Crimes et pouvoir

Claire Kubik (Ashley Judd) is happily married to her husband, Tom Kubik (Jim Calviezel). The movie opens with her having sex and becoming pregnant. Then Claire gets a big surprise wher her contractor husband is suddenly arrested by the FBI and sent to a military prison. Turns out Tom, then known as Ron Chapman, was in an elite Marine special unit and is accused of a 1998 civilian massacre in El Salvador. She decides to defend him in military court and find out the truth about what happened. Claire puts her career on hold to defend him against trumped-up charges of orchestrating a civilian massacre while on covert operations .She looks to recovering alcoholic and ex-JAG lawyer Grimes (Morgan Freeman) for assistance but sinister plots are afoot. Tom Kubik claims another member of the platoon named Hernandez shot the civilians in a fit of rage and convinced the rest of the platoon to lie and say he did it. Everything you trust !. Everything you know !. May be a lie...

A thriller with suspense, surprises, violence, twists and turns, being based on the 1998 novel by Joseph Finder. Military coutroom thriller is average but does have Morgan Freeeman, who's always worth watching, that's why he steals the show. He's reteamed with ¨Kiss the girls¨ co-star Ashley Judd who plays spunky California attorney at law who sets out to prove her fella has been made fall-guy for a political cover-up and while James Cazievel is her contractor hubby Tom. Weird though, how the pert, capable but unprepossessing, Ashley Judd has picked up classic actresses' mantle, playing endless variations on a gutsy, determined resourceful woman with dubious taste in men. They're well accompanied by a nice secondary cast with plenty of familar faces, such as: Adam Scott, Amanda Peet, Bruce Davison, Tom Bower, Michael Gaston , Jude Ciccolella, Emilio Rivera, Michael Shannon, John Billingsley, among others. It is a blandly anonymous coutroom potboiler which attempt to squeeze an ounce of credibility from some vaguely liberal sentiments. There's not much here we haven't seen a hundred times before.

Adding a suspenseful, intriguing musical score by composer Graeme Revell. As well as an adequate and atmospheric cinematography by cameraman Theo van de Sande. The film was profesionally made by Carl Franklyn, but nothing special, It's quite watchable, and utterly predictable. Carl is a fine craftsman who made his mark with ¨One false move¨ followed it up with the well reviewed¨ Devil in a blue dress¨ and the underrated weepie ¨One true thing¨; in addition, directing various TV episodes of famous series: ¨Rome, House of Cards, The Pacific, Homeland, Falling Skies, The affair, Ray Donovan, chance, 13 Reasons Why, Leftovers¨. High Crimes (2002) rating: 6/10. The flick will appeal to Morgan Freeman and Ashley Judd fans

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Because "High Crimes" sticks Judd in front of the camera in almost every scene as its contrived formula story full of cliche characters wells around her. Fortunately, Judd manages to hold this less than sterling film together as it worms and squirms its way through the story of a happy wife and trial lawyer who finds her husband might not be who she thought he was and has to try to wrest him from the clutches of a military courtmartial, a possible death sentence, and a coverup conspiracy. "High Crimes" is busy enough to hold interest through endless plotholes and implausibilities making for an okay no-brainer couch potato watch. A must see for Judd fans and a so-so watch for all others. (B-)

This was an involving story of a military man accused of murdering civilians 15 years earlier and then going A.W.O.L. The whole story revolves around one question: did he do it or is he innocent?

That question keeps the viewer guessing for much of the film and provides some very good suspense. It's another film, however, in which there is a strong anti-U.S. military flavor, so typical in films since the 1960s.

Also, once you know the ending, I doubt if this would be a movie you would watch more than once. However, it's definitely worth a look and will entertain you for about two hours. Ashley Judd, Jim Caviezel and Morgan Freeman are three attractive lead actors, all interesting to watch, as usual.

In High Crimes, director Carl Franklin shows us an ideal life gone wrong. Claire Kubik is one of them. She's happily married to husband Tom (Jim Caviezel). In fact, he's such a great husband that we don't find out his occupation. Claire, who is played actually well by Ashley Judd, couldn't love Tom more. Until he gets arrested for something that he supposedly didn't do. Did he or did he not? An hour and a half is spent contenplating the fact.

The acting is surprisedly well, especially by Caviezel. I didn't understand why he had that "outburst" at the end, but that's a minor detail. Judd is equally good as Claire, except she seemed to be too slow at some parts. So did the pacing. It seemed to drag on a little, and the genre seemed to be more like a courtroom drama instead of a crime thriller.

Morgan Freeman is OK as the lawyer Claire hires. His acting seemed a little forced at times, though. The plot, though nothing new, was one of those that were predictable, but I was enjoying it too much to care. It's very entertaining if you just sit back and watch it instead of scrutinizing every little detail of it.

But, at the end, after the final court scene, it seems to continue on for a little long after spending an hour and a half leading up to that part. The running time was a little long. And the ever-lovable Amanda Peet plays a role where she could have gotten more time and shown off her acting ability. If you sit back for two hours and leave your mind on hold, it's a very entertaining yarn.

My rating: 7/10

Rated PG-13 violence and some language.

Morgan Freeman and Ashley Judd (`Kiss the Girls') team up again in this courtroom thriller, which is entertaining despite its worn plot and obvious ending. The reason it doesn't descend to a level consistent with the screenplay's unoriginality is the superior acting by the three principal performers.

Claire (Ashley Judd) and Tom (James Caviezel) are living an idyllic and romantic married life, trying hard to have a baby. Everything is going swimmingly until one day Tom is arrested and charged with murder and war crimes dating back to his military service and raid in El Salvatore years earlier. It seems Tom's entire identity is a lie and his name is really Ron Chapman, a former Special Forces commando.

Claire, who is conveniently a prominent defense lawyer, takes up his case determined to prove he is innocent, choosing to believe his denials despite the fact that everything she knows about him is a fabrication. She hires Charlie Grimes (Morgan Freeman) to assist her because until he became a broken down alcoholic, he was once one of the top lawyers in the military.

The film is paced well and balanced between courtroom drama and other related storylines like constant death threats, a dirty general and a mystery man. It is fairly standard fare, but the presentation is engaging.

Morgan Freeman is such a terrific actor, that even a trite script can't keep him down. He is wily and insolent as the washed up lawyer with a few tricks left up his sleeve. Freeman projects an unassuming power in his work, full of dynamism yet highly amiable. His interaction with Judd is wonderful, treating her with avuncular kindness and intellectual respect.

Ashley Judd is a fine dramatic actor, who returns to serious drama after an ill advised detour into romantic comedy (`Someone Like You'). Judd is razor sharp in this film, coming across as bright, energetic and passionate. She is tough as nails and doesn't back down to pompous military officers or thugs trying to intimidate her.

Jim Caviezel rounds out the cast with a strong performance as the accused. This is a tough character because he is so mysterious and duplicitous. Caviezel delivered a strong portrayal of an enigmatic character in `Angel Eyes', so he had some experience with this type of role. He handles the part well, appearing utterly sincere whether his character is telling the truth or not.

Amanda Peet gives her standard performance as Claire's hair brained and sex obsessed sister. Peet is no serious dramatic talent, but she has this character down and comes across as believably ditzy and concerned about her sister despite their obvious sibling rivalry.

This film doesn't fool anyone with its surprise ending, but it does deliver good suspense, a tried and true formula and some excellent performances. I rated it a 7/10. It's worth a look for viewers who like mysteries.