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IMDbPro

Mission évasion

Original title: Hart's War
  • 2002
  • Tous publics
  • 2h 5m
IMDb RATING
6.4/10
57K
YOUR RATING
Bruce Willis and Colin Farrell in Mission évasion (2002)
A law student becomes a lieutenant during World War II, is captured and asked to defend a black prisoner of war falsely accused of murder.
Play trailer2:22
2 Videos
70 Photos
Prison DramaDramaWar

A law student becomes a lieutenant during World War II, is captured and asked to defend a black prisoner of war falsely accused of murder.A law student becomes a lieutenant during World War II, is captured and asked to defend a black prisoner of war falsely accused of murder.A law student becomes a lieutenant during World War II, is captured and asked to defend a black prisoner of war falsely accused of murder.

  • Director
    • Gregory Hoblit
  • Writers
    • John Katzenbach
    • Billy Ray
    • Terry George
  • Stars
    • Bruce Willis
    • Colin Farrell
    • Terrence Howard
  • See production info at IMDbPro
  • IMDb RATING
    6.4/10
    57K
    YOUR RATING
    • Director
      • Gregory Hoblit
    • Writers
      • John Katzenbach
      • Billy Ray
      • Terry George
    • Stars
      • Bruce Willis
      • Colin Farrell
      • Terrence Howard
    • 209User reviews
    • 85Critic reviews
    • 49Metascore
  • See production info at IMDbPro
    • Awards
      • 1 win & 1 nomination total

    Videos2

    Official Trailer
    Trailer 2:22
    Official Trailer
    What Roles Has Colin Farrell Been Considered For?
    Clip 3:40
    What Roles Has Colin Farrell Been Considered For?
    What Roles Has Colin Farrell Been Considered For?
    Clip 3:40
    What Roles Has Colin Farrell Been Considered For?

    Photos70

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    Top cast60

    Edit
    Bruce Willis
    Bruce Willis
    • Col. William A. McNamara
    Colin Farrell
    Colin Farrell
    • Lt. Thomas W. Hart
    Terrence Howard
    Terrence Howard
    • Lt. Lincoln A. Scott
    Cole Hauser
    Cole Hauser
    • Staff Sgt. Vic W. Bedford
    Marcel Iures
    Marcel Iures
    • Col. Werner Visser
    Linus Roache
    Linus Roache
    • Capt. Peter A. Ross
    Vicellous Shannon
    Vicellous Shannon
    • Lt. Lamar T. Archer
    Maury Sterling
    Maury Sterling
    • Pfc. Dennis A. Gerber
    Sam Jaeger
    Sam Jaeger
    • Capt. R.G. Sisk
    Scott Michael Campbell
    Scott Michael Campbell
    • Cpl. Joe S. Cromin
    Rory Cochrane
    Rory Cochrane
    • Sgt. Carl S. Webb
    Sebastian Tillinger
    Sebastian Tillinger
    • Pvt. Bert D. 'Moose' Codman
    Rick Ravanello
    Rick Ravanello
    • Maj. Joe Clary
    Adrian Grenier
    Adrian Grenier
    • Pvt. Daniel E. Abrams
    Michael Weston
    Michael Weston
    • Pfc. W. Roy Potts
    Jonathan Brandis
    Jonathan Brandis
    • Pvt. Lewis P. Wakely
    • (scenes deleted)
    Joe Spano
    Joe Spano
    • Col. J.M. Lange
    Sam Worthington
    Sam Worthington
    • Cpl. B.J. 'Depot' Guidry
    • Director
      • Gregory Hoblit
    • Writers
      • John Katzenbach
      • Billy Ray
      • Terry George
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews209

    6.456.9K
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    Featured reviews

    pbrugalett

    If you're looking for a different kind of POW story . . .

    If you're looking for action in your war film skip this one. But if you don't mind an interesting drama about prejudice among Americans in a German POW camp, which although slow at times, leads to an interesting pay-off with a twist that (kinda) makes the whole thing worth it, then check it out. I especially enjoyed the subdued though "grizzled" looking Bruce Willis as Colonel McNamara and Marcel Iures as the camps' German commander.
    7ruby_fff

    It's all Colin Farrell - you see him, hear his voice, from beginning to end

    For what it's worth, I appreciate the film medium interpretation of a book's story, and not try to compare or expect how detail or more poignant the book's descriptions were. Viewing a film, audio and visually taking in the collaborative efforts of a film production is not the same as someone reading a novel. Reading also depends on the environment that you're in: while traveling with people around you, or being quietly by yourself. Reading is very much one person's own interpretation - as one reads, one can conjure up the possible sight and sound in one's mind and imagination. While in a cinema viewing a movie, we are exercising our senses - visual and audio - of what's presented on the screen. The experiences are uniquely different.

    In HART"S WAR, Colin Farrell who portrayed Lt. Hart is very much front and centered, while Bruce Willis' role of Col. McNamara, his (humane) attributes are more subtle and from within - his aching insides from the years of war and isolation. There is the struggle/conflict of the war veteran vs. the clean cut affluent background of young Hart. We see Willis' McNamara's treatment with Farrell's Hart more evidently, but for McNamara himself, say the quiet scene where he visited the flyer in isolation waiting for trial - more imminent of death, we simply see him giving Lt. Scott a book; when Scott opens it, it's the New Testament. It is later while Hart's talking with Scott outside the trial room just before the closing arguments, that we learned the book was Scott's own, with a picture of him and wife and child kept within the Bible's pages. So off camera, we may gathered that McNamara must have silently gone through Scott's belongings and took that New Testament to Scott, with the understanding that Scott may find solace in seeing the family picture again and as most soldiers would, felt duty above all else.or would he? And Hart, representing Scott as his defending lawyer, would he let him? Such are the subtle layers to the storyline.

    Director Gregory Hoblit's previous films were no simple Hollywood plots. They all require some mind stimulating thinking: 1996's "Primal Fear," the crime and lawyers film with Richard Gere, Laura Linney, and the fascinating debut 'hell' of a performance from Edward Norton; 1998's "Fallen", one devil of an intriguing storyline where Denzel Washington, along with Embeth Davidtz, tackling the many faces (Elias Koteas included) of the elusive Lucifer (music was by Tan Dun of "Crouching Tiger, Hidden Dragon"; 2000's "Frequency" was the mind-twisting time-bending drama of son and father team, Jim Caviezel and Dennis Quaid. Here in HART'S WAR again, there are no simple answers to the questions raised: moral dilemma, military honors, ravage and trying times of war and being POWs - no escape of endurance tests. It's a well produced film with fine cinematography of stark snowy scenes from Alar Kivilo (who also did "Frequency" with director Hoblit); score to this war film was complemented (unexpectedly) by British composer Rachel Portman; and performances by a talented cast. I did see "Stalag 17" and "The Great Escape" again, but my sense is "Hart's War" stands on its own, it's not really a humor filled "17" not an action packed "Escape" movie, it's more of a humane story at its core, offering an aspect of life's outlook, military or not.
    uds3

    Hart's War or McNamara's Band?

    If one were to place too great an emphasis on many of the smug and self-serving views expressed by various contributors here, it may well appear somewhat of an enigma that HART'S WAR still rates 6.3 overall. Obviously many who have voted have not posted a review. Equally obviously, to offset its many detractors...a significant number of people must have liked it. I'm one of them!

    Let us agree immediately, anyone looking for a sequel to THE GUNS OF NAVARONE can expect to be disappointed. A screen adaptation of John Katzenbach's excellent novel, this late WW2 flick tackles racism, POW life and honor...and not necessarily in that order. A re-hash of the plot is unnecessary as every second reviewer has covered this aspect. It is a film to LISTEN to and to take from it what you are able. Negative comments such that the events portrayed are "unlikely," that Bruce Willis isn't the "star," that "nothing happens except lots of people keep talking," are a sad indictment of viewers with a limited attention span. A lot of what is uttered during the "court-room" sequences has great relevance in all facets of life - IF you care to listen. Farrell is excellent as is Willis in what admittedly IS a far smaller role. Willis' presence however is felt throughout the movie in much the same way as was Jack Nicholson's in A FEW GOOD MEN. (Another military court room flick)

    Yes its longish and it would be fair to say it is extremely dark for the greater part of the film. It is ultimately though a worthwhile addition to other POW films. You could do a lot worse.
    hotdudepetey

    Doesn't give it all away but does give some hints

    Having grown tired of the typical action packed glorified war films (Pearl Harbor for example), I sought out more of a human interest story. I wanted something that delved past the cliché romances, battle wounds, and graphic violence we have become accustomed to. To me, Hart's War exemplified exactly what others have failed to do. It was an inside glimpse into the lives of a WW2 POW camp, but more so. It dealt with the struggle for power, respect, and honor in an unlikely situation. The stellar performances by Bruce Willis and Marcel Lures stole the show away from the title character, Lt. Hart (played well by Colin Farrel). There are times when you don't know who the token hero or villain is, just by the way that each commands their region. If you missed this movie in theaters (as I am guilty of), easiest way is to catch it is on pay per view - it's still going to be running for a while. Enjoy!
    lovemetrue90210

    Great Acting, Gives Basic Plot Line

    HI everyone! I just watched Hart's War on Pay-Per-View and I highly recommend those of you who haven't had a chance to see it to do so. This film totally did not receive the recognition that it deserves; the performances by Bruce Willis and Colin Farrell were extraordinary, and I am sure we will be hearing much more about Colin Ferrell's career in years to come. This film deals with the prejudice that existed amongst POW soldiers within the Nazi camps and takes you through an emotional-moral-roller-coaster ride when Farrell is asked to represent a soldier accused of "murdering' another solider who was vehemently racist. Meanwhile, Bruce Willis uses this distraction in order to seek justice for himself against the Nazi's captors. If you are in the mood for a suspenseful and intellectually stimulating film then definitely catch this one before its too late.

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Former teen hearthrob Jonathan Brandis hoped to revive his stalled career after being cast in a serious, dramatic role in the film. He was reportedly devastated when almost all of his scenes were removed in the final cut. He fell into a deep depression, began drinking heavily, and killed himself the next year.
    • Goofs
      There is no way that Col.McNamara could allocate which hut men went into. The Germans controlled this. Also there is no way he could just turn up at the Camp Kommandant's office unannounced and talk to him.
    • Quotes

      Col. Werner Visser: Strange thing about war wounds- the older you get, the less proud of them you become.

    • Connections
      Featured in Siskel & Ebert & the Movies: John Q/Maryam/Hart's War/Crossroads/Metropolis (2002)
    • Soundtracks
      Deutschland Uber Alles
      Music by Joseph Haydn (uncredited)

      Performed by The Musikkorps Liebstandarte-SS 'Adolf Hitler'

      Courtesy of the Tomahawk Films WW-II German Archive

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    FAQ21

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    Details

    Edit
    • Release date
      • May 29, 2002 (France)
    • Country of origin
      • United States
    • Languages
      • English
      • German
    • Also known as
      • En defensa del honor
    • Filming locations
      • Milovice, Nymburk District, Czech Republic(Stalag VIa)
    • Production companies
      • Cheyenne Enterprises
      • David Foster Productions
      • David Ladd Films
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $70,000,000 (estimated)
    • Gross US & Canada
      • $19,077,641
    • Opening weekend US & Canada
      • $7,771,753
      • Feb 17, 2002
    • Gross worldwide
      • $32,287,044
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 2h 5m(125 min)
    • Color
      • Color
    • Sound mix
      • DTS
      • Dolby Digital
      • SDDS
    • Aspect ratio
      • 2.35 : 1

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