Crazy/Beautiful

I saw one promo for this film some time after I saw "Bring it On," and thought it was another Kirsten Dunst comedy.

I was wrong, but pleasantly dissapointed. The thing about teenage movies is that the really good ones don't placate exclusively to the age bracket of which the film is about. "Crazy/Beautiful" focuses on the teenagers, but shows the flavors of the leads' respective cultures, and how they are able to combine both their intellect and emotions to overcome some very superficial barriers, which create profound rifts among human society.

The overall theme vascillates by placing the ball into each of the leads court at various points in the film. This makes for some interesting interaction which, in the real world, I've personally observed. On this score the film is rather accurate.

The film gets a touch melodramatic at points, and there's no one actor to really single out as all the leads have their moment of high energy at various points in the film.

The film itself, because of the subject material, is somewhat lethargic, but does keep one's interest in its presentation.

A definate thumbs up for a night's rental.

This is a defining role for Kirsten Dunst. She demonstrates the talent to carry a film, from beginning to end. She was great as Lux in the Virgin Suicides, and demonstrated a penchant for comedy in Dick. As Nicole - she dominates in a dramatic role, arcing from crazy - to 'Crazy'; from beautiful and then to 'Beautiful' with Jay Hernandez as boyfriend and catalyst. We'll be seeing a lot more of Jay in the years upcoming too. No doubt about it. And Taryn Manning (best friend, Maddy) has a lot more to share with her growing legion of fans. She's a major contributor to this film's success.

It touches the heart. It holds the interest with old material rendered fresh by a cast that jelled together. A superb romantic comedy for all ages. 7 / 10.

It's not often that we see a REAL teen movie nowadays. I live in Jersey City, so I personally can't relate to these teen flicks involving blonde airheads and guys who look like they just jumped off the pages of "Tiger Beat."

In "Crazy/Beautiful" one of the main characters is a Hispanic--played beautifully by Jay Hernandez who I hope to see in more and more movies--which I CAN relate to. Most of the friends I know are of Hispanic origin, and it's very rare that you see a Hispanic as a lead in a film like this. And Jay's Hispanic character wasn't used merely as a tool in creating melodrama in a preachy "West Side Story" manner.

Kirsten Dunst pretty much gives the best performance of her career. I like how they didn't put much makeup on her face, giving her a much more real look. I think Kirsten is one of the most beautiful young actresses in the biz, so I think she's beautiful no matter how little makeup she wears. So I'm not going to say it was a plus that they made her look "ugly." She didn't look ugly, but at the same time she looked like a real teenage girl and it added to her character.

Bruce Davison has a great supporting role as Kirsten's father. Of course, in all teen movies, they feel it's needed to add a top-class, veteran actor to the cast to give it a touch of class. Well, that's one cliche of teen movies that I don't mind and Bruce was great, proving himself as one of our great, underrated actors.

I like how Jay's character is never really discriminated against by Kirsten's white-collar Dad--who's a Congressman. None of this "You're dating a man of another race???" or "You're dating a man of low-class" crap. The film skips through all that, being that Jay is a well-to-do individual who has his head up high and wants to become a pilot. The Dad has nothing against that, in fact he wants to help him out, setting him up with an interview and everything. But he doesn't want him to see his daughter, because of the way she is. I don't want to give anything away, so I won't reveal what exactly her problem is. So I thought that was a good way of flipping this sub-genre on its head. Usually it's the father who doesn't want the daughter to date the guy, because he doesn't like who she's dating. In this case, he didn't want the two of them to go together, because he's concerned about the boyfriend.

I only have a few problems with this film. First off, you never really get the feeling that Kirsten has a severe problem between the beginning and end. So it feels like her disorder was used strictly as a dramatic tool. Through most of the film, she's amazingly jovial. We see her drinking once in a while, but let's face it--what teen doesn't? And I thought--especially for a PG-13 film--they went overboard with the sex scenes. I'm not saying that they were explicit, but there was a good deal of them. I was thinking, as watching certain portions of the film, what my Dad said: "The love in most romantic movies nowadays seems to be based more on sex than love." Don't get me wrong, we do get a feel of the love--not lust--between Jay and Kirsten, but they could've trimmed the sex just a bit. It just came off in the wrong way.

For those looking for an escape from most of the lame teen flicks that have been fed to us in previous years, I recommend you check this one out. It's a shame that this movie didn't reach a big audience in theaters. I really hope more people will go out and rent this film, because it's very good.

My score: 7 (out of 10)

For a long while now Ive been bombarded with teen movies that are crap. Written by people who forgot what it was like, less mature than teenagers themselves. Ive been waiting for a movie that was took itself seriously without being pretentious. That was mature and REAL. This is such a find. This movie is consistently good. Dialogue, Music, Acting, especially the cinematography and directing which just made the movie. It doesnt struggle to be hip or witty, theres no B.S.

The story isn`t complicated but it works. It`s just about the love between two people, how it affects the both of them and the journey which Kirsten Dunst`s character goes through. If your tired of the mindless repetitive teen crap, see this movie and appreciate it.

The reason would be the two leads, Kirsten Dunst (Interview with the Vampire, Bring It On) and Jay Hernandez (only having done a handful of TV and small movie work). What looks like the set-up of a cliché-filled storyline on the outside -- high-schoolers Dunst as the troubled daughter of a U.S. Senator, and Hernandez as the intelligent inner-city kid meet up and fall in love -- takes on a fresh twist (and "fresh" is a good thing -- especially in film today). With the dialogue seeming mostly improvisational, the romance is impressively convincing. Dunst is already familiar to film audiences -- making great strides at a very young age with Vampire -- but this could arguably be her finest turn. You do feel something for her character, as screwed up as she can be. But even "screwed up" people need love, too, and you do want her to succeed. And good performances apparently rubbed off on Hernandez as well, giving sensational insight into a conflicted character torn between duty to family and education versus his love for Dunst. The story does take a turn for the... well... crazy near the end but recovers nicely -- and without being too preachy or schmaltzy. Don't expect greatness, but don't be shocked if you like it.