Koi... Mil Gaya

This is a thoroughly entertaining movie (except for the melodramatic scenes in the end) and Hrithik shines in the role of a mentally challenged boy. I have enjoyed the songs, the gravity-defying dances by Hrithik and how well Hrithik has captured the mannerisms of a mentally challenged boy. Some people might compare it to a range of Hollywood films, but let's just appreciate that a different sort of movie has been attempted and for goodness sake let's just enjoy it. This is a great family movie and a great treat presented by Rakesh Roshan.

I am generally averse to any of the Bollywood movies inspired by Hollywood - they end up half-baked dodo's. How-ever after having watched Koi Mil Gaya I must admit that::

01. Bollywood comes to technological age

02. Hritik stands above the story and script

Hritik gets into the skin of the character and delivers a mind-blowing performance which patches up for the flaws in the movie and all the rant critics had about being inspired from dozens of Hollywood movies. We truly have an actor who is dedicated and perfection is his ultimate goal.

Undoubted the movie is inspired from E. T, Independence Day, Forrest Gump, Close Encounters Of The Third Kind and Jack but doesn't appear force-fit and nicely blend into actual storyline. It appears that Rakesh Roshan and Hritik Roshan acted as perfect reality- check for each other. Roshan's should be lauded for the risk they undertook and it has paid off indeed.

As in E. T., I was expecting the alien to steal the show - but I guess Hritik proved to be strong competitor.

Rekha fulfills her dream of being Hritik's mother (which she claimed at Awards shows, a few years ago!). And Rakesh Roshan must have fulfilled his dream of playing screen-father. Preity Zinta was good.

Songs always have been the forte' of Rakesh Roshan movie - thanks to brother Rajesh Roshan. This time around Chitra gets a break. Dances need a special mention.

SFX are okay - by Bollywood standards. And Johnny Lever needs a major overhaul - please learn a thing or two from Paresh Rawal.

With stupendous success of KMG, I was expecting a trend of sci-fi movies in Bollywood but I guess the hamlet still fears to tread the path less-traveled.

Rejoice - we have had a beginning..... and a good one!

"Koi... Mil Gaya" is a step in the right direction for Hrithik Roshan and Bollywood in general. The former finally has found another role since "Fiza" that is worthy of his talent, a role that's neither purely fluff in a likewise fluff or worse film (AMALL,YAADEIN,MDK...) or a crass miscast (MPKDH), and the latter steps into new territory concerning suitable subjects and use of modern sfx. Both are rewarded with a superhit as a result. The film is not doing as well in UK and US as in India where it's on target to leave K3G, Devdas, Lagaan and KNPH behind. The reason is most likely that NRIs are more familiar with Hollywood films which KMG is a copy of, and stick more to mushy family/romance/love-potboilers than new Hollywood like experiments coming from the motherland. The usual description of KMG as a mix of "E.T." and "Forrest Gump" is mostly correct. The film adopts many ideas from "E.T." beyond the concept of an alien landing on earth and making friends with kids. It also borrows from several other Hollywood films. That's somewhat irritating if you are familiar with these films, but fortunately the indianisation and mixing has been done quite nicely, and there is enough material around that does not immediately ring a bell and looks fresh. Also irritating is the product placement, a necessary evil, it seems, to co-finance such a big film without banks or the Bollywood mafia. Technically the film is clearly above average for Bollywood and some of the sfx are near Hollywood quality. The alien can't compete with the original E.T.. It's too plastic and artificial for that, but it grew on me nonetheless. The wire (removal) effects in Bollywood films are usually amateurish and blatantly unrealistic. In KMG they look pretty professional, even when they are obvious (in the song "Idhar Chala") and help create a magical mood. (The song "Idhar Chala" is a little gem, by the way, an instant classic, that will surely get awards for best choreography next year.) The CGI birds look pretty fake on the other hand, and the integration of the CGI for the spaceship's landing crater is halfbaked with incorrect 3D perspective and visible seams. The performances are quite good throughout, but the film clearly belongs to Hrithik Roshan from start to finish. As a boy in a man's body he delivers a performance that can compete with good work from any actor anywhere. Award nominations galore next year are a certainty and wins hardly less. It's the kind of performance that triggers a reevaluation of what someone can and should do and it will hopefully bring him lots of good role offers beyond the stereotypical loverboy with biceps that shakes a leg before he walks into the sunset with his dulhan. KMG is quite enjoyable, not only for kids, and it will have its place in the history of Bollywood as a film that made a difference. And that is a nice achievement.

Koi Mil Gaya is a nice film for the entire family, but mostly for children. Not much does it offer to adults. It does not mean the film is bad or something, I really enjoyed it for being a very well-made movie, but it's just not a film anyone would want to watch twice. To its credit, this is one of the only sci-fi films made in Hindi cinema, and it has succeeded as such. It benefits from great music, effective special effects, but above all, Hrithik Roshan's extraordinary performance as a mentally disabled young man. It also has lovely appearances from other actors, including Preity Zinta's light yet great portrayal of a modern young woman who learns to communicate with Hrithik's Rohit, and Rekha's moving act of his mother who is in a daily struggle with her son's defect. But these ladies succeed because they are two actresses of great screen presence. Otherwise the film was clearly made by Rakesh Roshan for his son. I frankly get a bit angered that all three of his films starring his son did not give any notable scope to other actors but were mainly created to promote Hrithik. The film is considered to be revolutionary, while clearly it is not. We had Mr India in 1987 which was in my view better at its time. Koi Mil Gaya is similar to E.T, but frankly pales in comparison. This Jaadoo, while a sweet creature, is plastic. BTW, he can't act (just kidding!). Anyway, the film is worth watching for its innovative concept and light, endearingly childish script.

Hello, I am white and English, and this is the first Indian film I have seen. I would not usually watch them, but chanced upon a trailer on the SONY Asian channel. I enjoyed the film so much I bought the DVD. I have never seen or heard of the actors/actresses and never seen a 'Bollywood' film, but I'm glad I saw this one, I was highly entertained all the way through. I enjoyed the cinematpgraphy, the singing and dancing was bizarre, but fun, and even though I don't understand Hindi (although now I know a few words!) They speak English enough to get the jist. I also noticed the Indian people on this film are more theatrical than white folks, their facial expressions, body language and gesturing tell a story on their own. The only faults I found were continuity and the young girl with the bobbed hair seemed to disappear from the group of kids part way through. Oh and Preitty Zinta is Divine! Good luck!