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Les Harmonies Werckmeister

Original title: Werckmeister harmóniák
  • 2000
  • Tous publics
  • 2h 25m
IMDb RATING
7.9/10
17K
YOUR RATING
Les Harmonies Werckmeister (2000)
A naive young man witnesses an escalation of violence in his small hometown following the arrival of a mysterious circus attraction.
Play trailer2:20
1 Video
82 Photos
TragedyDramaMystery

A naive young man witnesses an escalation of violence in his small hometown following the arrival of a mysterious circus attraction.A naive young man witnesses an escalation of violence in his small hometown following the arrival of a mysterious circus attraction.A naive young man witnesses an escalation of violence in his small hometown following the arrival of a mysterious circus attraction.

  • Directors
    • Béla Tarr
    • Ágnes Hranitzky
  • Writers
    • László Krasznahorkai
    • Béla Tarr
    • Péter Dobai
  • Stars
    • Lars Rudolph
    • Peter Fitz
    • Hanna Schygulla
  • See production info at IMDbPro
  • IMDb RATING
    7.9/10
    17K
    YOUR RATING
    • Directors
      • Béla Tarr
      • Ágnes Hranitzky
    • Writers
      • László Krasznahorkai
      • Béla Tarr
      • Péter Dobai
    • Stars
      • Lars Rudolph
      • Peter Fitz
      • Hanna Schygulla
    • 75User reviews
    • 59Critic reviews
    • 93Metascore
  • See production info at IMDbPro
    • Awards
      • 5 wins & 2 nominations total

    Videos1

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    Trailer 2:20
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    Photos81

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    Top cast43

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    Lars Rudolph
    Lars Rudolph
    • János Valuska
    Peter Fitz
    • György Eszter
    Hanna Schygulla
    Hanna Schygulla
    • Tünde Eszter
    János Derzsi
    János Derzsi
    • Man In The Broad-Cloth Coat
    Djoko Rosic
    • Man In Western Boots
    • (as Djoko Rossich)
    Tamás Wichmann
    • Man In The Sailor-Cap
    Ferenc Kállai
    • Director
    Mihály Kormos
    Mihály Kormos
    • Factotum
    Putyi Horváth
    • Porter
    • (as dr. Horváth Putyi)
    Enikö Börcsök
    Éva Almássy Albert
    • Aunt Piri
    • (as Almási Albert Éva)
    Irén Szajki
    • Mrs. Harrer
    Alfréd Járai
    • Lajos Harrer
    György Barkó
    • Mr. Nadabán
    Lajos Dobák
    • Mr. Volent
    András Fekete
    • Mr. Árgyelán
    Gyuri Dósa Kiss
    Józsi Mihályfi
    • Directors
      • Béla Tarr
      • Ágnes Hranitzky
    • Writers
      • László Krasznahorkai
      • Béla Tarr
      • Péter Dobai
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews75

    7.917.1K
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    Featured reviews

    9Janazz

    Contemplative Film

    made entirely of longshots of 2-4 minutes in duration. Layers of symbolism in poetic images. It's not a movie, it's not entertainment. It's film, and you have to engage and ask questions about what you are seeing. Why did only 2 people saw the whale? What was the significance of that? How did the riots get started? Who were the insiders and who were the outsiders? How could you tell? Why the hospital? Why do humans always need a causation? Why was the Prince's speech in a different language? What did the Prince represent? What did the Whale? A viewer may not want to be taxed with these questions but given the way the world is, these questions are worth thinking about. I've only seen one other "contemplative film" which is Angelopoulos' Ulyssey's Gaze, which I deeply cherish. This didn't get to me as deeply as it's images weren't as evocative to me. This is probably due to my being able access the cultural symbols of Angelopoulos more easily (though that film isn't "easy" either,it's just that I have more background in modern Greek poetry, etc.). Recommend this film as a unique chance to think of an alternative use of celloid, don't be intimidated.
    thecygnet

    A Work-of-art

    Put it simply, "Werckmeister harmóniák" is one of the most beautiful and haunting European film of the recent years, and maybe the best Hungarian film in decades. After the breakthrough of the acclaimed 7 hours long epic "Sátántangó" in 1994 it took 3 years to complete this masterpiece for Tarr Béla. "Sátántangó" and 'Werckmeister harmóniák" made Tarr one of the most acclaimed and adored directors of the contemporary film making. This mind-blowing story is told in only 37 shots (I counted it myself) some of them lasts for 5 or 6 minutes. Despite the small number of the shots, this film has one of the most effective editing of all time. Every edit is perfectly timed and has a meaning of its own. Kudos to the editor.

    The stark black-and-white camerawork is by Medvigy Gábor, and the melancholic music is composed by Víg Mihály. The most harrowing scene is the raid on the town hospital, the longest scene of the film, shot in complete silence. Frightening and senses-staggering, the picture of the naked old man burns into the soul. Highly recommended, a must-see for anyone who is interested in the recent history of Central-Eastern Europe and wants to understand it.
    9gray4

    Bleak and gripping, a great European film

    This is as bleak a film as I have since for a long time. Seen mainly through the eyes of a 'holy fool', played by German Lars Rudolph, it may be allegorical, it may be a horror story or it might even be a distinctively Hungarian very black comedy.

    Bela Tarr's direction is stunning. The lighting is brilliant throughout, but none more so than when the circus comes to town in the middle of the night. The care and patience with which scenes are built greatly enhances the intensity of the most violent moments. The scene, for example, when a mob march down a long street before attacking a hospital matches the greatest moments of black-&-white silent cinema.

    The film retains a disturbing ambiguity throughout, right up to its powerful ending. What is the significance of the whale and its owners? And is Valuska (Lars Rudolph) as innocent as it seems on the surface? The result is a long (140 minutes), gripping and exciting film that leaves more questions than answers at the end.
    9meyerhold

    Mesmerising...

    A wonderfully balletic and poetic film, built on long, long tracking and steadycam shots (thirty-eight for 2hrs 25mins). A study in pervasive yet neutral melancholia; the main character, who accompanies us through the whole film, is a simple, dreamy yet quietly optimistic postman, if one were to interpret his wide-eyed stare and unquestioning attitudes in such a way. One is drawn in from the very beginning, via the evocative music and camerawork. It is rare these days to see European films that take so much time and care as they progress. Watching it I was reminded of Aleksei German's Khrustalyov, My Car! - 1998, Roy Andersson's Songs from the Second Floor - 2000, Fellini and of course Tarkovski. I don't think that all cinema should be 'easy' or well wrapped up. Indeed, I often feel that I am simply not in the mood for seeing a particular film, or experiencing a particular atmopshere. After all it is fairly easy to tell from even short descriptions or reviews the kind of thing that is in store. So I was somewhat surprised to see one previous reviewer here describe this film as "dreary drek". Well, perhaps, but if they wanted to go and see a comedy or redemptive drama, why didn't they go see one already?! I may have had the odd moment of wishing certain shots were a tad shorter, but all in all I was mesmerised, from beginning to end.
    8ian.lavery

    Demanding, but rewarding

    Imagine it. You spend four years on a project, with big funding hassles and changes in crew; and then, finally, after your film is very enthusiastically received at Cannes, the lab goes and destroys the only English-subtitled print before it's shown at the Edinburgh festival. Obviously Bela Tarr doesn't have his sorrows to seek.

    Some might accuse the film--which centres on a rural town riven by the arrival of a "circus" consisting only of a dead white whale in a corrugated iron trailer and a character called "The Prince" whose nihilistic and inflammatory remarks incite riots--of veering very close to a parody of miserabilist cinema. Okay, so it's in black and white; there's a lot of mud, rubbish, smoke and wetness; there's not much dialogue between not very attractive people; every take lasts between five and ten minutes; and there are many scenes of people trudging through cold and bleak landscapes. (You'll never see so much trudging in a film.) Lars Rudolph, as the hero Janos, looks like a cross between a young Klaus Kinski and Frasier's brother, Niles, and spends most of the film wild-eyed and harried.

    However, Tarr's distinctive style--exceptionally fluid and intricate tracking shots rendered in beautifully sharp monochrome--perfectly matches the grim story, which, as the director pointed out, explores the "boundaries between civilisation and barbarism". Any seemingly parodic moments are far outweighed by extremely powerful ones, notably the opening scene in a pub where the hero explains what an eclipse is using the sozzled bar clientele; the hero's deeply unsettling encounter with the "Prince"; and the mob's attack on a hospital.

    Although the narrative falls apart a bit in its closing scenes, the film's images stay with the viewer in ways unmatched much recent cinema. This film demands your time and concentration, but rewards them; it has a unique and mesmerising rhythm. And the music, by Mihaly Vig, is simply beautiful.

    Storyline

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    Did you know

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    • Trivia
      The film is composed of 39 languidly paced tracking shots.
    • Quotes

      János Valuska: You are the sun. The sun doesn't move, this is what it does. You are the Earth. The Earth is here for a start, and then the Earth moves around the sun. And now, we'll have an explanation that simple folks like us can also understand, about immortality. All I ask is that you step with me into the boundlessness, where constancy, quietude and peace, infinite emptiness reign. And just imagine, in this infinite sonorous silence, everywhere is an impenetrable darkness. Here, we only experience general motion, and at first, we don't notice the events that we are witnessing. The brilliant light of the sun always sheds its heat and light on that side of the Earth which is just then turned towards it. And we stand here in it's brilliance. This is the moon. The moon revolves around the Earth. What is happening? We suddenly see that the disc of the moon, the disc of the moon, on the Sun's flaming sphere, makes an indentation, and this indentation, the dark shadow, grows bigger... and bigger. And as it covers more and more, slowly only a narrow crescent of the sun remains, a dazzling crescent. And at the next moment, the next moment - say that it's around one in the afternoon - a most dramatic turn of event occurs. At that moment the air suddenly turns cold. Can you feel it? The sky darkens, then goes all dark. The dogs howl, rabbits hunch down, the deer run in panic, run, stampede in fright. And in this awful, incomprehensible dusk, even the birds... the birds too are confused and go to roost. And then... Complete Silence. Everything that lives is still. Are the hills going to march off? Will heaven fall upon us? Will the Earth open under us? We don't know. We don't know, for a total eclipse has come upon us... But... but no need to fear. It's not over. For across the sun's glowing sphere, slowly, the Moon swims away. And the sun once again bursts forth, and to the Earth slowly there comes again light, and warmth again floods the Earth. Deep emotion pierces everyone. They have escaped the weight of darkness

      Mr. Hagelmayer: That's enough! Out of here, you tubs of beer!

      János Valuska: But Mr. Hagelmayer. It's still not over.

    • Connections
      Edited into Gli ultimi giorni dell'umanità (2022)
    • Soundtracks
      Book 1 - Prelude No. 8 in E-flat minor (BWV 853)
      from The Well-Tempered Clavier

      composed by Johann Sebastian Bach

      The "grating" recording that György listens to in his study. He has retuned his piano to a pure tuning, with which the Bach prelude is incommensurable, since it relies on the tempered tuning system.

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    FAQ17

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    Details

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    • Release date
      • February 19, 2003 (France)
    • Countries of origin
      • Hungary
      • Italy
      • Germany
      • France
    • Languages
      • Hungarian
      • Slovak
    • Also known as
      • Werckmeister Harmonies
    • Filming locations
      • Baja, Hungary(square)
    • Production companies
      • 13 Productions
      • ARTE
      • Fondazione Monte Cinema Verità
    • See more company credits at IMDbPro

    Box office

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    • Budget
      • FRF 10,000,000 (estimated)
    • Gross US & Canada
      • $69,923
    • Opening weekend US & Canada
      • $4,852
      • Oct 7, 2001
    • Gross worldwide
      • $69,923
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 2h 25m(145 min)
    • Color
      • Black and White
    • Sound mix
      • Stereo
    • Aspect ratio
      • 1.66 : 1

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