La voix du succès

Because I knew this was a VH1 Original, I knew not to expect much of the movie. I was right. This movie tells the story of washed-up record producer, Deacon. Deacon's jet plane back to the glamour he once knew arrives in the form of Sunni, the new "it" girl of Golden Records with the body of a goddess and voice comparable to nails on a chalkboard. Deacon takes on the project of producing Sunni's record, convinced he can make her voice sound reasonable using studio magic. This plan fails to work. Enter Maggie Stanley, a housewife blessed with a beautiful singing voice while cursed with a severe case of stage fright. Deacon decides to replace Sunni's voice with Maggie's, and chaos ensues from there when Sunni's career rises farther than Deacon ever wanted to. Realizing he is in love with the very married Maggie, Deacon's conscience takes hold of him, instructing him to tell the truth about Sunni, much to the chagrin of Lowell, a record exec at Golden who wants to keep this secret under lock and key.

Peter Outerbridge, an actor I had previously never heard of, shines as Deacon, a down-on-his-luck, believable, and very lovable character, who, despite having experienced the highs of fame and fortune and the lows of bankruptcy and flops on Billboard, still manages to find a kindred soul in the stage fright-stricken Maggie. Kari Wuhrer, as Sunni, brings an extremely annoying sense of innocence to her character, who is supposed to come off as a shrewd businesswoman in a Barbie doll package. Gail O'Grady gives a so-so performance. She has delivered a better performance because she been given better scripts to work with. The whole thing movie is lacking in its sense of direction, especially with the romantic "quadrangle" involving Sidney Golden, Sunni, Deacon, Maggie, and Stan, Maggie's husband. So much more could have been explored between Deacon and Maggie. Perhaps the writer took the route he did to keep Deacon's "good guy" image.

If you happen to catch this movie between back-to-back Behind the Movie marathons (isn't that what they ALWAYS air on VH1?...), go ahead and kill some time, but don't make a point of watching it.

I like this film basically because of the songs. The opening sequence was what hooked me. I think it's funny how one song can be either made great, or destroyed by the wrong singing voice. The storyline isn't bad either. It appealed to me because of its Cinderella theme. It's funny and sexy, but somewhat preposterous at times. But it's all in good, clean fun. I love the singing voice used by Gail O'Grady. It's a voice that meshes well with the songs used in the film. It's a good movie to stay up late for when you don't have to go to work tomorrow. Though the script could have been better, all in all, I enjoyed it and I would like to see it again.

I like it. It seemed like a nice modern update of Singin' in the Rain (Gene Kelly, Donald O'Connor, Debbie Reynolds) with Gail O'Grady in the Reynolds part. Add in a little "Milli Vanilli" to the theme and you have a good rendition of "Out of Sync".

This movie is an embarrassment to film-making. I can't believe it was even listed as a comedy - not funny. Not only was the script atrocious, but the casting people should be shot. Gail O'Grady is just a great actress, but beyond that... %99 of the rest of the cast...ouch. Pretty much everyone else...wow it is hard to even...wow. Here is the number one rule about comedy "DON'T TRY TO BE FUNNY". There are a lot of very talented actors in Canada who can do drama and comedy - none of them were used in this film. Canadian nepotism and casting directors are helping to perpetuate bad film-making in Canada. I realize this is technically a "US" film, but look at the director, actors, location, etc. I just saw this on Bravo - they should be ashamed that they bought the rights to show this film. Again, there are a lot of great films out there that can't get airtime and they show this crap.

This movie was all standard tv movie. The acting not really there, and the plot did not develop with the characters. Like many TV movies this one had unfinished side-plots that either left the viewer wondering what happened or not really carring at all. The only part of this movie i liked was the fact that it was showing the real side of corprate manufactured music. All in all the movie was average (for a tv movie) nothing special and no 'breakthrough' acting.