Crazy/Beautiful

In Crazy Beautiful Kirsten Dunst (Interview With A Vampire, Bring It On) plays Nicole a rich girl at high school who befriends a first generation Mexican lad called Carlos (Jay Hernandez).

Nicole and Carlos hit it off in spite of Carlos's reservations about the wild (crazy/beautiful) Nicole. He's from a poor family and keen to do well at his studies. She's on a path of self destruction, at least academically, probably physically. Carlos hopes to go to the navy academy and become a pilot.

Now this sounds fairly ho hum but is brought successfully to the screen by very strong acting performances from both Dunst and Hernandez and also by Bruce Davison who plays Nicole's Dad Tom.

These characters are flawed and therefore interesting. The film is mindful of how complicated real people are.

Nicole is a carouser, drunk or stoned most of the time. Jay is level headed but becomes overwhelmed by Nicole. Dad certainly doesn't think he has all of the answers.

Crazy/Beautiful is inspired a little by the inter racial aspect of the relationship but much more by the veracity of the performances.

4 Crazy Flys Out Of Five

The reason would be the two leads, Kirsten Dunst (Interview with the Vampire, Bring It On) and Jay Hernandez (only having done a handful of TV and small movie work). What looks like the set-up of a cliché-filled storyline on the outside -- high-schoolers Dunst as the troubled daughter of a U.S. Senator, and Hernandez as the intelligent inner-city kid meet up and fall in love -- takes on a fresh twist (and "fresh" is a good thing -- especially in film today). With the dialogue seeming mostly improvisational, the romance is impressively convincing. Dunst is already familiar to film audiences -- making great strides at a very young age with Vampire -- but this could arguably be her finest turn. You do feel something for her character, as screwed up as she can be. But even "screwed up" people need love, too, and you do want her to succeed. And good performances apparently rubbed off on Hernandez as well, giving sensational insight into a conflicted character torn between duty to family and education versus his love for Dunst. The story does take a turn for the... well... crazy near the end but recovers nicely -- and without being too preachy or schmaltzy. Don't expect greatness, but don't be shocked if you like it.

I saw one promo for this film some time after I saw "Bring it On," and thought it was another Kirsten Dunst comedy.

I was wrong, but pleasantly dissapointed. The thing about teenage movies is that the really good ones don't placate exclusively to the age bracket of which the film is about. "Crazy/Beautiful" focuses on the teenagers, but shows the flavors of the leads' respective cultures, and how they are able to combine both their intellect and emotions to overcome some very superficial barriers, which create profound rifts among human society.

The overall theme vascillates by placing the ball into each of the leads court at various points in the film. This makes for some interesting interaction which, in the real world, I've personally observed. On this score the film is rather accurate.

The film gets a touch melodramatic at points, and there's no one actor to really single out as all the leads have their moment of high energy at various points in the film.

The film itself, because of the subject material, is somewhat lethargic, but does keep one's interest in its presentation.

A definate thumbs up for a night's rental.

I caught five minutes of this then decided to watch more of it and I was pleasantly surprised at what a superb actress Kirsten Dunst is! She is so natural and at ease in front of a camera. The chemistry between her and the boyfriend is the best you will ever see and that's why I watched this movie. I felt like I was eavesdropping in on two young teenagers throughout the whole movie. The story is very simple and just chronicles the life of these two high-schoolers who fall in love by pure chance (the romance is instigated by Dunst and she does a great job). I think everyone will be able to relate to the characters and story in this movie. These are real-life characters and they are not overly stereotyped which was surprising, as well. The leading actor did a fantastic job, too. There is zero shock value thrown into this movie to try and put you on the edge of your seat which is something you don't find in Hollywood movies and which was really nice. Mostly every scene involves Kirsten and her boyfriend and they pull it off. There aren't many actors that can say that they can do that. This movie is entertaining throughout and will keep your attention. Already I like Kirsten more than I ever liked Julia Roberts, Gwyneth Paltrow, Daryl Hannah, Winona Ryder, Chistine Ricci, Catherine Zeta Jones, Kate Winslet, Sharon Stone, or any of these younger female celebrities. The direction in this movie is very good. If you want a real nice relaxing evening and you don't want to watch something with a lot of hype, drama, violence, stereotypes, people pitting each other against one another, etc. then I recommend this movie. I will definitely look for more of Kirsten in the future.

I was really pleasantly surprised by this film. It wasn't the usual dumb teen movie. It address some real-world issues from a modern perspective and managed to not make itself look silly doing it. The script was tightly written with just enough edge to give it a sense of reality without it being totally destroyed by it's kiddie rating.

The usual teen movie makes fun of the adult world and laughably tries to make the teens somehow the center of the known universe. This is more real in it's approach, showing two very vulnerable young people on the verge of being thrust into that very real adult world and the issues they have in discovering themselves as near-adults through each other's eyes. There are quite a few relationships these days that mix cultures and this film handles a realistic look at some of the problems. I think it had to or risk the charge of being unrealistic. Still, there is more here, not just teen romance, though that is certainly painfully portrayed by an emotionally exposed Kirsten Dunst and the serious Jay Hernandez. It is also a film ultimately about the good and evil influences that tug at us all and the effects it can have on those around us. It managed to convey those issues fairly well given the censorship restraints it was under. Adding to a solid performance by Dunst and Hernandez is a fine cast, including Bruce Davidson and a deliciously unlikable Lucinda Jenney doing a great modern take on the evil stepmother. Taryn Manning as Dunst's best girlfriend nearly stole a couple of scenes and certainly bears watching in the future; there's light behind those big eyes. I see she also had a minor credit in the music score, which was very entertaining on it's own (and this said from an old guy). I also enjoyed the performance of Rolando Molina as Hernandez's brother, though it was nearly too stereotyped. He managed to make it just believable enough to be genuine. My major criticism would be the lack of subtitles for the considerable Spanish dialog. I for one found this too frustrating to forgive.

All-in-all, it's more than worth the price of admission and I can agree with some other viewers that Dunst might deserve at least a nomination come awards time next year.