L'Amour extra large

"Shallow Hal" should be a harmless little morality play on finding inner beauty. It is, instead, a mean spirited film that seems to confirm all the things it preaches against.

Fat jokes and stereotypes abound; and may even have been funny if not so utterly far fetched. In one particularly stupid segment, the fat girl is so heavy she breaks her seat at a restaurant. Dumb, unkind and unlikely. Thirty minutes later: fat girl breaks another chair at a different restaurant.

How is Hal supposed to get beyond the unattractive fat? The fat girl herself thinks she's unattractive. Her father also says she's unattractive. At least Hal is shallow. What's Dad's excuse?

Fat people also have no manners. When offered a slice of cake, Rosemary breaks off one-third, grabs it in her bare hand, and walks off through her Dad's office. Do the Farrelly's really think this is how obese people behave? This may fly in "Dumb and Dumber", but Paltrow's character is far from dumb, she is after all educated and affluent.

To show us none of us is above being petty and judgmental, the Farrelly's use a character with crippled, withered legs which drag behind him as he walks, doubled over on his hands. The device is particularily jarring. This characters big joke comes when during a road trip fuel stop when Hal asks why he's donning rubber gloves. "Have you ever walked across a gas station restroom on with your bare hands," he replies. Makes me long for the sophistication of "American Pie."

"Shallow Hal" has it's moments of brilliance, offering a look at the world from some radically different perspectives. But those moments are too few. Sitting through this movie left me with the same feeling I get when I hear a racist joke or see someone ridiculed.

Perhaps the working title was "Hateful Hal." I can't understand why people get so uptight about sex and nudity, when something obscene as this little flick slip under the radar.

No contest, I will say this marks the best of the Farrelly Brothers. Not because this film is laugh-out-loud funny--it's funny, but not hilarious--but because it has a great heart and delivers a beautiful message without any corny Hollywood pretentions. Sure, the premise is funny--a shallow guy gets virtually hypnotized into thinking all the unattractive women he sees are foxes and ends up going out with a 500-pound woman who he also thinks is a fox. It's a great premise, but the Farrellys don't fixate on that premise alone, preventing it from turning it into a lame, one-joke slapstick comedy. This is a comedy with heart--a rare finding. In between laughs, you really get wrapped up in the characters and storyline. The gags flow quite naturally, without the Farrellys forcing any humor onto the screen. If a comic opportunity comes along, they take advantage, but there's no random acts of slapstick.

I am pleasantly surprised with Jack Black, who has proved in this movie that he doesn't only have what it takes as a comic actor, but also as a serious actor and a romantic lead. I've always enjoyed seeing him on screen, but he usually plays the same wound-up, hyperkinetic characters. Basically, he's funny, but you still know you're watching Jack Black on screen. This time he exercises his ability as a method actor, he succeeds well. Gwyneth Paltrow is adorable and sweet, capturing the audience's sympathy with her winning smile. Joe Viterelli is amusing as her overweight Irish father, and actually pulls off a fairly convincing Irish accent. The sizzling hot Brooke Burns makes a few appearances. And Jason Alexander is always a joy to watch.

I think "Shallow Hal" does the best job at conveying the message that beauty is on the inside. It has been conveyed before in films like "The Nutty Professor," but I feel this film conveyed it best. This could've easily been a 105-minute fat joke, but it doesn't travel that route. There are no crude or mean-spirited gags. Could it be that the Farrelly Brothers matured? Even of the films of theirs that I liked (ex.: "Dumb and Dumber," "There's Something About Mary") are a little uneven and contain a few gags that are just plain cruel. Like in "Mary," Cameron Diaz's brother is mentally ill and the butt of a few jokes. Here, we have a character that walks on both his arms and legs, but he's portrayed as a normal character, and not as a gimmick for some cheap laughs. There are moments that really tugged at my heartstrings. The "burn victim" scene brought quite a few tears to my eyes. The story is solid, with no boring lulls. And the soundtrack is pretty good--I have criticized the Farrellys in the past for using crappy music in their sountracks.

If you're looking for a good romantic/date movie with some good laughs and a good message, "Shallow Hal" will be an absolute delight.

My score: 8 (out of 10)

My problem with this movie is that the two male leads are so spectacularly unattractive. The whole message is that we shouldn't judge people by their appearances, fat people are good, etc. etc. blah blah blah. Okay, fine, whatever.

But this only seems to apply to the womenfolk. Jack Black is short and pudgy with bulldog features, and Jason Alexander looks like something that's been boiled and painted. Why is their lack of attractiveness never part of the plot? Good Lord, they roam around the movie looking for babes as if they were a couple of Adonises. Both of these distinctly not good-looking guys get pursued by attractive women, and what's more, the squat four-eyes actually turns down his dolly on the grounds that she's got a long toe. (All this is later justified by his inner hurt feeling...awwwww!!)

Another sign that the movie was put together by a couple of cases of arrested development: Rosemary never stops talking about her low self-esteem, can't handle compliments, etc. yet in every second scene she's wearing something short and tight. This way Gwyneth Paltrow gets to prance around in her skimpies, and yet then we're supposed to get a big yuk-yuk when her fat body double is shown falling out of the same outfit.

I would love to see a female director redo this movie using a couple of ugly women as the leads, and then have attractive men pursue them, just as they are. Wait, I guess no one would buy that.

And one final thing: just because Rosemary was fat, they didn't have to show her constantly stuffing her face. It got to the point where she's grabbing half a cake at a time. That was just pointless and mean, and it was way beyond even a juvenile chuckle.

Do you judge a person - particularly a woman - by her outward appearance? If you do, you're "shallow" and that's the message played out in this comedy.

The humor in here is good, very funny in spots. There are plenty of jokes and sight gags. If you are obese and very sensitive, then skip this film because you won't appreciate some of the humor in this film. But, if you can laugh at yourself, you'll enjoy it too - and especially the message this film brings.

Jack Black was pretty much of an unknown actor when this came out, but he's well-known now after School Of Rock, King Kong and other films. Gwyneth Paltrow everyone knows. She looked very pretty in here, maybe the best I've ever seen her. Jason Alexander and Joe Viterelli provide good supporting help. By the way, it was strange hearing Viterelli with an Irish accent. This is a guy who almost always plays Mafia types.

The only thing offensive to me was the beginning with some irreverent humor that was not needed, not part of the story, just a cheap shot against ministers. Also, for a lightweight comedy, the profanity could have been less. Can't someone make a modern-day comedy without language and sex issues? I wish someone would at least try. It can be done - just look at the classics!

Anyway, this is still a pretty funny story with, of course, a good message about judging a book by its cover.

This movie would never be allowed to release in today's world, but it was a hit when it came out in 2001, and it's because it really is a funny, sweet movie. What could be a crude and offensive movie is thoughtful and even deep at moments while being laugh-out-loud hilarious. Jack Black plays the same lovable goofball as always, except this time, his character struggles with only caring about a person's appearance and his particular expectations on how they should look. But as the movie progresses, Hal grows and matures, discovering the beauty in everyone, both inside and out. Shallow Hal ultimately shares a meaningful message while also pouring on the laughs and poking fun at every character in the film. So don't balk at the premise of the movie. Instead, give it a shot, and you might just enjoy it.