Eleven souls, trapped in an underground carpark, are attacked by deadly, remote controlled toys. Only a few will survive.Eleven souls, trapped in an underground carpark, are attacked by deadly, remote controlled toys. Only a few will survive.Eleven souls, trapped in an underground carpark, are attacked by deadly, remote controlled toys. Only a few will survive.
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David Will No
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SUBTERANO is one of those low-budget movies that is, unfortunately, too ambitious for its own good. The idea is there, along with a good premise, but the resources to carry it out isn't. So as a result we get a movie that uses the same color scheme and repetitive nature of the highly creative CUBE, which managed to sell its low-budget nature because the story dictates repetitiveness. With SUBETERANO, the repeating of garage levels is just, well, repeating garage levels.
Also, the screenplay is much too elaborate. There is a whole back story about revolution and the movie itself is supposed to take place in the future. I've always advised low-budget filmmakers to veer away from futuristic storylines for the simple reason that they don't have the resources to carry out the premise. And, as a result, their "future world" always ends up looking incredibly laughable.
SUBTERANO is not an entirely bad film. It has some good actors, but also some very irritating characters that, unfortunately, don't die off fast enough. There really is no surprise who will live or who will die, and who will end up being really irritating. In this respect, the screenplay fails.
5 out of 5
(go to www.nixflix.com for a more detailed review of this movie, including reviews of other films in this genre)
Also, the screenplay is much too elaborate. There is a whole back story about revolution and the movie itself is supposed to take place in the future. I've always advised low-budget filmmakers to veer away from futuristic storylines for the simple reason that they don't have the resources to carry out the premise. And, as a result, their "future world" always ends up looking incredibly laughable.
SUBTERANO is not an entirely bad film. It has some good actors, but also some very irritating characters that, unfortunately, don't die off fast enough. There really is no surprise who will live or who will die, and who will end up being really irritating. In this respect, the screenplay fails.
5 out of 5
(go to www.nixflix.com for a more detailed review of this movie, including reviews of other films in this genre)
...since all of the originality this script needed really IS "buried!" At least it is another opportunity to see the chiseled talent of Alex Dimitriades at work, though a bit of a letdown after his career-making performance in the searing indie HEAD ON.
Set in a future where VR video games aren't just a way of life, but have infused nearly every aspect of pop culture, (in other words, not all that different from today), Dimitriades plays one of the underground rebels of a faction known as the "Orphans Of The Revolution." It all gets kind of "JUDGE DREDD-meets-THE-MATRIX" from here, so I'll just skim over what passes for the "finer points." Having escaped an execution date with the help of an old flame (Tasma Walton), both renegades find themselves in the wrong place at a VERY wrong time, trapped in the parking deck of a high-rise with several other unlucky people.
Because living in this high-rise is the part-time sociopath/full-time "daddy's boy" who has just perfected a VR game called...you guessed it, SUBTERANO. Sonny has one of those dysfunctional relationships with his dad, and therefore has channeled all his hate, frustration and aggression into a game that has now transcended its VR origins and become part of the real world...and the captives in the parking deck must now play for their lives, or suffer the deadly consequences.
It certainly sounds more interesting than it is, and it isn't hard to believe that it actually sat on a shelf two years after its completion. I always wondered how movies would begin to reflect the tech advances in special effects achieved with THE MATRIX, and in its own just-okay CGI work, SUBTERANO reflects the very beginnings of the beneficial influences reaped by low-budget projects from the much superior forerunner.
Unlike CUBE, to which SUBTERANO bears more than just a passing resemblance, the characterizations are not as fully realized, so to the actors' credit they do at least manage to keep us interested before the "game" dispatches most of them. The dialogue at best never rises above soap-opera level, which makes one wonder how much time was spent on the script development as opposed to the special FX (which obviously gobbled up most of the film's meager budget.) Once you get past the somewhat tedious set-up in the first third of the movie, SUBTERANO does get curiously watchable afterward. A few trims here and there would probably make it more palatable for kids with a PG-13 sensibility. As it is, it's a fairly harmless piece of late-night fodder when nothing else is on.
(Note to Alex and Tasma: fire your agents and get new ones.)
Set in a future where VR video games aren't just a way of life, but have infused nearly every aspect of pop culture, (in other words, not all that different from today), Dimitriades plays one of the underground rebels of a faction known as the "Orphans Of The Revolution." It all gets kind of "JUDGE DREDD-meets-THE-MATRIX" from here, so I'll just skim over what passes for the "finer points." Having escaped an execution date with the help of an old flame (Tasma Walton), both renegades find themselves in the wrong place at a VERY wrong time, trapped in the parking deck of a high-rise with several other unlucky people.
Because living in this high-rise is the part-time sociopath/full-time "daddy's boy" who has just perfected a VR game called...you guessed it, SUBTERANO. Sonny has one of those dysfunctional relationships with his dad, and therefore has channeled all his hate, frustration and aggression into a game that has now transcended its VR origins and become part of the real world...and the captives in the parking deck must now play for their lives, or suffer the deadly consequences.
It certainly sounds more interesting than it is, and it isn't hard to believe that it actually sat on a shelf two years after its completion. I always wondered how movies would begin to reflect the tech advances in special effects achieved with THE MATRIX, and in its own just-okay CGI work, SUBTERANO reflects the very beginnings of the beneficial influences reaped by low-budget projects from the much superior forerunner.
Unlike CUBE, to which SUBTERANO bears more than just a passing resemblance, the characterizations are not as fully realized, so to the actors' credit they do at least manage to keep us interested before the "game" dispatches most of them. The dialogue at best never rises above soap-opera level, which makes one wonder how much time was spent on the script development as opposed to the special FX (which obviously gobbled up most of the film's meager budget.) Once you get past the somewhat tedious set-up in the first third of the movie, SUBTERANO does get curiously watchable afterward. A few trims here and there would probably make it more palatable for kids with a PG-13 sensibility. As it is, it's a fairly harmless piece of late-night fodder when nothing else is on.
(Note to Alex and Tasma: fire your agents and get new ones.)
Eleven people are trapped in an underground parking lot, where they must battle their way through it against lethal toys in a real-life virtual-reality game. I rented "Subterano" for no reason in particular, having never read anything about it but passing it hundreds of times on the video store shelf (Lets just say I have a lot of free time on my hands), but upon checking IMDb after renting it I found predominately poor reviews. Perhaps it was because I didn't expect much, I thoroughly enjoyed "Subterano". It may owe one-too-many nods to 1997's brilliant "Cube", and the futuristic clothing may be pretty silly, but there's plenty to like here.
For a low-budget movie, writer/director Esben Storm has done a great job with the film visually. Despite being filmed almost exclusively in a parking lot, the lighting is interesting and attractive (Lots of filters are used in this film to good effect) and there's enough tense action that thing never get boring.
The acting is surprisingly good for the most part, John Clayton and Alex Dimitriades being the best here. Everyone else is good too, but some of the characters could be rather annoying at times (The baby-faced teen girl being a prime example).
The special effects are good. Most direct-to-video films resort to cartoony and unconvincing CG, but here the computer effects are actually quite good, and there are some fun, gruesome death scenes (I'm not going to give them away) here and there. Thankfully, the gore isn't CG.
It's not a perfect film by any means, the script can be thin in places and the music is terrible at times, but "Subterano" was a fun, fast-paced sci-fi thriller that's certainly a stones-throw ahead of the brainless, CGI-laden "sci-fi" films produced by Hollywood these days. Give it a chance and you might like it.
6.5/10.
For a low-budget movie, writer/director Esben Storm has done a great job with the film visually. Despite being filmed almost exclusively in a parking lot, the lighting is interesting and attractive (Lots of filters are used in this film to good effect) and there's enough tense action that thing never get boring.
The acting is surprisingly good for the most part, John Clayton and Alex Dimitriades being the best here. Everyone else is good too, but some of the characters could be rather annoying at times (The baby-faced teen girl being a prime example).
The special effects are good. Most direct-to-video films resort to cartoony and unconvincing CG, but here the computer effects are actually quite good, and there are some fun, gruesome death scenes (I'm not going to give them away) here and there. Thankfully, the gore isn't CG.
It's not a perfect film by any means, the script can be thin in places and the music is terrible at times, but "Subterano" was a fun, fast-paced sci-fi thriller that's certainly a stones-throw ahead of the brainless, CGI-laden "sci-fi" films produced by Hollywood these days. Give it a chance and you might like it.
6.5/10.
True, the special effects are a little lame in this low budget Australian movie, and the location for most of the action -- a parking garage -- is pretty cheap.
But, darn it. I was entertained.
One thing, though: This could be a good children's movie if all the four-letter words were removed.
But, darn it. I was entertained.
One thing, though: This could be a good children's movie if all the four-letter words were removed.
This has been sitting on my shelf gathering dust for months, so I figured I might as well watch it. I got it for $3 in a bargain bin, so I wasn't expecting much at all, but I got a rather pleasant surprise! Sure, it's not a great movie by any means, full of plot hole and continuity problems, but the actors were actually pretty good for a low budget flick like this. Same goes for the effects. The plot wasn't anything we haven't seen before, but it was handled well. I was pretty disappointed with the "Embo Man" villain in the end....looked like a bad Power Ranger villain. Oh well, it was still a lot better than expected for $3!
7/10
7/10
Did you know
- TriviaThis film is considered an Ozploitation picture, an Australian exploitation movie.
- ConnectionsReferences Le Pacte (1987)
Details
- Runtime1 hour 31 minutes
- Color
- Aspect ratio
- 1.85 : 1
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