Orin Boyd, a tough cop in an inner-city precinct discovers a web of dirty cops and corruption.Orin Boyd, a tough cop in an inner-city precinct discovers a web of dirty cops and corruption.Orin Boyd, a tough cop in an inner-city precinct discovers a web of dirty cops and corruption.
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Anybody should know when you're getting ready to see a Steven Seagal movie you're not getting ready to see a Greek tragedy. What makes "Exit Wounds" special is it's all in good fun. There's no pretentions whatsoever. In fact, it even leaves a good share of the running time for comic relief. You have spectacular action in one corner...you have hilarious comedy in the other...what the hell more can you ask for?
Seagal hasn't made an action flick in a while, so it was great to see him again on the silver screen. He takes a lot of flack for gaining a little weight. OK, so he's heavier than normal. So maybe him and Sammo Hung been hanging out in the same buffet. But Seagal can still kick butt like he did back in "Above the Law" and "Hard to Kill." His action scenes are always fun to watch. As I tell people, I'm not easily aroused by action scenes. I can be just as bored by an action scene as one would get bored during an episode of "Masterpiece Theater." But Seagal's action scenes have a sense of originality and flare. Big deal. He's not the best actor. Does his work require great dramatic acting? Would a dramatic monologue be appropriate during one of HIS movies? Let's be sensible. I think people are way too hard on the man. He's still cool with me.
In the comedy department, we have the uninhibited Tom Arnold. Arnold plays the stereotypical cheesy talk show host, who takes anger-management classes with Seagal. There's a hilarious scene where Seagal loses his temper and throws a fit, yelling to the teacher "I'm a happy person!" with anger in his eyes. Then Arnold decides that Seagal would be a perfect guest for his show. Also, we have Anthony Anderson of "Me Myself and Irene" fame. He was one of the foul-mouthed African-American brothers in the Farrelly Brothers comedy. He gets an even bigger opportunity to flaunt his comic chops in this flick. In fact, him and Tom Arnold have a hysterically funny conversation at the end credits, so PLEASE don't be so quick to walk out the theater.
DMX is not a terrific actor, but he's fairly good. He proves his discipline as an actor in a more restrained role than his starring role in Hype Williams' "Belly." In that film, he pretty much portrayed a character out of all his rap videos. So that wasn't a big stretch. "EW" gives him more to work with. Not the role of a lifetime, but meatier than a drug-dealing "gangsta." And did I mention Jill Hennesy is in the cast? Oh...mannnnn! She is an absolute knockout! Perfect eye candy! Throw in a gratuitous strip club scene(which this film has), and we have the ultimate guy flick.
With DMX in the lead, naturally we have to expect some of his songs on the soundtrack. And he provides some good stuff. One--which was used in the previews and thankfully was used in the movie too--is a remix of "Ain't No Sunshine When She's Gone." It's quite innovative how they insert an artist's songs into a movie's soundtrack. There's also a scene where DMX is picking out a car and blasts on the stereo his song "Why Do Good Girls Love Bad Guys."
There isn't much depth to "Exit Wounds." In fact, I don't know if there's any depth. But a film like this is meant strictly for exhibition. And in that department, it really really delivers! It's exciting! It's funny! It's rousing! It's a thrill a minute! You won't be bored for a second! An hour and thirty minutes of sheer, uninhibited fun! "Exit Wounds" won't have you heading to the exit. In fact, you probably won't even want to go out for popcorn you'll be having such a great time! Strap in!
My score: 7 (out of 10)
Seagal hasn't made an action flick in a while, so it was great to see him again on the silver screen. He takes a lot of flack for gaining a little weight. OK, so he's heavier than normal. So maybe him and Sammo Hung been hanging out in the same buffet. But Seagal can still kick butt like he did back in "Above the Law" and "Hard to Kill." His action scenes are always fun to watch. As I tell people, I'm not easily aroused by action scenes. I can be just as bored by an action scene as one would get bored during an episode of "Masterpiece Theater." But Seagal's action scenes have a sense of originality and flare. Big deal. He's not the best actor. Does his work require great dramatic acting? Would a dramatic monologue be appropriate during one of HIS movies? Let's be sensible. I think people are way too hard on the man. He's still cool with me.
In the comedy department, we have the uninhibited Tom Arnold. Arnold plays the stereotypical cheesy talk show host, who takes anger-management classes with Seagal. There's a hilarious scene where Seagal loses his temper and throws a fit, yelling to the teacher "I'm a happy person!" with anger in his eyes. Then Arnold decides that Seagal would be a perfect guest for his show. Also, we have Anthony Anderson of "Me Myself and Irene" fame. He was one of the foul-mouthed African-American brothers in the Farrelly Brothers comedy. He gets an even bigger opportunity to flaunt his comic chops in this flick. In fact, him and Tom Arnold have a hysterically funny conversation at the end credits, so PLEASE don't be so quick to walk out the theater.
DMX is not a terrific actor, but he's fairly good. He proves his discipline as an actor in a more restrained role than his starring role in Hype Williams' "Belly." In that film, he pretty much portrayed a character out of all his rap videos. So that wasn't a big stretch. "EW" gives him more to work with. Not the role of a lifetime, but meatier than a drug-dealing "gangsta." And did I mention Jill Hennesy is in the cast? Oh...mannnnn! She is an absolute knockout! Perfect eye candy! Throw in a gratuitous strip club scene(which this film has), and we have the ultimate guy flick.
With DMX in the lead, naturally we have to expect some of his songs on the soundtrack. And he provides some good stuff. One--which was used in the previews and thankfully was used in the movie too--is a remix of "Ain't No Sunshine When She's Gone." It's quite innovative how they insert an artist's songs into a movie's soundtrack. There's also a scene where DMX is picking out a car and blasts on the stereo his song "Why Do Good Girls Love Bad Guys."
There isn't much depth to "Exit Wounds." In fact, I don't know if there's any depth. But a film like this is meant strictly for exhibition. And in that department, it really really delivers! It's exciting! It's funny! It's rousing! It's a thrill a minute! You won't be bored for a second! An hour and thirty minutes of sheer, uninhibited fun! "Exit Wounds" won't have you heading to the exit. In fact, you probably won't even want to go out for popcorn you'll be having such a great time! Strap in!
My score: 7 (out of 10)
Pretty straightforward action flick that is absolutely ridiculous and yet I can forgive it. You see there was nothing I loved more as a child than watching the movie heros fight the bad guys and ultimately take them out to restore peace to the free world. However, somewhere in the mid-90's, these kind of films (which I have appropriately labelled "The Big Dumb Action Movies") became a lost art and gave way to newer more complex action thrillers. In some instances this was for the better and in other instances, let's just say you were left longing for the days of old when Johnny Rambo dashed acrossed a battlefield in the jungle with his extra powerful M-60 machine gun and mowed down some Commie scum. One of the men at the frontline of the old action genre movies was Steven Seagal. His older movies were an action fan's wet dream. They had lots of shooting, lots of brutal fight scenes, and the occasional trademark Seagal staredown. Nevermind the fact that the man couldn't act well even if his children were kidnapped and one of the ransom demands from the kidnappers was for not only $5 million dollars but also for Seagal to play at least one scene in a new movie with a different tone of voice and a different facial expression.
But the entertainment was there and when I saw "Exit Wounds," I was automatically thrown back into the mind of a young boy all over again. Here's a movie that gives an old fan of action exactly what they could ever hope for. Lots of martial arts, lots of great shootouts, and over the top stunts (maybe with a little bit of help from those damn cables and CGI but let us ignore this for the time being). This movie is a lot of fun and I was glad to see Seagal make a return to the kind of movie that people actually will pay to see him in, even if this is just a one time deal for the pony tail sporting Aikdo artist. If it is simple minded action you crave, then you can't go wrong with "Exit Wounds," which is really more of a throwback than anything. When you see the legendary action film veteran Bill Duke on the screen with those crazy eyes, you know you're officially watching a "Big Dumb Action Movie."
But the entertainment was there and when I saw "Exit Wounds," I was automatically thrown back into the mind of a young boy all over again. Here's a movie that gives an old fan of action exactly what they could ever hope for. Lots of martial arts, lots of great shootouts, and over the top stunts (maybe with a little bit of help from those damn cables and CGI but let us ignore this for the time being). This movie is a lot of fun and I was glad to see Seagal make a return to the kind of movie that people actually will pay to see him in, even if this is just a one time deal for the pony tail sporting Aikdo artist. If it is simple minded action you crave, then you can't go wrong with "Exit Wounds," which is really more of a throwback than anything. When you see the legendary action film veteran Bill Duke on the screen with those crazy eyes, you know you're officially watching a "Big Dumb Action Movie."
In the movie there is action , tongue-in-cheek , struggles of Kung Fu style , pursuits , comedy and packs a lot of bemusement . This is a buddy movie action film with nice protagonists as Steven Seagal , DMX and Isaiah Washington Jr .Elaborately produced action film with two-fisted Seagal is just another action film full of struggles , thrills, noisy action , car crashes and lots of violence . Ever-wooden Seagal as almost always , playing a stalwart and loner fighter cop eliminating enemies of incredible manners , as he delivers the goods in his own style full of usual violence and fights with snapping wrists and worth it just to see Steve in action . He's Orin Boyd (Steven Seagal) , a Detroit cop who after saving the Vice President by violating every order he received he is transferred to one of the worst precincts in the city commanded by a stubborn boss , Annette Mulcahy (Jill Hennessy ) . Shortly after , he encounters a cobweb of corruption and dirty policemen . What Can Two Men Do Against A Gang Of Crooked Cops? Whatever It Takes. This Is Gonna Hurt .
Well-paced action film with two-fisted Seagal is just another action film full of struggles , thrills , noise and lots of violence with overwhelming and breathtaking set pieces . Violent and not particularly literary but worthy entry in action genre and realized in ¨Seagal¨ style . Wooden Seagal plays the violent Orin Boyd , he cleans up the city by means of punches , kicks and leaps by using abundant martial arts with fights certainly slick . Ever-wooden Seagal as almost always , playing a stalwart and loner fighter cop , he delivers the goods in his own style full of usual violence and fights with snapping wrists and worth it just to see Steve in action . Performances are middling but it's an action film where important are the quarrels and the pursuits . He picture was made in the Seagal's best period when he played high budget movies such as ¨Hard to kill¨(1990 by Bruce Malmuth) , ¨Under siege¨ ( Seagal's best film to date, 92) , and the sequel titled : ¨Dark territory¨ (1995, Geoff Murphy), ¨Executive decision¨ (96 by Stuart Baird), ¨Glimmer man¨ (96, John Gray) , ¨Exit wounds¨(2001, Andre Bartkowiak) , among others . Nowadays ,he does fairly low standards, lesser budget and direct to video , such as ¨Half past dead¨, ¨The foreigner¨ and its sequel, ¨Shadow man ¨, ¨Flight of fury¨, ¨Urban justice¨ and many others . Co-stars the recently deceased DMX who performed three nice action films : Romeo must die , Exit Wounds and Cradle 2 The Grave along with Seagal , Jet Li and Anthony Anderson. Cradle 2 the grave is not only the 2nd film to star DMX, Jet Li, and Anthony Anderson together , it is the first film where all three of them share screen time with each other . All three of them starred in Romeo Must Die . Support cast is pretty good , such as : Isaiah Washington , Anthony Anderson , Michael Jai White , Jill Hennessy , Bill Duke , Tom Arnold , Bruce McGill , David Vadim and Eva Mendes . Here stands out Tom Arnold and Anthony Anderson who interpret a humorous and first-rate couple .
It contains a colorful and evocative cinematography by Glen MacPherson . As well as a thrilling and stirring musical score by Damon 'Grease' Blackman and Jeff Rona . The motion picture was regular but professionally directed by Andrzej Bartowiak . This filmmaker as member of the American Society of Cinematographers (ASC) is considered to be one of the best cameramen and occassionaly has directed some movies . Breakthrough film was his work as a cameraman on the gritty urban thriller Prince of City (1981) , his first collaboration with Sidney Lumet. Bartkowiak worked on the director's next 11 films over the next 12 years. Bartkowiak became much in demand after his taut camera work in Speed (1994) and has worked twice for Barbra Streisand in Nuts (1987) and The mirror has two faces (1996) . Rating Exit Wounds(2001) : 5.5/10 , mediocre but entertaining . Acceptable and passable.
Well-paced action film with two-fisted Seagal is just another action film full of struggles , thrills , noise and lots of violence with overwhelming and breathtaking set pieces . Violent and not particularly literary but worthy entry in action genre and realized in ¨Seagal¨ style . Wooden Seagal plays the violent Orin Boyd , he cleans up the city by means of punches , kicks and leaps by using abundant martial arts with fights certainly slick . Ever-wooden Seagal as almost always , playing a stalwart and loner fighter cop , he delivers the goods in his own style full of usual violence and fights with snapping wrists and worth it just to see Steve in action . Performances are middling but it's an action film where important are the quarrels and the pursuits . He picture was made in the Seagal's best period when he played high budget movies such as ¨Hard to kill¨(1990 by Bruce Malmuth) , ¨Under siege¨ ( Seagal's best film to date, 92) , and the sequel titled : ¨Dark territory¨ (1995, Geoff Murphy), ¨Executive decision¨ (96 by Stuart Baird), ¨Glimmer man¨ (96, John Gray) , ¨Exit wounds¨(2001, Andre Bartkowiak) , among others . Nowadays ,he does fairly low standards, lesser budget and direct to video , such as ¨Half past dead¨, ¨The foreigner¨ and its sequel, ¨Shadow man ¨, ¨Flight of fury¨, ¨Urban justice¨ and many others . Co-stars the recently deceased DMX who performed three nice action films : Romeo must die , Exit Wounds and Cradle 2 The Grave along with Seagal , Jet Li and Anthony Anderson. Cradle 2 the grave is not only the 2nd film to star DMX, Jet Li, and Anthony Anderson together , it is the first film where all three of them share screen time with each other . All three of them starred in Romeo Must Die . Support cast is pretty good , such as : Isaiah Washington , Anthony Anderson , Michael Jai White , Jill Hennessy , Bill Duke , Tom Arnold , Bruce McGill , David Vadim and Eva Mendes . Here stands out Tom Arnold and Anthony Anderson who interpret a humorous and first-rate couple .
It contains a colorful and evocative cinematography by Glen MacPherson . As well as a thrilling and stirring musical score by Damon 'Grease' Blackman and Jeff Rona . The motion picture was regular but professionally directed by Andrzej Bartowiak . This filmmaker as member of the American Society of Cinematographers (ASC) is considered to be one of the best cameramen and occassionaly has directed some movies . Breakthrough film was his work as a cameraman on the gritty urban thriller Prince of City (1981) , his first collaboration with Sidney Lumet. Bartkowiak worked on the director's next 11 films over the next 12 years. Bartkowiak became much in demand after his taut camera work in Speed (1994) and has worked twice for Barbra Streisand in Nuts (1987) and The mirror has two faces (1996) . Rating Exit Wounds(2001) : 5.5/10 , mediocre but entertaining . Acceptable and passable.
For a plot with a lot of potential and decent acting from decent actors, this film could have been much worse. Seagall played his typical role as a tough mouthed and tempered cop who can't comply with authority figures. DMX also stars as a supposed criminal involved in the drug game. I expected how Seagall's part would pan out, however i was surprised on how DMX's presence and acting were not horrendous, though not great. Overall great effects and some fun plot twists Exit Wounds not a bad film to sit down and watch.
I went into this movie with the no expectations, except to see a cheesy action flick. This means I desired high-flying, over-the-top action that includes lots of cool martial arts, mushroom cloud explosions, high speed car chases and catastrophic crashes, and ultra-violent death scenes. Boy does this movie deliver!
I've been reading some of the other user reviews here on imdb and many are saying this is Seagal's best flick. I would probably agree that it is close. His stiff under-acting makes him perfect for this Dirty Harry type part.
The plot is nothing new. Seagal is a strung-out lone ranger cop who plays by his own rules...well you know the type, this character has been used in countless movies. Basically, Seagal's character finally goes too far (by throwing the Vice President off a bridge no less!) Thus, Seagal gets demoted down to the most dangerous precinct in town. Once there, he begins to discover crooked cops and internal conspiracies. With no one to trust and people trying (emphasis on "trying") to kill him left and right, Seagal starts kicking ass and taking names.
Yes I know, this storyline is as old as they come, but I maintain that cheesy action flicks aren't about great or novel plot lines. No, cheesy action flicks are about great action with all the things I listed above, in which, this movie delivers the goods with a bang.
This movie also stars DMX, who is surprisingly competent as one of the main and most interesting characters of the movie. Generally good performances all around. I never noticed any laughably bad acting. Flashy directing and nice production design are also bonuses. This tired plot even still manages a few interesting twists (I won't reveal anything for those who haven't seen the movie, but lets just say everyone is not how they seem, including the bad guys).
FINAL RATING: 7/10 - As good as a cliched action flick can be. Semi-interesting characters, a few plot twists here and there, steady, interesting action, flashy directing, decent performances, plenty of cool explosions, exciting car chases, and numerous excellent violent death scenes. This movie is truly the creme de la creme of cheesy action flicks! Recommended for all action lovers!
Noob Aalox
I've been reading some of the other user reviews here on imdb and many are saying this is Seagal's best flick. I would probably agree that it is close. His stiff under-acting makes him perfect for this Dirty Harry type part.
The plot is nothing new. Seagal is a strung-out lone ranger cop who plays by his own rules...well you know the type, this character has been used in countless movies. Basically, Seagal's character finally goes too far (by throwing the Vice President off a bridge no less!) Thus, Seagal gets demoted down to the most dangerous precinct in town. Once there, he begins to discover crooked cops and internal conspiracies. With no one to trust and people trying (emphasis on "trying") to kill him left and right, Seagal starts kicking ass and taking names.
Yes I know, this storyline is as old as they come, but I maintain that cheesy action flicks aren't about great or novel plot lines. No, cheesy action flicks are about great action with all the things I listed above, in which, this movie delivers the goods with a bang.
This movie also stars DMX, who is surprisingly competent as one of the main and most interesting characters of the movie. Generally good performances all around. I never noticed any laughably bad acting. Flashy directing and nice production design are also bonuses. This tired plot even still manages a few interesting twists (I won't reveal anything for those who haven't seen the movie, but lets just say everyone is not how they seem, including the bad guys).
FINAL RATING: 7/10 - As good as a cliched action flick can be. Semi-interesting characters, a few plot twists here and there, steady, interesting action, flashy directing, decent performances, plenty of cool explosions, exciting car chases, and numerous excellent violent death scenes. This movie is truly the creme de la creme of cheesy action flicks! Recommended for all action lovers!
Noob Aalox
Did you know
- TriviaIn an interview with Huffpost Live, Tom Arnold claimed that Steven Seagal fell into the water while filming a scene on his character's houseboat: Seagal had opted to shoot the scene without rehearsal and mistakenly exited through the wrong door, leading him to drop into the bay.
- GoofsDuring the shootout on the bridge, Orin Boyd knocks out an enemy and takes from him a submachine gun. Though each following shot shows Boyd wielding a .45 semiautomatic pistol instead of the weapon he just took, the gun still fires in automatic mode, which is impossible for that kind of weapon.
- Crazy creditsWhen the end credits start rolling, T.K. is a guest on Henry Wayne's TV talk show. They talk about T.K.'s operation. T.K. greets his parents. Then they talk about things that turn them on.
- Alternate versionsGerman retail video version is cut for violence to secure a "Not under 16" rating.
- ConnectionsFeatured in HBO First Look: Making 'Exit Wounds' (2001)
- SoundtracksFeelin' The Hate
Written by Ja Rule (as Jeffrey Atkins), Caddillac Tah, Romel Gill, Irv Gotti,
Ronie Lane, Tiffany Lane, Renan Thybulle and Roashoun Casey
Performed by Ja Rule
Courtesy of Def Jam Records
Under License From Universal Music Enterprises
- How long is Exit Wounds?Powered by Alexa
Details
Box office
- Budget
- $50,000,000 (estimated)
- Gross US & Canada
- $51,758,599
- Opening weekend US & Canada
- $18,485,586
- Mar 18, 2001
- Gross worldwide
- $79,958,599
- Runtime
- 1h 41m(101 min)
- Sound mix
- Aspect ratio
- 2.39 : 1
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