Cantankerous theatre critic Sheridan Whiteside falls on an icy sidewalk, breaks his hip, and is temporarily stranded at the Ohio home of Richard Stanley and his family. While he's there, Whi... Read allCantankerous theatre critic Sheridan Whiteside falls on an icy sidewalk, breaks his hip, and is temporarily stranded at the Ohio home of Richard Stanley and his family. While he's there, Whiteside turns life upside-down for everyone.Cantankerous theatre critic Sheridan Whiteside falls on an icy sidewalk, breaks his hip, and is temporarily stranded at the Ohio home of Richard Stanley and his family. While he's there, Whiteside turns life upside-down for everyone.
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Harriet Sansom Harris
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- (as Harriet Harris)
Jeff Hayenga
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- (as Jeffrey Hayenga)
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'The Man Who Came To Dinner' revival was just absolutely amazing! The cast shined. Mr.Sheridan Whiteside was played by the one and only Nathan Lane, who made the play pleasurable the whole time. Jean Smart was, in my opinion, one of the funniest on stage. In a specific scene, when she finds out her cables have been wrongfully sent, she has the crowds (and folks at home) up in roars. This wonderful cast also includes Lewis Stadlen, Harriet Harris, Byron Jennings, Terry Beaver, and many more. If you are ever faced with the chance to see this play, don't pass on it! It Is A True Masterpiece!!
As someone who goes out of his way to see performances of "The Man Who Came to Dinner"--one of the greatest comic concoctions of the 20th century--I thought this was the best media presentation of the play to date, much better than the 1940 film version. My only quibble concerns the decision to pattern Lewis Stadlen's Banjo after Jimmy Durante's version in the film, rather than Harpo Marx (upon whom the character was originally modelled), but that's a matter of personal taste. (And to be fair, Stadlen does just fine, perhaps even out-Duranting Durante.) Conversely, I can't imagine anyone better in the title role than Nathan Lane, and he lives up to my hopes splendidly. (I hope PBS broadcasts him in "The Producers" one of these days!)
PBS is to be commended for its "Stage on Screen" series premiere with this live broadcast from the newly restored 42nd Street theater district in New York City. While Nathan Lane has less of the imperious acidic bite that Monty Woolley brought to the 1942 film, Lane and the play still have punch and sparkle.
Of necessity, the live stage performance lacks the brisk pace of the movie simply because of the stops for scene changes or intermissions between acts. In addition, the classic film was pared down for length. In this broadcast, the interruptions were at least filled with chatty information about the play, the people represented in the play, and the resurrection of 42nd Street.
Despite or because of its dated allusions and overt references, the play is a delightful slice of real life in America just prior to World War II. The work stands up well and is likely to be a classic of 20th Century American theater.
Of necessity, the live stage performance lacks the brisk pace of the movie simply because of the stops for scene changes or intermissions between acts. In addition, the classic film was pared down for length. In this broadcast, the interruptions were at least filled with chatty information about the play, the people represented in the play, and the resurrection of 42nd Street.
Despite or because of its dated allusions and overt references, the play is a delightful slice of real life in America just prior to World War II. The work stands up well and is likely to be a classic of 20th Century American theater.
What a treat to watch. Having recently portrayed the role of Mr. Whiteside in a local civic theatre production, I was reluctant to view the movie beforehand, so that I might give the pompous "Babys Breath" my own take. I am proud to report that as much as a a non professional can, I approached the character much like Mr. Lane did.(Only with a bit more heavy handed shouting)Jean Smart is always a treat to watch in anything she does, and I agree, that the role of Banjo was handled with the appropriate lunacy. Also excellent was Harriet Harris. She was able to convey the intimacy that comes from years of being someones right hand, and then to lose that when you have been sidelined by that very same person. It is a wonderful movie to watch. And one of my most favorite roles on stage.
If you're in a mood to laugh yourself silly, this is the play for you. Nathan Lane is at his scenery-chewing best as Sheridan Whiteside (modeled on Alexander Woolcott), a critic, commentator, and friend of the great and near-great who is forced to spend several weeks in the home of a Middle America family for whom "Goodbye Mister Chips" is as high on the cultural scale as they go. Lewis Stadlen is equally hilarious as the manic, irrepressible Banjo (a takeoff of one of the Marx Brothers, but I'm not sure which). Jean Smart is wonderful as the haughty and man-eating Lorraine Sheldon, and Harriet Harris is superb as Maggie Cutler, Whiteside's devoted secretary and Lorraine's nemesis.
To get all the references, you'll need a copy of Who Was Who in Theater, Film, and Opera, but I'm glad they didn't try to update them. It just wouldn't have worked.
Finally, kudos to Ryan Shively (as Sandy, union organizer and June's fiancee)! A talented actor and an all-around great guy (okay, he's my roommate, so I'm a little biased)!
To get all the references, you'll need a copy of Who Was Who in Theater, Film, and Opera, but I'm glad they didn't try to update them. It just wouldn't have worked.
Finally, kudos to Ryan Shively (as Sandy, union organizer and June's fiancee)! A talented actor and an all-around great guy (okay, he's my roommate, so I'm a little biased)!
Did you know
- TriviaThe part of Banjo was originally based on Alexander Woollcott's good friend, Harpo Marx. However, in this production, the character is blatantly patterned after Jimmy Durante, who played the role in the 1942 film adaptation.
- Quotes
Sheridan Whiteside: I may vomit.
- ConnectionsReferenced in My Boys: Free Agent (2006)
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