La sirène rouge

This is the kind of movie that allow me to say that French directors are able to make as good action movies as American ones. It's perhaps not so good as "Leon" or "Nikita" from Besson, but it's a new director : Megaton. The fact is that there are not as much electronics gadgets as in American movies, but we can see very nice pictures.

In Paris, the twelve years old girl Alice (Alexandra Negrão) arrives to the police station, and asks to meet detective Anita (Asia Argento). In her office, Alice tells that her mother Eva (Frances Barber) is a sadistic killer and delivers a video showing Eva torturing and killing their maid Sunya. The chief of police does not believe in Alice, but Anita decides to investigate by her own and finds that Eva is a powerful and wealthy leader of an international criminal organization. When Alice escapes from the guard of the detective in charge of her security, she decides to travel to Portugal to meet her father, who is supposedly dead, and is chased by two gangster of Eva's organization. Alice meets the traumatized mercenary Hugo (Jean-Marc Barr), who protects and travels with her to Portugal, trying to find her father, while Eva and Anita also travels to that country.

"La Sirène Rouge" is one of the most unbelievable and flawed screenplay I have ever seen. The storyline is actually a great absurd since the very first beginning until the last scene. Nevertheless, there are many action scenes and shooting and this movie entertains. I personally am a fan of Asia Argento, and her name in the credits was the great attraction for me to see this movie. In the hotel, in the check-in of Hugo and Alice, the soccer game is between Flamengo and another Brazilian team. Later, we can hear the speaker narrating another soccer game in Brazil. Therefore, the language is Portuguese, but the teams and the accent are not from Portugal. I found this sequence ridiculously hilarious. My vote is six.

Title (Brazil): "O Alerta Vermelho" ("The Red Alert")

"The Red Siren" is a B-flick about a teen runaway who falls in with a part time soldier-of-fortune who protects her from a small army of Mom's heavies while a beautiful cop (Argento) tries to find them to help out. In spite of some good camera work and real locations, this film has a phony plot and characters who aren't even remotely believable. Scripting, editing, and direction is lousy giving "The Red Siren" a slick but sloppy look with very little going for it save a bit of action (one fire fight), a brief chase scene and no romance or sex. Pretty awful stuff even for the couch potato, this is a good film to pass over. Not recommendable except for fans of Argento who get's precious little screen time.(C)

This bloody yet stylish European action thriller is well filmed and ambiguous enough to allow your imagination space for thought. Olivier Megaton direction is thoughtful and holds this interesting picture together. Jean-Marc Barr is good as the trained assassin who becomes the girl's protector. His acting inspires confidence and credibility to become Alice's (the girls) savior. Asia Argento who plays Anita a cynical Police Inspector who also needs to protect Alice. This seems to be at the core of this movie. Both Anita (Argento) and Hugo (Barr) need to protect this girl for personal reasons. Although the film does not elaborate on Anita's past you can sense her empathy seeing Alice as the girl within herself. Hugo on the other hand is a loner and has become jaded by his past experiences and through Alice he finds a reason to once again believe in his own goodness. - PCL

I must confess... my low rating of this has to do with a similar plot (pre-teen girl who's life is in danger taken under the wing of a professional assassin) being much better utilised in Leon, with far more suspense and gripping action. It also had the added bonus of a young Natalie Portman, rather than the whiny brat who constantly lands everyone in trouble here. Add to that the main shootout being a poorly edited, shot-in-green-light farce, and a villainess who, if she chewed any more carpet, would have a completely bare house, and you can see we have real problems here.

Still, it's not all bad. Jean-Marc Barr compellingly plays the ice-cool hired killer, and Asia Argento makes for a sexy yet intelligent officer. We get to see quite a few scenic highlights of Europe, and the plot moves along with just the right speed to stop boredom setting in. It's just the feeling of deja vu is constant from the first shot... And I guarantee you've seen it done better. I know I keep bringing this point up in my reviews, but if the boot fits... 5/10.