The human city of Zion defends itself against the massive invasion of the machines as Neo fights to end the war at another front while also opposing the rogue Agent Smith.The human city of Zion defends itself against the massive invasion of the machines as Neo fights to end the war at another front while also opposing the rogue Agent Smith.The human city of Zion defends itself against the massive invasion of the machines as Neo fights to end the war at another front while also opposing the rogue Agent Smith.
- Awards
- 5 wins & 36 nominations total
Featured reviews
"The Matrix Revolutions" wraps up the epic saga that began with the groundbreaking "The Matrix" and continued with "The Matrix Reloaded." While it received a mixed reception upon its release, the film offers a visually stunning and philosophically rich conclusion that will resonate with fans of the series.
One of the film's most significant strengths is its ambitious exploration of themes such as free will, destiny, and the struggle between man and machine. The narrative takes bold leaps, diving deeper into the complexities of the Matrix universe, and raises intriguing questions that challenge the viewer's perception of reality.
Visually, "Revolutions" is nothing short of spectacular. The action sequences, particularly the climactic battle in Zion and the epic showdown between Neo and Agent Smith, showcase groundbreaking special effects and impressive choreography. The film pushes the boundaries of what action cinema can achieve, making it a visual feast.
The pacing can be inconsistent, and some viewers may find parts of the plot convoluted or difficult to follow. The dialogue, while profound at times, can also feel heavy-handed, especially in moments that require a more subtle touch.
"The Matrix Revolutions" is a fitting culmination of a beloved trilogy. Although it may not reach the heights of its predecessor, it successfully encapsulates the series' core themes and delivers a thought-provoking narrative. For fans of the trilogy, it's a film worth revisiting, as it invites discussion and contemplation long after the credits roll.
One of the film's most significant strengths is its ambitious exploration of themes such as free will, destiny, and the struggle between man and machine. The narrative takes bold leaps, diving deeper into the complexities of the Matrix universe, and raises intriguing questions that challenge the viewer's perception of reality.
Visually, "Revolutions" is nothing short of spectacular. The action sequences, particularly the climactic battle in Zion and the epic showdown between Neo and Agent Smith, showcase groundbreaking special effects and impressive choreography. The film pushes the boundaries of what action cinema can achieve, making it a visual feast.
The pacing can be inconsistent, and some viewers may find parts of the plot convoluted or difficult to follow. The dialogue, while profound at times, can also feel heavy-handed, especially in moments that require a more subtle touch.
"The Matrix Revolutions" is a fitting culmination of a beloved trilogy. Although it may not reach the heights of its predecessor, it successfully encapsulates the series' core themes and delivers a thought-provoking narrative. For fans of the trilogy, it's a film worth revisiting, as it invites discussion and contemplation long after the credits roll.
As the city of Zion fortifies itself for defence against the influx of sentinels, the two remaining ships of the fleet prepare to return to the city. Neo lies in a coma with the sole survivor of the attack on the fleet, however his brain patterns show that he is lost somewhere within the matrix. Trinty and Morpheus go to rescue him and return him to the real world. Back in the real world, Zion is under attack from the sentinels, Neo decides that he must travel into the machine city and confront the creator of the matrix while Niobe pilots the remaining ship back to Zion to take on the sentinels.
I love the original Matrix, but can't help feel that the 2 overblown, over serious sequels have damaged it. This film works a little better than the second sequel but not by much. Where Reloaded left us with unanswered questions, Revolutions offers us the answers. Sadly the "answers" just left me confused and bewildered. I didn't feel like the film even tried to explain what was going on, and the ending came about far too suddenly and with little explanation. I know that a film is good if it leaves you thinking about things and I could sort of guess that Neo might have become some sort of programme etc at the end, but I still felt that the film should have helped me out even a little bit!
The plot is very heavy going and it lacks the light imagination evident in the first film. This really sucks the fun out of the film and makes it hard work - I have nothing against it being thought provoking and requiring thought, but it all seemed very laboured to me. The opening hour is quite hard work and the whole "train station" thing is never really explained and just seems designed to fill time or something. The action all looks great - the attack on Zion is visually very impressive and is quite exciting. However some fight scenes are so overblown that they failed to inspire. The shootout in the check room of the club is simply a tired retread of the groundbreaking lobby shootout but it is the final fight with Smith that shows what I mean. Neo's showdown with Smith in the first film was great fun and very exciting. Here (and in Reloaded) it is an excess of special effects, horribly overblown - visually impressive but not enjoyable.
The film seems to have taken on the mantel of "meaningful epic" where once it was a clever film with no assumptions. Listen to the music - that's where the clue is. Instead of the rock mix from the first film it has taken on big sweeping classical pieces that it scatters around liberally to try and give the film an epic feel that it doesn't deserve. It is still worth seeing as it finishes the trilogy but it is hard work at times. The acting continues the curse of Reloaded in that everyone thinks they are reading Shakespeare and gives their performance as if they were speaking words direct from God. Even Weaving's Smith is a little too full of himself this time. The dialogue is pretty bad as before - full of clichés and over wordy speeches of grandeur, it just gets tiresome before it gets engaging.
In the first film we were told no one can be told what the matrix is, we must see it for ourselves. We were then taken on a journey (with Neo), led by Morpheus into this world that was explained as we went. Here we are simply dumped in the middle of an impenetrable plot and basically left to work things out for ourselves with little or no help. Attempts to have characters like the Architect or the Oracle explain things are simply clunky and don't work at all. I'm not adverse to thinking, but the more I think about the film as a series the more i see unanswered holes. I was hoping that Revolutions would tie things up from Reloaded and actually serve to make part 2 work better, but it didn't. It took some positive steps but really the same weaknesses just continue.
Overall I was glad I saw it to finish the story, and visually it had some very impressive moments. However the feeling was of a film with no controls, spiralling out of control - with narrative flow lost behind half ideas and spiritual nonsense. It is over indulgent, bloated and full of a sense of it's own importance - an importance it simply does not have and should not be wearing on it's sleeve. The Wachowski's created a fascinating universe but, as they opened it out, their egos have inflated the material and their inability to control and tell such a massive story has shown and the last 2 films have really suffered as a result. Worth watching for what it attempts to do, but ultimately very frustrating for what it actually delivers and, more importantly, what it fails totally to do.
I love the original Matrix, but can't help feel that the 2 overblown, over serious sequels have damaged it. This film works a little better than the second sequel but not by much. Where Reloaded left us with unanswered questions, Revolutions offers us the answers. Sadly the "answers" just left me confused and bewildered. I didn't feel like the film even tried to explain what was going on, and the ending came about far too suddenly and with little explanation. I know that a film is good if it leaves you thinking about things and I could sort of guess that Neo might have become some sort of programme etc at the end, but I still felt that the film should have helped me out even a little bit!
The plot is very heavy going and it lacks the light imagination evident in the first film. This really sucks the fun out of the film and makes it hard work - I have nothing against it being thought provoking and requiring thought, but it all seemed very laboured to me. The opening hour is quite hard work and the whole "train station" thing is never really explained and just seems designed to fill time or something. The action all looks great - the attack on Zion is visually very impressive and is quite exciting. However some fight scenes are so overblown that they failed to inspire. The shootout in the check room of the club is simply a tired retread of the groundbreaking lobby shootout but it is the final fight with Smith that shows what I mean. Neo's showdown with Smith in the first film was great fun and very exciting. Here (and in Reloaded) it is an excess of special effects, horribly overblown - visually impressive but not enjoyable.
The film seems to have taken on the mantel of "meaningful epic" where once it was a clever film with no assumptions. Listen to the music - that's where the clue is. Instead of the rock mix from the first film it has taken on big sweeping classical pieces that it scatters around liberally to try and give the film an epic feel that it doesn't deserve. It is still worth seeing as it finishes the trilogy but it is hard work at times. The acting continues the curse of Reloaded in that everyone thinks they are reading Shakespeare and gives their performance as if they were speaking words direct from God. Even Weaving's Smith is a little too full of himself this time. The dialogue is pretty bad as before - full of clichés and over wordy speeches of grandeur, it just gets tiresome before it gets engaging.
In the first film we were told no one can be told what the matrix is, we must see it for ourselves. We were then taken on a journey (with Neo), led by Morpheus into this world that was explained as we went. Here we are simply dumped in the middle of an impenetrable plot and basically left to work things out for ourselves with little or no help. Attempts to have characters like the Architect or the Oracle explain things are simply clunky and don't work at all. I'm not adverse to thinking, but the more I think about the film as a series the more i see unanswered holes. I was hoping that Revolutions would tie things up from Reloaded and actually serve to make part 2 work better, but it didn't. It took some positive steps but really the same weaknesses just continue.
Overall I was glad I saw it to finish the story, and visually it had some very impressive moments. However the feeling was of a film with no controls, spiralling out of control - with narrative flow lost behind half ideas and spiritual nonsense. It is over indulgent, bloated and full of a sense of it's own importance - an importance it simply does not have and should not be wearing on it's sleeve. The Wachowski's created a fascinating universe but, as they opened it out, their egos have inflated the material and their inability to control and tell such a massive story has shown and the last 2 films have really suffered as a result. Worth watching for what it attempts to do, but ultimately very frustrating for what it actually delivers and, more importantly, what it fails totally to do.
I found this better than the second Matrix film ("Reloaded") but not anywhere as intriguing as the first film. Perhaps they shouldn't have made ANY sequels.
Once again you have the same problems: too much verbiage that you can't make sense of, and too much violence. Regarding all the techno-talk, what good is it if you audience doesn't understand what's going on and are lost most of the time?
After awhile, frankly, especially with the unlikable lead characters, I didn't care what happened. As I said in the second movie's review, they should have made just one tremendous Matrix movie, even if it were an hour longer. The sequels did nothing to enhance the legacy of that film.
Once again you have the same problems: too much verbiage that you can't make sense of, and too much violence. Regarding all the techno-talk, what good is it if you audience doesn't understand what's going on and are lost most of the time?
After awhile, frankly, especially with the unlikable lead characters, I didn't care what happened. As I said in the second movie's review, they should have made just one tremendous Matrix movie, even if it were an hour longer. The sequels did nothing to enhance the legacy of that film.
60U
Like it's predecessor, the final installment of The Matrix trilogy is overcomplicated in plot, yet even more excessive in CGI. The entire 2nd half of the film is a huge barrage of special effects, and while it's not a huge bore, the brilliant choreography has been sacrificed in it's place; save for the final battle between Mr. Anderson and Mr. Smith, and it's always a pleasure watching the two stars square off. Fun moments aside, it feels overlong like Reloaded and is just as unnecessary.
"Wait. I've seen this. I stand here, right here, and I'm supposed to say something. I say, "Everything that has a beginning has an end, Neo." - Agent Smith
Picking up where "The Matrix Reloaded" left off, "The Matrix Revolutions" has a big task ahead of itself. While attempting to wrap up looses ends from the previous installments, it also has to provide closure on the overall saga as well as live up to the precedents set before it.
Was "Revolutions" a disappointment? Well, financially it performed much weaker than its big brother in "Reloaded" but otherwise, the answer remains a resounding "no." In fact, "Revolutions" slightly succeeds at besting the second film, as well as wrapping up the trilogy in a nice and neat manner.
Unlike "Reloaded," the third installment carries more emotional weight rather than show off its visual marvels. There are two big action scenes that make up about a third of the film. One is a breath-taking invasion of Zion by the sentinels which is so good that you almost forget that we haven't seen our two main characters for the better part of a half-hour. The other, the final showdown between Neo and Agent Smith, is nothing short of epic. Thousands of Smith's clones watch in the streets and the buildings as the two duke it out mano a mano in the rainy streets of The Matrix. These two scenes best what was done in "Reloaded" and push the plot forward all the better, all the way to its inevitable conclusion.
Sure, the film's loaded with clichés and yes, it still has an overall feel and tone similar to "Reloaded" that doesn't sit well with the original film (Powerade, anyone?), but it's as close to a perfect closing chapter in the trilogy as we were ever going to get. It's got a grand feeling. It's both sentimental and definitive. There are very few franchises in Hollywood that end in a way that ensures there will be no more sequels to water down the formula, and "The Matrix Revolutions" ends in such a way that not only do you feel satisfied, but that simply, there is nothing left to be done. The Wachowski Brothers close out their trilogy with a bang, slightly redeeming itself while providing appropriate closure.
Picking up where "The Matrix Reloaded" left off, "The Matrix Revolutions" has a big task ahead of itself. While attempting to wrap up looses ends from the previous installments, it also has to provide closure on the overall saga as well as live up to the precedents set before it.
Was "Revolutions" a disappointment? Well, financially it performed much weaker than its big brother in "Reloaded" but otherwise, the answer remains a resounding "no." In fact, "Revolutions" slightly succeeds at besting the second film, as well as wrapping up the trilogy in a nice and neat manner.
Unlike "Reloaded," the third installment carries more emotional weight rather than show off its visual marvels. There are two big action scenes that make up about a third of the film. One is a breath-taking invasion of Zion by the sentinels which is so good that you almost forget that we haven't seen our two main characters for the better part of a half-hour. The other, the final showdown between Neo and Agent Smith, is nothing short of epic. Thousands of Smith's clones watch in the streets and the buildings as the two duke it out mano a mano in the rainy streets of The Matrix. These two scenes best what was done in "Reloaded" and push the plot forward all the better, all the way to its inevitable conclusion.
Sure, the film's loaded with clichés and yes, it still has an overall feel and tone similar to "Reloaded" that doesn't sit well with the original film (Powerade, anyone?), but it's as close to a perfect closing chapter in the trilogy as we were ever going to get. It's got a grand feeling. It's both sentimental and definitive. There are very few franchises in Hollywood that end in a way that ensures there will be no more sequels to water down the formula, and "The Matrix Revolutions" ends in such a way that not only do you feel satisfied, but that simply, there is nothing left to be done. The Wachowski Brothers close out their trilogy with a bang, slightly redeeming itself while providing appropriate closure.
Did you know
- TriviaThe street corner where Neo and Smith fight in the crater is the same corner from which Neo made his phone call at the end of Matrix (1999) - the corner of Pitt, Hunter, and O'Connell Streets in Sydney, Australia. You can see the phone booth to the right when they hit the ground.
- GoofsWhen Bane is talking to Neo while holding the knife to Trinity's throat, the blood appears and disappears on her throat.
- Quotes
The Oracle: What about the others?
The Architect: ...What others?
The Oracle: The ones that want out.
The Architect: Obviously they will be freed.
The Oracle: I have your word?
The Architect: What do you think I am? Human?
- Crazy creditsThe giant robotic head is listed in the credits as "Deus ex machina" Meaning "a god from a machine." In Greek and Roman drama, deus ex machina referred to a god lowered by stage machinery to resolve a plot or extricate the protagonist from a difficult situation.
- Alternate versionsWhen the film was released in theaters, the waste disposal machine shown at the end had red eyes but on the DVD release the eyes were changed to green. The making of documentary on the DVD still shows the machine with red eyes, obviously the documentary used older footage.
- ConnectionsEdited into The Matrix: Path of Neo (2005)
- SoundtracksThe Trainman Cometh
Written by Ben Watkins and Don Davis
Produced by Juno Reactor
Co-produced by Don Davis
Performed by Juno Reactor and Don Davis
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Matrix: Revoluciones
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $150,000,000 (estimated)
- Gross US & Canada
- $139,313,948
- Opening weekend US & Canada
- $48,475,154
- Nov 9, 2003
- Gross worldwide
- $427,344,325
- Runtime
- 2h 9m(129 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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