L'Amour extra large

No contest, I will say this marks the best of the Farrelly Brothers. Not because this film is laugh-out-loud funny--it's funny, but not hilarious--but because it has a great heart and delivers a beautiful message without any corny Hollywood pretentions. Sure, the premise is funny--a shallow guy gets virtually hypnotized into thinking all the unattractive women he sees are foxes and ends up going out with a 500-pound woman who he also thinks is a fox. It's a great premise, but the Farrellys don't fixate on that premise alone, preventing it from turning it into a lame, one-joke slapstick comedy. This is a comedy with heart--a rare finding. In between laughs, you really get wrapped up in the characters and storyline. The gags flow quite naturally, without the Farrellys forcing any humor onto the screen. If a comic opportunity comes along, they take advantage, but there's no random acts of slapstick.

I am pleasantly surprised with Jack Black, who has proved in this movie that he doesn't only have what it takes as a comic actor, but also as a serious actor and a romantic lead. I've always enjoyed seeing him on screen, but he usually plays the same wound-up, hyperkinetic characters. Basically, he's funny, but you still know you're watching Jack Black on screen. This time he exercises his ability as a method actor, he succeeds well. Gwyneth Paltrow is adorable and sweet, capturing the audience's sympathy with her winning smile. Joe Viterelli is amusing as her overweight Irish father, and actually pulls off a fairly convincing Irish accent. The sizzling hot Brooke Burns makes a few appearances. And Jason Alexander is always a joy to watch.

I think "Shallow Hal" does the best job at conveying the message that beauty is on the inside. It has been conveyed before in films like "The Nutty Professor," but I feel this film conveyed it best. This could've easily been a 105-minute fat joke, but it doesn't travel that route. There are no crude or mean-spirited gags. Could it be that the Farrelly Brothers matured? Even of the films of theirs that I liked (ex.: "Dumb and Dumber," "There's Something About Mary") are a little uneven and contain a few gags that are just plain cruel. Like in "Mary," Cameron Diaz's brother is mentally ill and the butt of a few jokes. Here, we have a character that walks on both his arms and legs, but he's portrayed as a normal character, and not as a gimmick for some cheap laughs. There are moments that really tugged at my heartstrings. The "burn victim" scene brought quite a few tears to my eyes. The story is solid, with no boring lulls. And the soundtrack is pretty good--I have criticized the Farrellys in the past for using crappy music in their sountracks.

If you're looking for a good romantic/date movie with some good laughs and a good message, "Shallow Hal" will be an absolute delight.

My score: 8 (out of 10)

It's easy to laugh at this film, because the jokes are so broad, but it's equally easy to be offended. The issue I have with the movie is that, in the course of making the point that we should see the inner-beauty in fat people, the Farrellys are implying that by being overweight you are universally ugly. In fact, in the world of Shallow Hal, if you are fat, you are a well-meaning mammoth who couldn't possibly be fancied unless under hypnosis or after an epiphany.

The movie also seems to suggest that the friends of fat people are ugly, and that uglies keep each other's company because no one else will want to associate with them, which is another reinforcement of social divisions. All of Rosemary's (Paltrow) friends are, as we see at the end, equally fat or gross or otherwise physically undesirable. Most disturbingly, the Farrellys undermine the inner-beauty point they've spent $40 million trying to make through Hal, because Hal's friends betray the judgmental reality. When his buddies see Rosemary for what she is, i.e. grossly fat, they are universally horrified in a "what are you doing with her?" way, which carries a more powerful punch than any of the tepid attempts to suggest she's beautiful because of her personality (moulded, we are told, by years of personal abuse because of her size).

The overall message is correct - inner beauty is ultimately what counts, because a sparkling character will outlast youthful good looks by decades. But the Farrelly's have approached the subject in a way that actually insults, rather than genuinely educates. It's not going to uplift anyone who's overweight, it'll just depress them. The majority of the film perpetuates the idea that being fat or ugly makes you a pariah or the object of sympathy or vulgar fascination.

There are some sweet moments, and a few laughs, so the movie's not a wholly worthless experience. But in the process of making its (valid) point it reinforces, rather than rejects, stereotypes.

This movie would never be allowed to release in today's world, but it was a hit when it came out in 2001, and it's because it really is a funny, sweet movie. What could be a crude and offensive movie is thoughtful and even deep at moments while being laugh-out-loud hilarious. Jack Black plays the same lovable goofball as always, except this time, his character struggles with only caring about a person's appearance and his particular expectations on how they should look. But as the movie progresses, Hal grows and matures, discovering the beauty in everyone, both inside and out. Shallow Hal ultimately shares a meaningful message while also pouring on the laughs and poking fun at every character in the film. So don't balk at the premise of the movie. Instead, give it a shot, and you might just enjoy it.

Do you judge a person - particularly a woman - by her outward appearance? If you do, you're "shallow" and that's the message played out in this comedy.

The humor in here is good, very funny in spots. There are plenty of jokes and sight gags. If you are obese and very sensitive, then skip this film because you won't appreciate some of the humor in this film. But, if you can laugh at yourself, you'll enjoy it too - and especially the message this film brings.

Jack Black was pretty much of an unknown actor when this came out, but he's well-known now after School Of Rock, King Kong and other films. Gwyneth Paltrow everyone knows. She looked very pretty in here, maybe the best I've ever seen her. Jason Alexander and Joe Viterelli provide good supporting help. By the way, it was strange hearing Viterelli with an Irish accent. This is a guy who almost always plays Mafia types.

The only thing offensive to me was the beginning with some irreverent humor that was not needed, not part of the story, just a cheap shot against ministers. Also, for a lightweight comedy, the profanity could have been less. Can't someone make a modern-day comedy without language and sex issues? I wish someone would at least try. It can be done - just look at the classics!

Anyway, this is still a pretty funny story with, of course, a good message about judging a book by its cover.

I had heard all of the critical talk about this film portraying women badly in this film months before it even came out. Generally being turned off to stereotypical plots I was very hesitant to see this movie. Of course all of my friends totally loved this movie. They thought it was sweet and charming and bashed the critics for thinking that it was demeaning to any one type of social group because they felt that since Hal chose to be with Rosemary at the end of the film that that meant that the movie itself was teaching everyone some great beautiful lesson about how you can see the beauty within. Well being a plus size girl myself (Im a size 16-and cute to boot hehe)I made myself watch this movie, and all I can say is that, I beg to differ.

To be fair I do think the Farrelly brothers were trying to send a positive message here. I don't think that their intent was to degrade anyone, but they ended up making the movie a hypocritical mess. Not only did they portray "Ugly" woman as fat with bad skin and big noses,they also portrayed "Beautiful" women as being mega-bitches with a whip. As if we women (and men) don't have enough to feel self conscious about.

I mean think about it. Jack Black, while being a very funny guy and good actor, just isn't "conventionally" Hollywood attractive. But he loved Rosemary. Which is great, however they would never think about putting let's say, Brad Pitt in as playing Hal and have him running off with an obese woman in the end. So therefore Obese women can only get someone like Jack Black to love them???

The other stereotype that irritated the crap out of me was that, not only was Rosemary obese, but she was also a glutton. As if ALL big women eat 5 course meals every time we sit at the table. Anyways, just a big peeve there.

The point is, that everyone knows that movies and Hollywood set this impossible standard on how women and men should look and everyone here admits it's wrong, yet people still feel they have to alter themselves to be something that they are not. I feel that this movie, while trying to mean well...exacerbates this concept and causes hurt feelings.

A valiant effort of the F-Bros part, but it just didn't cut the mustard with me. Sorry