Chori Chori Chupke Chupke

I love this movie very much i watched it over and over. I don't see why anyone would think this movie wasn't good. Maybe you have seen better or whatever it is i personally love it. It is one of my favorite movies and I am not Hindi at all but i do love it. It might be a little like "Pretty Woman" but i haven't seen that and I don't think it's any better than this. I don't know why you are all trashing about it but maybe you have a good reason but I think i have said it enough but i absolutely love this movie, and to those who say it's not good at all well then I wonder why you watched it and what movies you consider good. As for everyone else that i watched it with they enjoyed it too so it surprises me that this many people don't like it. As for Rani Mukherjee ( i think thats how you spell her last name) she is very beautiful and my favorite actress ever!

After a love triangle story in Har Dil Jo Pyaar Karega these 3 stars were again chosen in this controversial flick. The film would have been considered as hit if there was not a controversy with the production values from Bharat Shah. Here director duo Abbas-Mustan did a very different and unique job as compared with their previous and after directorial ventures. They are considered as thriller makers of Bollywood. But in this CCCC they proved that they can equally handle to make a romantic family drama. Hardly there is a single action scene when Preity was being raped by Salman's colleague in her apartment, Salman slapped him.

The movie has almost all the standards and ingredients like song, story, casting, performances etc. which are required to make a movie hit. But of course for Salman's fan this was something a surprise gift from him. Why? Because for so long he has been doing roles where he has a scene to show his open body and dance la-la-la all around. His role as a rich young businessman who has no-nonsense nature and of normal attitude is really impressive. After all Madhubala, a prostitute role performed by Preity is amazing. Later when she too turns out thoughtful about her life she deserve proper attention. Her facial expressions and body language become more attractive, and focus mainly goes to her. Her previous role as a pregnant woman in Kya Kehna was not that heart-touching as it is here. Of course, this can be termed as improvement. Then Priya, a very innocent and helpless wife of Raj who only depends on him for a better result. She has nothing powerful influence in the story as the main ingredients are in the hands of Preity.

Finally, the main point of the story which is something rare and unique in itself. In real world of this age it is not totally impossible to happen such step of searching for a surrogate mother. Perhaps, many are happening in this large world where these are kept secret. And in this way the scriptwriter of CCCC has uncovered a hidden truth which is taking place in others daily lives. But still then it is a doubt.

The movie has every thing that a hindi movie has; a tearjerking story, a utopian joint family, a beyond-dreams-rich business family where no body seems to work, and a lady that could not bear children. There is angle of surrogate mother which is new for bollywood. Every one is exceedingly nice, and every one is trying to please everyone else. The story, however, fails to convince the need for a surrogate mother when adoption can be a better, nicer, and far less complicating option. This movie has a infamous side as well. the producer Bharat Shah is supposed to be neck deep in money-laundry for Mumbai Mafia and he is still incarcerated ( or at least I hope he still is!!)

In this drama, happily married Raj (Salman Khan) and Priya (Rani Mukerji) are devastated to learn that Priya can not have children. She considers adoption, but for certain reasons, settles on the idea of a secret surrogate pregnancy. Raj finds a young prostitute, Madhubala (Preity Zinta) who is willing to carry a child for the couple. As can be expected, the path chosen by Raj and Priya is not a smooth one.

For the most part, this is a solidly good film, that has the viewer uncertain as to what will be the eventual outcome. Those familiar with Hollywood's Pretty Woman, will recognize certain scenes, but they work quite well in this setting, too. Khan seems to have only one emotion in this movie, and Mukerji spends most of her time weeping. However, they are generally convincing in their roles, especially as they are the backdrop for Zinta's exceptional performance as Madhu. Regardless of how one feels about the topic, the movie is worth watching for her alone.

The cast also includes Amrish Puri, Farida Jalal, Prem Chopra, and Johnny Lever.

This movie is traditional bollywood fare as far as the star power, sentimentality and love triangle of emotions. What really bothered me about this movie was the makers' absurd notion of surrogate mother. A whore who conceives a child with someone after have sex with the man (of the family desiring a child) is not a surrogate mother. Neither is she a good candidate for a surrogate mother. I have seen Indian movies and television shows that made 10 to 15 years ago that dealt with this issue more intelligently. The whole concept of the movie is ridiculous and absolutely implausible. I realize that most bollywood movies aren't meant to be plausible, but they don't pretend to be either. This movie wants us to emote along with the characters, but this can't done with such a ridiculous, contrived conflict. I would have expected better from Abbas and Mustan.