Tosca de Giacomo Puccini

She was the main motif to see this adaptation. Andit is a profound beautiful Tosca, first, for the fine way to translate the emotion and the drama in a sensual, seductive, provocative manner. More than an admirable show, a fine demonstration of the art and wise use of the generosity of a great opera. Not less, one of splendid performances of Angela Gheorghiu.

Although many may dislike this film and its direction, I found that I was really moved and excited by it. I can see how certain aspects of this film may not be to everybody's taste(for example the dodgy outside scenes and the black and white orchestra footage)but to be honest, what does it matter when you have a singer with as beautiful a voice as Angela Gheorghiu! Roberto Alagna's Cavaradossi was a bit wet and pathetic but that could just have been the part. However, Ruggero Raimondi was a truly frightening Scarpia and even when filmed in the recording studio you can see the fire and anger which, in my opinion, is a such a key part of Scarpia's personality. I thought the direction was simple but quite effective at times. I really disliked the outside footage because i felt it wasn't really necessary although it could be a device used to show the seedy side of the situation the characters are in. I found that the close-ups gave you the opportunity to see deep into the personalities of the characters in a way that you can't in an opera house due to the distance between stage and audience. To compare it with another, I have seen parts of Franco Zeffirelli's Tosca staged at ROH in the 60s starring Maria Callas and Tito Gobbi and i can say without doubt that although Callas may have been an exceptional performer, her voice is nothing compared with Angela Gheorghiu-so please, please watch it to have the opportunity to hear the most beautiful voice in the world!

A superb cast singing gloriously is compromised by odd and arbitrary aspects of presentation in this film, but memory edits out the nonsense and one is left with the first-class acting and singing in the highly traditional and engaging body of the work. Interestingly, the weakness of Cavaradossi as a character, which is a recognised problem with Puccini's wonderful melodrama,. comes across particularly clearly in this production, while the contrasting strength of Tosca and Scarpia--power versus love, one might say, is outstanding.

A minor moan--no Catholic woman would have gone into a church with uncovered hair in the 19th century--and no Papal policeman would go in with his hat on! But this director has the cultural equivalent of a tin ear.

Tosca is more involving in this film version than in most stage performances. That is astounding. Usually, close-ups of opera performances spoil the effect of the music. The acting and looks of most singers detract from their musical performance. Also, melodrama is out and out funny when it's filmed realistically. But in this film the three leads are fine actors and look their parts. Gheorghiu is physically a magnificent diva. It helps that the lip-synching stops at times. For example Tosca and Caravadossi embrace and kiss while the singing continues, as if in their thoughts. They look right and it sounds right. Black and white video of the taping is occasionally intercut with the full color performance. This is jarring but adds to the magic of the final performance, which seemss effortless. Instead of filming the opera realistically the scenes are made theatrical and larger than life by using impressionistic backgrounds. It feels like a stage performance - only you can see everything perfectly. Wonderful! The film makes me want to hear the opera again. The sound system at the movie theater was no substitute for the real thing or for a CD. But I know that the images from this movie will flash up next time I listen.

There's not so many things I can say about it. My favorite opera because of the dramatic and romantic story with the incredible romantic music of Puccini, three strong characters create a matchless atmosphere. Ruggero Raimondi is excellent with his performances on vocal and acting, Angela Gheorghiu have a "dolce" voice and she uses her face good enough but she uses her body some exaggerated in some parts, Raimondi and Gheorghiu are also very suitable physically for unmerciful Scarpia and beautiful Floria Tosca. Roberto Alagna's vocal performance is good. A movie good enough for who loves opera and Puccini, not a perfect directing but generally i liked the movie maybe because of the influence of Puccini's music with some memorable scenes like Scarpia's aria and praying at the end of the first act.