When death is your business, what is your life? Laced with irony and dark situational humor, the show approaches the subject of death through the eyes of the Fisher family, who owns and oper... Read allWhen death is your business, what is your life? Laced with irony and dark situational humor, the show approaches the subject of death through the eyes of the Fisher family, who owns and operates a funeral home in Los Angeles.When death is your business, what is your life? Laced with irony and dark situational humor, the show approaches the subject of death through the eyes of the Fisher family, who owns and operates a funeral home in Los Angeles.
- Won 9 Primetime Emmys
- 62 wins & 165 nominations total
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Summary
Reviewers say 'Six Feet Under' intricately weaves parallel storylines, focusing on the Fisher family's funeral home business and their complex lives. Each episode explores unique character arcs, highlighting struggles, growth, and relationships. The show is lauded for its realistic depiction of life, death, and human emotions, with themes of grief, love, and personal development. Characters are deeply flawed yet relatable, evolving in surprising ways, making the series compelling and introspective.
Featured reviews
Never gets old, never will.
If you have never seen this gem, do yourself a favor and watch it.
If you watched it almost 20 years ago, do yourself a favor, and watch it again.
If you have never seen this gem, do yourself a favor and watch it.
If you watched it almost 20 years ago, do yourself a favor, and watch it again.
As I was reading through the comments about Six Feet Under I was struck by how many people expressed how this series made them FEEL. And how many people admitted to tearing up or even crying while watching the show. I admit I have done the same.
From the very beginning no before that From the moment I heard that Six Feet Under was created by Alan Ball, I knew I would like this show. I figured how could the maker of American Beauty go wrong? Boy am I glad I figured that.
To some degree I can relate to all of the characters on the show. And that speaks volumes because all of the characters on the show are kinda messed up in the head. And that is what I think speaks to so many people. I mean before Donahue was the most popular show on TV, I don't think most Americans even knew the word dysfunctional' as applied to the family unit. Then it seemed a badge of honor to wear. And it was ok to go about telling people that you are from a dysfunctional family just to be in'. Now after all this time and openness about our dysfunction, we begin to see how very much alike we all are. And that I feel is one of the binding elements of the watchers to this program. We sit each week and watch, basically, a part of ourselves work through personal issues, prejudices and shortcomings. Not always pretty, not always successfully but always openly, to us, the viewers. For me, to watch these characters struggle through some of their problems (which usually make mine look like a day at the beach) and let us come along with them to learn about their weaknesses and fallibilities and humanness is a lot like therapy for me. And in the end it only costs the subscription rate for HBO (no, I don't work for them).
I have never been that attached to the boob-tube (my father's word for the television) before. I have never had a reason to be. The programs that where on never more that mildly held my attention until now. I HATE commercials, I think they speak down to the public. So now I have no excuses and for that I am grateful.
Bottom line: I'm looking forward to the next few sessions uhm I mean seasons. That's my take, what's yours?
From the very beginning no before that From the moment I heard that Six Feet Under was created by Alan Ball, I knew I would like this show. I figured how could the maker of American Beauty go wrong? Boy am I glad I figured that.
To some degree I can relate to all of the characters on the show. And that speaks volumes because all of the characters on the show are kinda messed up in the head. And that is what I think speaks to so many people. I mean before Donahue was the most popular show on TV, I don't think most Americans even knew the word dysfunctional' as applied to the family unit. Then it seemed a badge of honor to wear. And it was ok to go about telling people that you are from a dysfunctional family just to be in'. Now after all this time and openness about our dysfunction, we begin to see how very much alike we all are. And that I feel is one of the binding elements of the watchers to this program. We sit each week and watch, basically, a part of ourselves work through personal issues, prejudices and shortcomings. Not always pretty, not always successfully but always openly, to us, the viewers. For me, to watch these characters struggle through some of their problems (which usually make mine look like a day at the beach) and let us come along with them to learn about their weaknesses and fallibilities and humanness is a lot like therapy for me. And in the end it only costs the subscription rate for HBO (no, I don't work for them).
I have never been that attached to the boob-tube (my father's word for the television) before. I have never had a reason to be. The programs that where on never more that mildly held my attention until now. I HATE commercials, I think they speak down to the public. So now I have no excuses and for that I am grateful.
Bottom line: I'm looking forward to the next few sessions uhm I mean seasons. That's my take, what's yours?
Six Feet Under is meticulous, beautiful, daunting, and powerful. One way or another, it will connect with you, perhaps in places you didn't expect and aren't willing to expose. At times wrenching, at other times cathartic, but always staring back at you knowingly, this show stands head and shoulders above the advertising-driven fare that clogs network TV with mediocrity, token minorities, and jarring commercial breaks. It changed the way I view television, and I recommend it to anyone who's tired of the same old crap.
After watching the series finale (which I won't spoil, don't worry), I sat in bed, unable to sleep. After poring over everything I'd seen over the past season, it struck me that SFU is the most raw and personal television show I've ever seen. Even more, there are no stand-alone episodes for easy syndication. Every single installment is part of a huge puzzle, or a few more miles on the Fisher family's road. I've always found Peter Krause to be a disappointingly flat performer, which is unfortunate because his character anchors the show, but the other actors are often transcendent. Regardless, every one of them radiates with a sometimes painfully familiar pathos. The cinematography is also staggering sometimes, taken from film rather than typical 3-camera TV work. If that's not enough, the music they choose to score the episodes is almost symbiotic; it seems ingrained into the film itself, even when you know it was just licensed.
This is not really a family-friendly show, though, encompassing profanity, nudity, violence, drug use, "alternative lifestyles" ... So in other words, it's just like real life. And despite the interpersonal conflicts that fuel the narrative to the point of melodrama, the show isn't afraid to pause every once in a while and let the show communicate without dialogue.
I feel very gratified to have watched SFU, and I've never felt that way about any other show in the almost-27 years I've been alive. Hopefully it will start a trend, if only on premium cable.
After watching the series finale (which I won't spoil, don't worry), I sat in bed, unable to sleep. After poring over everything I'd seen over the past season, it struck me that SFU is the most raw and personal television show I've ever seen. Even more, there are no stand-alone episodes for easy syndication. Every single installment is part of a huge puzzle, or a few more miles on the Fisher family's road. I've always found Peter Krause to be a disappointingly flat performer, which is unfortunate because his character anchors the show, but the other actors are often transcendent. Regardless, every one of them radiates with a sometimes painfully familiar pathos. The cinematography is also staggering sometimes, taken from film rather than typical 3-camera TV work. If that's not enough, the music they choose to score the episodes is almost symbiotic; it seems ingrained into the film itself, even when you know it was just licensed.
This is not really a family-friendly show, though, encompassing profanity, nudity, violence, drug use, "alternative lifestyles" ... So in other words, it's just like real life. And despite the interpersonal conflicts that fuel the narrative to the point of melodrama, the show isn't afraid to pause every once in a while and let the show communicate without dialogue.
I feel very gratified to have watched SFU, and I've never felt that way about any other show in the almost-27 years I've been alive. Hopefully it will start a trend, if only on premium cable.
This isn't so much a review as it is a reflection about how well this show has held up and what a joy it is to rewatch on Netflix. I'd previously seen the first four seasons on HBO in the early aughts, but I missed the fifth and final season. My husband has never seen it and it comes up enough in pop culture and is on many best-ever lists, so we slotted it in for one of our current dramas (we're also watching "3 Body Problem" and "True Blood", another one by Alan Ball).
We just finished S01 and I'm loving it all over again and agree with all the accolades the show has received over the years. After watching Lauren Ambrose as an adult in the recently concluded Apple TV+ series, "Servant", it's nice to be reminded how great an actress she's always been. With David's coming-out storyline in the first season, it's also a good reminder of what life was like in the early 2000s and how things have changed (though not all for the better, definitely). Everybody has probably watched this already, but if not, add it to your queue. It is well worth it.
We just finished S01 and I'm loving it all over again and agree with all the accolades the show has received over the years. After watching Lauren Ambrose as an adult in the recently concluded Apple TV+ series, "Servant", it's nice to be reminded how great an actress she's always been. With David's coming-out storyline in the first season, it's also a good reminder of what life was like in the early 2000s and how things have changed (though not all for the better, definitely). Everybody has probably watched this already, but if not, add it to your queue. It is well worth it.
What a series. What a last season. What a finale!
I started watching it without knowing too much about it, I just knew from hearing about it a few years ago that it was one of those "Amazing HBO series" and that it was about a family owning a funeral home.
The actual "plot" is indeed about a family-owned funeral home in which the father of the family dies (this is at the very beginning of the first chapter, so I'm not spoiling anything), and the series follows the life of the rest of the family: The 3 sons (2 male of 30ish and the girl who is in the last year of school), the widow wife, and some supporting characters
If you ask me, the acting and the writing are everything in this show. Characters are complex, they evolve they don't always move forward - sometimes lessons need to be learned multiple times, as real people do. And each actor does an amazing job in portraying their character.
Each one has 2/3 major arcs throughout the show, so it is very interesting to see them navigate them.
Different topics are touched across the episodes, many of them very controversial, but the show portrays them in a very serious way. There's some dark humour though; after all it's about a funeral home where death comes with customers in every episode.
Definitely a must watch. And even though it is more than 20 years old, it has aged very well.
I started watching it without knowing too much about it, I just knew from hearing about it a few years ago that it was one of those "Amazing HBO series" and that it was about a family owning a funeral home.
The actual "plot" is indeed about a family-owned funeral home in which the father of the family dies (this is at the very beginning of the first chapter, so I'm not spoiling anything), and the series follows the life of the rest of the family: The 3 sons (2 male of 30ish and the girl who is in the last year of school), the widow wife, and some supporting characters
If you ask me, the acting and the writing are everything in this show. Characters are complex, they evolve they don't always move forward - sometimes lessons need to be learned multiple times, as real people do. And each actor does an amazing job in portraying their character.
Each one has 2/3 major arcs throughout the show, so it is very interesting to see them navigate them.
Different topics are touched across the episodes, many of them very controversial, but the show portrays them in a very serious way. There's some dark humour though; after all it's about a funeral home where death comes with customers in every episode.
Definitely a must watch. And even though it is more than 20 years old, it has aged very well.
Did you know
- GoofsAll entries contain spoilers
- ConnectionsFeatured in The 59th Annual Golden Globe Awards (2002)
- SoundtracksSix Feet Under (Original Main Theme)
Written by Thomas Newman
- How many seasons does Six Feet Under have?Powered by Alexa
- why is it fullscreen for the series?
- What is the song playing in the final scene?
- Do the Ghosts of the deceased haunt the Fishers?
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Six Feet Under
- Filming locations
- Auguste R. Marquis Residence - 2302 W 25th St, Los Angeles, California, USA(Fisher house exterior)
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour
- Color
- Sound mix
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