Murder in Eden

Very good Brit B, with Ray McAnally (better known to me as a car connoisseur on BBC Entertainment, and here acting none at all anally) playing an effective Inspector Sharkey, and Feller trying to pass off as a French girl with bulging eyes in a cute bubble car, whilst the villainous vehicle is a magnificent Bentley with a weird "Spirit of the Wolf" metallic figurehead... ah, the saucy sixties!

Sexy Yvonne Buckingham is a palace playing the sadly short part of Vicky Woolf. Exquisite face, figure and legs - to die for!

Competent photography (despite the obvious painted background in the final sequence), excellent and very melodious French accordion soundtrack and capable direction by Max Varnel (whom I do not know from Adam but whose father was apparently a French director of some standing), all neatly packed into an economical 61 minutes. Definitely worth watching!

One of several British 'B's to be filmed at Ireland's Ardmore studios around the turn of the Sixties, featuring an early leading film role for outstanding character actor Ray McAnally, with estimable contemporary Norman Rodway among the supporting cast. I had the art forger and murderer figured out pretty early on, but was still thrown by one twist toward the end, and it was worth watching. Can only echo the comment that it would have been better had the lovely Yvonne Buckingham been leading lady.

"Murder in Eden" (1961) is a very minor British crime drama about art forgery and art theft, something I've seen done much better, but, admittedly, so many times before that this version of the same ol' same ol' has me stymied as to being creative enough to write a review that's worthy of it. It's not a bad drama at all. At only 63 minutes it doesn't wear itself out, although my wife was getting antsy and wishing it were over so she could watch re-runs of "The Big Bang Theory". That probably says enough. Oh, Norman Rodway's in it, so that makes it worth the watch. It actually stars Ray McAnally and Catherine Feller. Feller's in it far too much, and, I'm very sorry to say, we noticed her overbite far more than her acting. McAnally, who ended up a great character actor in England, is very good, but his charisma in this for some reason tries to hide behind shadows and can't be seen very often. Such ghostly presence isn't conducive to promoting star material. Rather, it hides it like a star in the sky's hidden during the day by the sun. Here, the sun was hidden too. After all, this was black and white, and the two mixed together makes grey - my overall view of the film. One last thing, Yvonne Buckingham's in it. If she'd just traded places with Catherine Feller... But then, coulda, shoulda...it woulda...

British B film with a run time of 61 minutes - let's give it a try. Fortunately, Murder in Eden didn't disappoint, at least not too much. It's actually kind of fun. The cast is all around solid and each plays their parts well, with most giving just the right touch. The story involving the art world, old masters, and forgery is fine, and even provides a little plot twist towards the end. The peppy score, cute little bubble car, all work together to give this little mystery just enough to keep the viewer engaged from beginning to end. I definitely think Murder in Eden is worth checking out if you tend to appreciate British mysteries, even those filmed in Ireland.

Art expert Robert Lepler tells gallery owner Mark Singleton that the old master he is about to deliver is a fine forgery. Someone switched it for the real one after Lepler authenticated it. He's working on a book on forgeries. He also tells Singleton that the latest painting he is touting is a forgery. Singleton pulls it, but Lepler dies in a hit-and-run, just as French journalist Catherine Feller shows up to interview him; she finds Inspector Ray McAnally crossing her path, as well as oil magnate and collector Jack Aranson, and restorer Michael Lucas.

It's a nice little script, fairly ambitious in its coverage of the hothouse world of art collection for a B movie, and always threatening to turn farcical when Miss Feller and McAnally cross paths. While director Max Vanel is good at covering the story and the visuals, the accents come and go, and a lot of the actors speak Received Pronunciation with what sounds to me like an Irish lilt. Some very smelly red herrings get dragged along the path, and it's a fair, although not too challenging mystery.