen from the would be director's eyes, as though everything has been a movie in the making in his imagination.