Le placard

This is a delightful character study and social commentary masquerading as a broad farce. It is very, very funny. They avoid cheap "queer" jokes and cheap "homophobe" jokes even as they bluntly portray attitudes about homosexuals. Even though they use very real language to illustrate the attitudes. There is some great acting throughout. Each of the characters is a study in itself. The homophobic character (Depardieu) emerges as intriguing and sympathetic, where it could have been two dimensional. The relationship between Auteil and Aumont almost brought me to tears. The transformation of the lead character is believable, despite the improbable context that the film creates. The final scene with his ex-wife is powerful. Others have pointed out that the lead character never changes, the perceptions of others change. This makes his actual transformation that much more effective. This movie is a real find.

Anyone who dismisses foreign films as too abstract or intellectual should see this one; it functions no differently than any American comedy. (By American comedy, I'm speaking of movies like the better Coen Brothers or Woody Allen comedies and not mass-produced garbage like "White Chicks".) Many times I completely forgot it was in French and that I was reading subtitles.

Daniel Auteuil is great in this charming film. His sad-sack loser is reminiscent of William H. Macy's most famous roles, or perhaps Jack Lemmon in "The Apartment".

Everything goes wrong for François Mignon. Neither his wife, who left him two years before, nor his teenage son will have anything to do with him. He is ignored at work, and finds out through the grapevine that he has been fired.

His next-door neighbor talks him out of suicide and comes up with a plan to save his job: if Mignon pretends to be gay, the company will not want to look homophobic by firing him.

This plan works perfectly, and Mignon is thrown into a number of increasingly ridiculous situations, now that he is reputed to be gay.

The film wraps up quickly and ties together almost too neatly, but the ending fits the fast paced comic style of everything before it. Overall, this is an entertaining and heartwarming film.

Faced with a choice of American "look-alike" movies, I watched this little gem on the basis of the cast alone. What an excellent choice!

This is a brilliantly funny movie, with some unforgettable moments - particularly the "testing department" sequence in the condom factory. The story is amusing, the cast are perfect, particularly Gerard Depardieu's hilarious, touching, crazy mixed up macho/gay guy. The premise, that in order to keep his job a colourless little accountant has to pretend that he is gay (a very tongue in cheek comment on prejudice here) - the can of worms that he opens up has many aspects, both good and bad. And they gave us a happy ending - what more can one ask for? Recommended.

i had no idea what to expect from this film when my friend dragged me to see it, saying that it had been a huge success in france when she was living there. it started out well enough but i thought it was just going to be about how "funny" it is that this guy who isnt gay pretends he is....

however, the film is self- referential enough that it turns on itself and makes fun of all the prejudices and hangups that we all carry around with us. it is a funny, unpretentious film and for that, well worth seeing. the main actor is excellent.

This amiable and amusing film is delightful as it plays around with political correctness, homophobia, machismo, and business management.

The dull-witted and just plain dull main character keeps his job by pretending to be gay -- at the suggestion of a neighbor who is an industrial psychologist that once lost his own job BECAUSE he is gay. With that premise, the film is off to a wonderful series of misunderstandings and revelations as our hero discovers a great deal about life, people around him, and most of all, himself. The fact that all of this takes place is a very prim, high-tech condom factory makes the comedy all the more lively.

I wasn't expecting the lift that the film gave me. It has a flimsy giddiness about it lacking in most comedies about being gay or straight or anything else. See it if you get a chance.