"The Man" is baffled by a chill hero's invincible weapon: gibberish."The Man" is baffled by a chill hero's invincible weapon: gibberish."The Man" is baffled by a chill hero's invincible weapon: gibberish.
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I'm more into classic drama and the epic scene, but when I do get into a comedy it has to be absolutely senseless. I don't want to see any formulaic structure from the drama side of things crossing over - which a lot of Holly-comedies have - it has to take on its own form and the Chris Rock produced "Tang" does that. The cheese fact is a perfect 10 on the scale and the creative powers that be told this story with precision. I believe this will be a cult classic, not to mention it far out played "Undercover Brother" which was released on a healthier production and marketing budget that same year. Chris Rock should be proud of his producer role and Lance Crouther was the funniest black-man stereotype I've ever seen. Finally, I remember going to a Blockbuster a few years back with some friends to buy the DVD, it was such a cult hit that some kid had stole the disk and left the DVD jacket on the for sale shelf... That says something. True stupidity is an acquired taste which only few can actually understand. And I would bet a few Franks that comedic geniuses are serious people 90 percent of the time. But when they let loose, look out.
Pootie Tang actually can be looked at as a parable, an allegory of a messianic figure. How's that for making a purse out of a sow's ear? Consider: A powerful figure roaming around doing good deeds, speaking in a puzzling language that only believers understand, attended to by his apostles, befriending prostitutes. Suffering from inner demons he retreats to the wilderness (the farm) and experiences an epiphany through the physical manifestation of his creators, going back and finally confronting and conquering the demons. (Dirty D = Dirty Devil)Along the way he even awakens the dead (the knife wielder at the club), banishes a horde of false prophets (all the fake Pooties), and can bring people to rapture through sheer silence alone. Whew. Heady stuff. Sa Da Tay!
This movie is so unique, it may be as difficult for some to understand as it is to figure out Pootie's language. I was captivated from the first scene right up to the end. Kudos to Lance Crouther for his truly inspired performance as the hero. His physical comedy while combatting his foes or even just interacting with everyone else was brilliant and quirky. You really find yourself focusing on him in every scene, just to see what he was going to do next. There is also the ensemble of actors that inhabit Pootie's world, all of whom did a great job. I often read critics making comparisons between the modern charactor actors and how they pale before those of the distant past - razzz - wrong! These people hammed it up with style and flair. "I'm Dirty Dee, dammit!"
Sah da tay, my brothers.
Sah da tay, my brothers.
For those of you put off by the comments below, of which a large percentage are rather negative, well don't go see it. If some of teh good revies below don't make you want to see it either, don't go see it. I'm not surprised Pootie Tang isn't a big hit, but don't expect it to fall off the face of the earth. It probably will, for about ten years, but then it'll be back.
My rationale behind this is that this movie is shades, more than just shades, it's practically a sequel, of the ridiculous Rudy Ray Moore movies of the seventies, including Dolemite and Disco Godfather. In the former, Moore played Dolemite, a successful standup comic (Created in his own standup act) who is also a pimp and crimefighter in his spare time. Pootie Tang is a character created by Louis C.K. with actor Lance Crother, who is a successful hip hop artist, who is also a ladies man and a crimefighter in his spare time. See what I'm talking about?
There are more similarities. Each film is low budget, and often quite amateurish. Both films are made by people who obviously don't have all the mechanics of filmmaking down (Dolemite's boom mike pops into shots so much it might as well have gotten a supporting cast credit, Pootie Tang features possibly THE WORST narration in the history of film). Both also have quite a bit of social satire, plus additional humor derived from the sheer stupidity of the filmmaking.
Pootie Tang is, in itself, a bad idea for a movie. Who wants to watch 80 minutes of a character who speaks in gibberish? It's a joke that's funny for 3 minutes on the Chris Rock Show, but grows very old after an hour and a half (The audience I was with was hysterical...for ten minutes. Eventually half walked out). There are some jokes that work (I liked Pootie's new hit single, and also the tense climactic standoff between Pootie and Dirty) but a lot of other material doesn't (Cameos by Andy Ricter and David Cross are totally wasted). Plus the movie doesn't know if it's a movie, a movie clip, a friend retelling something, or what. It has a bad sense of pacing and flow (Using little Batman-esque cut scenes to break stuff up) and at least a dozen head-scratch-inducing moments.
For all of these reasons, the movie will be back. Mark my words. People a decade from now will watch this movie and laugh at its lame bits, and also the smart ones. For the average viewer, it's not worth seeing. For the devoted follower of movies that are bizarre, inexplicable, and just plain silly, it might be the best out-there movie of the year.
My rationale behind this is that this movie is shades, more than just shades, it's practically a sequel, of the ridiculous Rudy Ray Moore movies of the seventies, including Dolemite and Disco Godfather. In the former, Moore played Dolemite, a successful standup comic (Created in his own standup act) who is also a pimp and crimefighter in his spare time. Pootie Tang is a character created by Louis C.K. with actor Lance Crother, who is a successful hip hop artist, who is also a ladies man and a crimefighter in his spare time. See what I'm talking about?
There are more similarities. Each film is low budget, and often quite amateurish. Both films are made by people who obviously don't have all the mechanics of filmmaking down (Dolemite's boom mike pops into shots so much it might as well have gotten a supporting cast credit, Pootie Tang features possibly THE WORST narration in the history of film). Both also have quite a bit of social satire, plus additional humor derived from the sheer stupidity of the filmmaking.
Pootie Tang is, in itself, a bad idea for a movie. Who wants to watch 80 minutes of a character who speaks in gibberish? It's a joke that's funny for 3 minutes on the Chris Rock Show, but grows very old after an hour and a half (The audience I was with was hysterical...for ten minutes. Eventually half walked out). There are some jokes that work (I liked Pootie's new hit single, and also the tense climactic standoff between Pootie and Dirty) but a lot of other material doesn't (Cameos by Andy Ricter and David Cross are totally wasted). Plus the movie doesn't know if it's a movie, a movie clip, a friend retelling something, or what. It has a bad sense of pacing and flow (Using little Batman-esque cut scenes to break stuff up) and at least a dozen head-scratch-inducing moments.
For all of these reasons, the movie will be back. Mark my words. People a decade from now will watch this movie and laugh at its lame bits, and also the smart ones. For the average viewer, it's not worth seeing. For the devoted follower of movies that are bizarre, inexplicable, and just plain silly, it might be the best out-there movie of the year.
It's easy to pick out what people would object to in this movie. It really is little more than a sketch comedy bit extended to 80 minutes, it really only has one joke and it really is pure silliness. But I thought it was really funny. Some of it, like Pootie's defending himself with his braid, was even brilliantly silly. Having seen it three days ago, I have already forgotten virtually the entire movie, but I thoroughly enjoyed it at the time, and my girlfriend, who is less tolerant of pure silliness than I am, laughed throughout. It did run out of momentum a little as it went along, with a great first half hour followed by diminishing returns on that one joke, but there was enough fun through to keep us watching. 7/10
Did you know
- TriviaParamount originally intended for the film to be a limited release by Paramount Classics, their art-house division. Later, Chris Rock's involvement and the success of the somewhat similar Austin Powers movies convinced them it had box office potential, so they changed it to a wide release.
- GoofsWhen Stacy runs at Pootie Tang and they crash through the window, a safety back pad is clearly visible under Pootie Tang's shirt.
- Quotes
Pootie Tang: Baby, I'm going to sine your pitty on the runny kine!
- Crazy creditsWatch for Pootie Tang in his next adventure - "COLE ME DOWN ON THE PANNY STY"
- ConnectionsEdited from Le spectacle de Chris Rock (1997)
- SoundtracksDirty Dee
Written by Master P, Mr. Magic, Anthony President & Ainz Brainz Prasad (as Brainz Dimilo)
Performed by Mr. Magic featuring Master P
Produced by Anthony President (as Presidential Campaign)
Mr. Magic performs courtesy of Soulja Music Entertainment
Master P performs courtesy of No Limit Records
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Details
- Release date
- Country of origin
- Language
- Also known as
- Pootie Tang in Sine Your Pitty on the Runny Kine
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $7,000,000 (estimated)
- Gross US & Canada
- $3,313,583
- Opening weekend US & Canada
- $1,506,233
- Jul 1, 2001
- Gross worldwide
- $3,313,583
- Runtime
- 1h 21m(81 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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