Pushpaka Vimana
- 1987
- 2h 5m
IMDb RATING
8.6/10
4.4K
YOUR RATING
An unemployed graduate who coincidentally encounters a rich unconscious man, and takes over his lifestyle by keeping him a prisoner. However, he is in for a twist as a contract killer is aft... Read allAn unemployed graduate who coincidentally encounters a rich unconscious man, and takes over his lifestyle by keeping him a prisoner. However, he is in for a twist as a contract killer is after him, assuming him to be the affluent man.An unemployed graduate who coincidentally encounters a rich unconscious man, and takes over his lifestyle by keeping him a prisoner. However, he is in for a twist as a contract killer is after him, assuming him to be the affluent man.
- Director
- Writer
- Stars
- Awards
- 7 wins total
Amala Akkineni
- Magician's daughter
- (as Amala)
Sameer Kakkar
- Rich man
- (as Samir Khakhar)
Ramya Krishnan
- Rich man's wife
- (as Ramya)
Loknath
- Hotel owner
- (as Lokanath)
Prathap Pothen
- Lover
- (as Pratap Potan)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Words are not enough to describe the strengths of this movie of which there are so many that no doubt Pushpak deserves the status of a cult-movie. A silent movie and an intelligent one at that should have shaken up the world of cinema. Alas, it was not meant to be. Nevertheless, it is a landmark film. Had it been made in Hollywood, it could have been the "Avatar" of 3D viewing experience.
It tells the story of an unemployed youth Kamal Hassan who kidnaps and steals the identity of an alcoholic businessman, locks him in his one room apartment, and starts living the life of his dreams in the hostage's suite in a luxury hotel. What follows next is a mix of Alice-in-Wonderland like excitement; boy meets girl charm; hit man-on-the-loose pandemonium; guilt and redemption - all served with a puff of magic.
Despite having no dialogs, the makers of this movie have managed to create such endearing characters that unless you are like me who has watched this movie more than 20 times, you watch with wide eyed wonder at the innovativeness with which each character's story and the situations they find themselves in is revealed. For example, in the musical chairs being played out between Kamal Hassan and random characters in front of the public bathroom, each one of them is desperate to out maneuver the other to get the best "seat" and it is a sight to behold. You can't help but marvel at the subtlety with which Kamal Hasssan plays this scene. Even more intriguing is the sequence of events that propel the action from a daily routine like having a surrogate breakfast, romancing the magician's daughter (an irresistible Amla) at a funeral, dodging the hit-man's innovative weapon, to pouring alcohol down the hostage's throat after cleaning his bottom. It's a remarkable mix and you wonder how much of it was improvised.
Interestingly, the entire concoction is held together by symbolism and metaphors. The idea of boosting one's ego by drawing inspiration from the story of the clever crow that drops pebbles into a jar to raise the level of water in order to quench its thirst plays out beautifully when the protagonist does the same with a cup of tea. Only this time, he drops knick-knacks into the cup. In another scene, once the protagonist has successfully kidnapped the alcoholic businessman and taken over his identity, for a brief moment, stands in front of the hotel logo that has wings on its sides thus forging the idea that he himself has grown wings and is now ready to explore the world that has been out of his reach so far. The movie also boasts creative situational music, some of which sounds like as if it belongs in a lullaby but seems to gel beautifully with the well-choreographed sequences.
Pushpak has a very strong message, especially for the youth, and you don't need spoken words to understand that honesty is still the best policy both in life and in love no matter how bitter-sweet the outcome. If you loved "Jaane Bhi Do Yaaro" and "Chashme Buddoor", make it a point to see Pushpak. If not for anything, watch it for Kamal Hassan and witness how he inhabits his quirky character and missteps not even once.
It tells the story of an unemployed youth Kamal Hassan who kidnaps and steals the identity of an alcoholic businessman, locks him in his one room apartment, and starts living the life of his dreams in the hostage's suite in a luxury hotel. What follows next is a mix of Alice-in-Wonderland like excitement; boy meets girl charm; hit man-on-the-loose pandemonium; guilt and redemption - all served with a puff of magic.
Despite having no dialogs, the makers of this movie have managed to create such endearing characters that unless you are like me who has watched this movie more than 20 times, you watch with wide eyed wonder at the innovativeness with which each character's story and the situations they find themselves in is revealed. For example, in the musical chairs being played out between Kamal Hassan and random characters in front of the public bathroom, each one of them is desperate to out maneuver the other to get the best "seat" and it is a sight to behold. You can't help but marvel at the subtlety with which Kamal Hasssan plays this scene. Even more intriguing is the sequence of events that propel the action from a daily routine like having a surrogate breakfast, romancing the magician's daughter (an irresistible Amla) at a funeral, dodging the hit-man's innovative weapon, to pouring alcohol down the hostage's throat after cleaning his bottom. It's a remarkable mix and you wonder how much of it was improvised.
Interestingly, the entire concoction is held together by symbolism and metaphors. The idea of boosting one's ego by drawing inspiration from the story of the clever crow that drops pebbles into a jar to raise the level of water in order to quench its thirst plays out beautifully when the protagonist does the same with a cup of tea. Only this time, he drops knick-knacks into the cup. In another scene, once the protagonist has successfully kidnapped the alcoholic businessman and taken over his identity, for a brief moment, stands in front of the hotel logo that has wings on its sides thus forging the idea that he himself has grown wings and is now ready to explore the world that has been out of his reach so far. The movie also boasts creative situational music, some of which sounds like as if it belongs in a lullaby but seems to gel beautifully with the well-choreographed sequences.
Pushpak has a very strong message, especially for the youth, and you don't need spoken words to understand that honesty is still the best policy both in life and in love no matter how bitter-sweet the outcome. If you loved "Jaane Bhi Do Yaaro" and "Chashme Buddoor", make it a point to see Pushpak. If not for anything, watch it for Kamal Hassan and witness how he inhabits his quirky character and missteps not even once.
rare movie that too in the mainstream Indian cinema. a movie with out words, but conveys much more than words can convey. good direction , good screen play , good background score, good acting. the movie has mixed emotions , comedy, sentiment , love. funny way of handling the scenes of unemployed poor guy. how he tastes fortune in impersonation. the craziest scene is how the guy poses that he has more money than the beggar and get insulted as the beggar has more money than him. later after stealing money he goes near the beggar to show of his money and feels sorry to see the beggar dead and people running after beggar's money. even the romance scenes are handled well.
After numerous recommendations I finally managed to get a hold of this movie. I appreciate the director's attempt of making a silent movie that is charming, funny but very flawed. As much as I enjoyed it, I would not place it among the best movies. Some of the humour is too tacky for my liking, especially the toilet humour (for example the whole toilet situation with the hostage) and some comic tracks just fall flat. At times, the film moves at a lethargic pace. The Tinu Anand track did not need that much focus. That entire track could have been better left out. Yet, 'Pushpak' remains likable. I loved the irony in the end and that beautifully concludes the poetry of the entire movie. In terms of acting, 'Pushpak' belongs to Kamal Hassan. The actor gets into the skin of the character and nails the part. I never thought of him as one of the best actors in Indian cinema but i admire his attempt at experimenting with different things and he is exceptional in 'Pushpak'. Amla is vivacious in a smaller role. Director Singeetham deserves credit for daring to make a silent film, and one that mostly manages to avoid the clichéd gimmicks. Perhaps this was his homage to the voiceless movies made in the 30s. I loved his use of symbolism and metaphors especially in the end sequence. For the most part, 'Pushpak' is a fun watch and I thin it would have been excellent had the editing been more crisp but there's enough good about it that compensates for the weaknesses.
You just have to LISTEN TO YOUR EYES to belive it.
Yes you got it correct listen to your EYES. This movie has no verbal dailouges at all (except for some seconds background chattering). And surprise surprise its a full length feature film with Romance,Crime,Thrills and a social message. Just amazing how it has been directed and excellent acting by all and sundry.
Will recommend to one and all. (****1/2)
Yes you got it correct listen to your EYES. This movie has no verbal dailouges at all (except for some seconds background chattering). And surprise surprise its a full length feature film with Romance,Crime,Thrills and a social message. Just amazing how it has been directed and excellent acting by all and sundry.
Will recommend to one and all. (****1/2)
Pushpak (a.k.a Pushpaka Vimana in Kannada) is a must see film. Director Singeetham has done a superb job. Even though there are no dialogues in the movie, you don't feel like you are watching a silent movie. Camera work and direction are so clever that the scenes itself convey everything. And, Kamal Hassan is simply brilliant! He deserves all the greatest awards out there (be it Academy Awards or anything else). The film focuses on the life of an unemployed youth. The comedy, or I should say dark comedy, is superb! Pushpak is the real thing, you have to see it to believe it.
I think that Pushpak has gone unnoticed by international movie aficionados. It is a pity that Pushpak does not feature in IMDb's top 250 lists. And, I am disappointed to see many flaky Japanese horror movies being over-hyped!!!!
There can and will never be a film like Pushpak. Pushpak is a cult film from day one.
I think that Pushpak has gone unnoticed by international movie aficionados. It is a pity that Pushpak does not feature in IMDb's top 250 lists. And, I am disappointed to see many flaky Japanese horror movies being over-hyped!!!!
There can and will never be a film like Pushpak. Pushpak is a cult film from day one.
Did you know
- TriviaSatyajit Ray, after watching the film, commented "Singeetam Srinivasa Rao has created a love scene around a dead body". He appreciated the film and Kamal Haasan's performance.
- ConnectionsReferenced in Crimes Aaj Kal: Murder Most Foul (2023)
- How long is Pushpaka Vimana?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- The Love Chariot
- Production companies
- See more company credits at IMDbPro
- Runtime
- 2h 5m(125 min)
- Color
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