Shiva

They don't make films like this anymore!

You can watch this movie many times you will never be bored. Raghuvaran and Nagarjuna excel in their roles.

Most of the films being released now whether Tamil, Telugu or Hindi are to unrealistic, like Rowdy Rathore, Wanted and others, that they just really miss the point regarding the social issues. Action sequences are also unrealistic.

This film is raw, 95% real, to the point and hard hitting just like action films should be.

RGV since this movie has not ever matched the quality of this work again (barring maybe Satya).

Shiva is definitely one of the top class action entertainer of its time. For the beginners it was the first time audience saw the use of bike chain as a potential weapon, henceforth followed by goons both in real life and films as well. Shiva gave an absolutely new dimension to action films in India with its fluid packed stunts (something which were unheard of at that time). Such was its intensity that the movie ran jam packed for many months not only in Telugu, but also Tamil and Hindi as well. The film still has cult status down south even today as it saw the rise of one of the Superstars of South film industry in Akkineni Nagarjuna.

It's hard to rate an industry classic honestly and accurately, especially one as hallowed as Siva. Watching in 2019, some plot holes (i.e. how does he get married and acquire power so quickly) and technical mishaps (i.e. many scenes where extras are out of character or poorly shot) tend to weigh on the viewing experience a little heavier than in 1989.

With all that said, Siva is still an absolute must watch. Its obvious directorial innovations, Nagarjuna's and Raghuvaran's acting, and the realistic elements of the storyline continue to dazzle 30 years later. What frankly surprised me is how outstandingly gripping the movie is; I didn't expect to be on the edge of my seat for so long. I cannot imagine what the experience must have been like in the theaters.

It's clear why the film retains an iconic status in the pantheon of Telugu cinema. Highly recommend for all viewers.

I may be biased since this movie takes place in my home city of Hyderabad,AP in Southern India.The western(esp US) viewer may be bewildered that the film is about political rivalries in college as is very much the case in most parts of India esp my state.One can draw a vague parallel to the student movements of the sixties in U.S.Now if u can ...politicize them even more,strip them of any socially redeeming value and make them a ruthless power hungry grab for turf and dont forget to place in India of the late 80's where the youth are slowly but steadily realizing the sterility of Gandhi's nonviolent policies which had for long enough demoralized the nation and was witnessing the slow and painful death of his beloved dynastic,tyrannical regime of Congress(I). That being said.This is Varma's first film made when he was in his mid 20's.The violence in this film is excruciatingly brutal and graphic.Like the scene where a rival gang proceeds to systematically bash a student leader head with hockey stick and finishes the act by smashing his face on a rock.Another student's face was sliced in half by an axe.Nagarjuna who stars as shy newcomer turned student leader turned mobster is nothing short of brilliant.His eyes wonderfully express his cold ruthless fury.Not to be upstaged is his psychotic nemesis Bhavani portrayed eerily by Raghuvaran.The ending is kinda disturbing but is good because its uncompromising and refrains from a feel good sort of sentiment so prevalent in Indian films. Also this film was kind of a pioneer in technical acheivement esp in sound and photography.It was similar to other films of the seventies and eighties in the sense that it was action film with a social message.But rarely have films with the exception of Satya(also by Varma) get any dark and intense than this.What I find this esp disturbing is that now its mostly love stories ,'family values' and assorted chick flicks that get the most award and box office returns.These are dark days for our film industry!!

I get nostalgic when I recollect standing amidst the crowd during the shooting of "Shiva" (Telugu version). The very director marked his entry into Indian Cinema with this outing. College life integrates with college politics, then an untrodden terrain and an underlying love story (then a must-have ingredient in any movie) makes up a product called "Shiva".

Nag:: Fresh from the success of "Gitanjali" he was awesome in the role of "Shiva". Communicated more with this intense eyes than dialogues.

Amala:: Good chemistry and I think they were dating during the making of this movie.

Raghuvaran:: Showcased "Pacino meets De Niro" rolled into one in the garb of Bhavani. Left a tremendous impact.

Kota:: Did a fantastic job as the politician. In Hindi it was essayed by Paresh Rawal, equally well.

Then not a rebellion RGV incorporated a few songs into the storyline composed by maestro Illayaraja.

Needless to say the first time director became the talk of the town. Prominent was signature style now, the long-drawn shots, hand-held camera and intense background music which elevated visual experience. Of course, the violence was raw and gritty. The ending is grim (and slightly amended in the Hindi version).

Shiva was released in 1989 in Telugu and 1990 in Hindi. Even now if you were to watch it you can still feel the impact as it did way back then.