En sång för Martin

Very very nice movie. So nice. Be prepared to cry. But its nice.

While `A song for Martin' is a powerful movie, it is also a sort of impotent one. One of the hobbyhorses of my high school literature teacher was to make us understand the difference between what is tragic and dramatic. A car accident is tragic. A car going over a cliff driven by someone fulfilling his inescapable destiny is drama. Alzheimer's is a tragic disease, but it is not drama. Unavoidable is not a substitute for inescapable. You cannot have drama without participation while participation is the last thing you can expect from someone suffering from the disease. This is a very well made movie. Acting is superb; cinematography is fine. I learned from it everything I would ever care to know about Alzheimer's, but I still left the theatre with an empty feeling. The story is sad, the loss is painful and love conquers everything but I had no revelations. I received information, from which I only gained knowledge, not real gut wrenching understanding. I never cared much about acted documentaries and this film never really rose above that.

`A song for Martin' has a very promising start. Passionate love at the age of 50/60 is full of dramatic potential. For a while I thought that is what the movie will be about, but I was wrong. There are hints of dramatic conflict but they are never explored and from the moment Martin is diagnosed, the story turns purely didactic. Dealing with such a situation also has dramatic potentials but this movie choose to concentrate on the evolution of the illness. Is that bad? I don't know, but gaining this sort of knowledge is not what I expect from art.

Should you see this movie? I think so. You will learn a lot about the illness most of us fear the most. Just do not expect more. See it for what it is: an animated illustration of the disease. For that, it is perfect.

This was a very real and harrowing film. I went with misgivings since I knew what the subject was about, but fell under the spell cast by director Bille August.

This story rings true from the beginning. The film is a lovely love story between Barbara and Martin, played superbly by Viveka Seldahl and Sven Wottter.

Barbara, obviously is dealt a blow when the Alzheimer is diagnosed but she proceeds to deal with it in her own terms. Little did she know that her marriage to Martin would turn into the nightmare it did. How do you stop loving and doing for that person you thought about spending the rest of your life with?

The Alzheimer turns Martin into a vegetable. His mind is gone. From the brilliant composer and director, he becomes another person completely different from the person we met at the beginning of the film.

Most critics in New York keep comparing this film with Iris. It is very unfair, because obviously all Alzheimers cases are different and don't have to reflect in this case, what went in Iris Murdoch's mind.

I have to give credit to the director, Mr. August, who has not taken the easy approach and documents the progress in a very dignified manner.

All the performances are on key. The extended families of these couple are very strong behind the parents, which is something very rare to find these days.

A film to learn from - in many, many ways. And a difficult film to watch. It moved me a lot. More shocking than any thriller. It reminds me of my own great fear of getting ill in this way. Or my wife for that matter. Terrible. And must terrible is, that this disease makes you another person - and you can't do anything in order to prevent it - besides living in perfect harmony.

The actors were great. And the music. And the nice pictures from the seaside, where the couple lived.

Just one (big) complain: The symbol in the end is too heavy and spoiling. Her life must go on: she starts the clock again. Come on ...

A story about deep love and how it can overcome any obstacle. Barbara's and Martin's love is put to the test when their doctor diagnose Martin with Alzheimer's disease. For Martin, as a famous composer, it gets more and more difficult to finish an opera due to his sickness, which also strains his relationship with his wife Barbara. Her love and constant reminiscence of their past makes her treat him as fully healthy for much too long.

Both Viveka Seldahl as Barbara and Sven Wollter as Martin are making a wonderful performance in the leading roles. Seldahl is able to use her face the show any kind of expression as the disease turns her beloved husband from a hardworking composer to a bedridden hospital patient. It is nice to finally see her in a leading role. And Wollter is thoroughly credible as the man suffering from a disease that slowly but surely will take his senses from him. We as the audience should ask ourselves if the man finally admitted to hospital is the same man Barbara married. The tragedy of Alzheimer's disease face us with a question if somebody's personality has something innate that will withstand loss of memory or dementia. To Barbara, at least, it is clear that Martin's illness does not change what she feels for her husband: love.

Also worth accolades is the beautiful score by Stefan Nilsson.