El libro de piedra

This might be the best of the few Mexican horror films. The story revolves about a statue of a boy which is found in the forest near the main character´s house. Legend says that the statue is not really what it seems to be. As with most horror films prior to the 70,s, this movie lacks gore or flashy fx but compensates it with solid acting from most part of the cast and a very creepy and uneasy atmosphere that leaves you looking twice over your shoulder or looking more carefully at the shadows in the corners even after repeated viewings.

I swear this has to be the scariest movie I´ve ever seen in my entire life, and I´ve seen plenty, but the whole aura that is involved in the facts that surrounds the goth horror in El libro de piedra (The stone book), it´s real frightening. Maybe I should say that I watched the movie on TV when I was nine or ten, and of course left me full of chills the whole evening; and in days after. I couldn´t look at the curtains in my room at night, or to a rear view mirror. If you can see the movie sometime, you´ll understand what I'm talkin' about. The fact is that I catched again the film like four years ago; I haven't seen it in a long time, and it happened the same: I was so thrilled about the experience, that I got scared again like the very first time, and maybe even more because I was chillin' on anticipation for what I knew it was coming. And I was already on my late 20's.

Director´s Taboada, as far as I know, it´s better known outside México for some of his horror movies. Hasta el viento tiene miedo (Even the wind's scared 1968) and Más negro que la noche (Blacker than the night 75-76), are some of his finest efforts in the horror ground. And I´ve seen those two -on tv also-, but it's El libro... the greatest of them all. Of course there are some flaws in the screenplay, in the acting and in direction matters, but on the other hand, it has some of the very best tricks to create fear without the effects that has been used and abused nowadays. This movie has the magic of the psychological tease that has inspired some of Guillermo del Toro works -just see the liquid footprints on El espinazo del diablo- and all around the ghost seeking revenge theme.

Another high point of El libro... i'ts that the ending it's not your cliché finale. It's so powerful and unexpected, that instead of getting a feel of relief -you may know what I mean-, it leaves you more than shocked and horrified. Taboada was a master on this matters, and if you're ever able to check his other works, you may enjoy it as well. The first half of Hasta el viento tiene miedo it's brilliant too, and Más negro... it's good just as reference. But if you can, try another mexican horror movies like Ladrón de cadáveres (Thief of corpses), and El escapulario.

THE BOOK OF STONE opens with the new governess, Julia (Marga Lopez), getting acquainted with the family. She meets Sylvia (Lucy Buj), the little girl she'll be teaching, and is intrigued by her imagination. As Julia asks questions of family members and other staff, her curiosity only deepens, along with the mystery around Sylvia's strange behavior, and her obsession with a boy named Hugo.

Director Carlos Enrique Taboada does a superb job of creating a building atmosphere of supernatural dread. There are some effective images / locations, like the enormous, abandoned church building. The story is creepy, and Lucy Buj plays her role with an odd sort of menace. Ms. Lopez plays Julia as a strong character, rather than someone who is hysterically superstitious. She really has to be convinced that something spooky is going on.

This movie has been compared to THE INNOCENTS, and that's appropriate. Mostly due to the governess / child relationship, mixed with paranormal occurrences. However, this movie stands on its own as a terrifying piece of horror cinema with an unforgettable finale...

I saw this movie when I was 9 years old. To this day I don't understand how they allowed children into the movie theatre in Mexico to watch this type of movie. I still remember bits and pieces of it and they all come together to recreate the nightmares I had after watching this movie. Without giving away the ending, the movie is about a rich man who moves into a huge old mansion in the middle of the country with his new young wife and the daughter he had with his first wife. Along with them comes a woman who plays the role of nanny and governess for the young girl. In the enormous backyard, which is mostly covered with weeds and bordered by the woods, the young girls discovers a grave guarded over by the statue of an angel that holds open a huge stone book in his arms. Sometime in the first part of the movie, the young girls confesses to her nanny that she has found a secret playmate, a young boy, but nobody pays attention to her until very mysterious things start to happen and tragedy strikes the new household. I only wish that someday the Mexican Institute of Film would help recover and releases to the general public this and other gems of the Mexican cinema.

OK,I went in with high hopes for this one ans I was mildly disappointed with it. First,I have to say that I watched on VHS and the picture/sound were not that good;I don't know even if this film has ever made it to DVD. The story is your typical Gothic supernatural horror,but not as great and eerie as the one that it often gets compared to,which is the British 'The Innocents' from 1961. It involves a little girl which seems to be having a strange relationship with a stone statue situated in the vast garden of her rich parent's suburban house. You know the typical ghost story; is she possessed,is it all in her mind and the viewer's,does the statue really have a life of its own? A couple genuine moments,but nothing that I/you haven't seen hundreds of times before,if you're a big fan of the genre. If you are interested in the director,watch his better film 'Even the Wind Is Scared'. I give this one, a 6 out of 10.