En sång för Martin

A film to learn from - in many, many ways. And a difficult film to watch. It moved me a lot. More shocking than any thriller. It reminds me of my own great fear of getting ill in this way. Or my wife for that matter. Terrible. And must terrible is, that this disease makes you another person - and you can't do anything in order to prevent it - besides living in perfect harmony.

The actors were great. And the music. And the nice pictures from the seaside, where the couple lived.

Just one (big) complain: The symbol in the end is too heavy and spoiling. Her life must go on: she starts the clock again. Come on ...

Caught this film late one night, cold Colorado winter night, and could not walk away to a warm bed.

Well done, cast and crew deserve to be proud of themselves, if this is the director's wish. Never knew much about Swedish foreign film.

Bergman, of course, but not this director. Echoes of Bergman were felt.

The actors who played the leads, Martin and Barabara were perfect and carried the story. I felt their love and pain.

The summer picnic conversation around Mozart's The Magic Flute, was the metaphysical key to the lock for me. Two questions are discussed, light overcomes darkness and even the departed, are still alive and above all love survives all.

Watching the different levels of old timers pull them down into its oblivion, we see the struggles of the two lovers grasping the threads of their love, against the winds of madness.

Nancy Reagen, remarked, "They know from their side, that they are being taken away, against their will, and the look of desperation is haunting. It is the worst stage of the disease." In the last scene, Barbara moves in to Kiss Martin, and he mistakes this movement, to mean food, and opens his mouth, like a bird....its poignant and sweet.

Would own this DVD, as it gave me something I want to keep. I want to know more about the director, and the two major actors now.

SARGE

This was a very real and harrowing film. I went with misgivings since I knew what the subject was about, but fell under the spell cast by director Bille August.

This story rings true from the beginning. The film is a lovely love story between Barbara and Martin, played superbly by Viveka Seldahl and Sven Wottter.

Barbara, obviously is dealt a blow when the Alzheimer is diagnosed but she proceeds to deal with it in her own terms. Little did she know that her marriage to Martin would turn into the nightmare it did. How do you stop loving and doing for that person you thought about spending the rest of your life with?

The Alzheimer turns Martin into a vegetable. His mind is gone. From the brilliant composer and director, he becomes another person completely different from the person we met at the beginning of the film.

Most critics in New York keep comparing this film with Iris. It is very unfair, because obviously all Alzheimers cases are different and don't have to reflect in this case, what went in Iris Murdoch's mind.

I have to give credit to the director, Mr. August, who has not taken the easy approach and documents the progress in a very dignified manner.

All the performances are on key. The extended families of these couple are very strong behind the parents, which is something very rare to find these days.

I am quite familiar with Alzheimer's Disease. Both my mother and grandmother had it. To me this movie shows that love is useless when it comes to Alzheimers. Eventually the sufferer forgets everything.

While a respectable movie, it is not exactly dramatic or innovative. I felt that I was being told something that I not only already knew, but had lived through twice already and probably will go through myself.

However, I was interested in how the Swedes care for Alzheimer's patients. At least Martin didn't have to die in the horrible nursing home that my mother lived and died in. It helps to have money and socialized medicine, I guess. Do you think I can immigrate to Northern Europe before I get the disease?

Very very nice movie. So nice. Be prepared to cry. But its nice.