Joki

Following my experience of Finland for slightly more than a week, I'd say this movie depicts the nature of the Finnish society very accurately. Especially the young-couple-with-a-baby-having-serious-issues phenomenon is very familiar to me, as I witnessed the exact same thing in person when I was in Finland. The relationships and problems of people, fragility of the marriage institution, the drinking culture, unemployment and the ascending money problem, all are very well put, without any subjectivity or exaggeration.

There are some points in the film that are not necessarily easy to comprehend and tie to each other, but the joint big picture is nonetheless rewarding. Not each one of the short stories is exciting or profound, but as said above, the big picture does not fail to deliver the feeling of "real life" and captivate the viewer. I happen to think in a calm moment: What is happening in the lives of all these people on the street? Well, this is what is happening. Movies like this are good to feed your imaginative power. It would be safe to assume this film could apply to the life in many countries, but it particularly reflects Finland as it is, and pretty damn well.

One comment about the acting: Being the fan of Finnish cinema I am, I've never seen any of these actors on any other movie, but I found the acting in this feature right next door to perfect overall. Maybe not a masterpiece, but a very good try by the entire crew. I'll be keeping an eye on the future releases of the director and the cast..

7,5 / 10

The Finnish version of Robert Altman's "Short Cuts", set in the small rural town of Äänekoski. The episodes present a kaleidoscope of the eternal events, problems and emotions of human life: joy and love, deception and disillusionment, hopelessness and death. I was particularly impressed by two episodes. The first is the story of the young waitress, who tries to stir up a romance for his co-workers: she radiates an overwhelming joy of love and life. The other episode presents and old man dying in a hospital and his wife trying to help him die with dignity. Particularly striking is the way the old couple have to fight their way against the humiliating practices of the hospital and their loneliness contrasted with the "routines" of the hospital crew (despite the signs of occasional empathy). Compared with Altman's classic, this movie is perhaps less professional, but it is definitely a great piece of art.

This is a top finnish film this year,although Tango Kabaree comes close.The Director Lampela made couple of years back another nice little film called Rakastin epätoivoista naista (I was in love with a desperate woman).Joki is truly true-to-life beautiful film of one saturday afternoon in a little village/town.The actors are maybe not so handsome or beautiful but they do act beautifully.I certainly do hope that many of them get JUSSI statue (finnish OSCAR) next spring.I think this film could make it abroad as well.

Half a dozen short stories of varying interest enlighten us about life in Finland. These stories are interwoven and each contains a scene in which a sonic boom is heard. This indicates that the events depicted happen at the same time.

The film begins with a bungy jump which promises some excitement but the early stories are quite low key. The film improves so stick with it. Two broken marriages in stories that follow provide plenty of drama while a scene in a hospital gives us a terminally ill patient begging for pain relief. The last moments with his wife are both convincing and moving.

While the various scenes of family life take place in Finland, the themes are of a general nature wherever you happen to live.

Collections of short stories are rarely as satisfying as a good tense 90-minute drama.

Excellent movie, a realistic picture of contemporary Finland, touching and profound. One of the best Finnish films ever made. Captures marvelously the everyday life in a Central Finland small town, people's desires and weaknesses, joys and sorrows. The bright early fall sunshine creates a cool atmosphere to this lucid examination of people in a welfare society. Lampela is indeed one of the most promising Finnish filmmakers. He shows that it is possible to make gripping movies without machine guns and bloodshed. His next film Eila is also worth seeing although the story of cleaning women fighting for their jobs is not quite as universally appealing as the destinies in Joki.