La famille indienne

This film shines from start to finish, and runs the gamut of emotions. The cinematography, sets, and costumes are brilliant. The sparkling performances of six of India's leading actors alone makes the movie worth seeing, even if some might not feel comfortable with the deep sentimentality displayed by the leading men (women are fine with this; American men sometimes find it unnerving). Hrithik Roshan is pure eye candy for women of all ages, somehow oozing sweetness and innocent sexuality at the same time. The catchy song and dance number he performs with the lovely Kareena Kapoor at their 'prom,' "You Are My Soniya," has gotten regular replays in this household for weeks (even by my 79-year old mother, who will say, "I need a Soniya fix" - it really cheers her up!). The other musical numbers are very enjoyable, too, and never seem out of place or at odds with the flow of the film. Shahrukh Khan is adorable, as always, as the favorite son, and can hold his own in the dance numbers, too. Kajol gets to show her comic side, and was great at it! And knowing that the 'parents,' Amitabh and Jaya are a married couple in 'real life' just makes their interactions in the film that much better. Don't miss this wonderful movie! If you see just one Hindi movie, make it this one! (I am adding this question, for anyone who knows the answer: I wanted to find out what actor played Rohan at about age 12; the cast list shows three names for "Fattie" but no further details for any of these actors. If you happen to know the answer, please email me at punzelle@cox.net. Thank you!)

Kabhi Kushi Kabhi Gham is the story of Rahul (Shahrukh Khan), the adopted son of multi-millionaire Yashovardhan Raichand (Amitabh Bachchan). When Rahul disappoints his father by marrying the wrong girl, Anjali (Kajol) he is disowned. Rahul and Anjali move to London where 10 years later Rahul's younger brother, Rohan (Hrithik Roshan) tracks them down in an attempt to re-unite the family. Along the way a romance buds between Rohan and Anjali's younger sister, Pooja (Kareena Kapoor).

The story breaks no new ground here, but I have to admit I was drawn in, probably because of the actors. With a star cast like this one, you have to be entertained...Khan/Bachchan/Roshan have a wonderful three way chemistry in my opinion, and the presence of the bubbly Kajol is icing on the cake. Also admirable is Jaya Bachchan as the family matriarch who never stops longing for her elder son's return...she and Shahrukh Khan share a screen relationship that is authentically warm and completely believable.

The films weaknesses (and there are many) start off first of all with the odiously conceited Kareena Kapoor, who in spite of the costume designer's self-proclaimed "sophisticated" wardrobe looks and acts like a cheap tramp throughout the film (note to Bollywood costume designers: in England and America the only women who dress in skin-tight cleavage-revealing sequined mini-dresses when they go to the mall are PROSTITUES. Get it right!)

The second weakness is the overdone splendor of the sets. I felt the story and the cast were enough to hold the viewer's attention. We simply didn't need every scene to look like it was shot in Buckingham Palace or an interior designer's showroom.

The third weakness (and Hrithik/Kareena fans will disagree) was all the disco look-at-Hrithik's-muscles look-at-Kareena-shake-her-butt dances. I fast forwarded them after a few minutes. Tasteless and boring, IMO. Hrithik is not a bad actor, he is more than just a bulging-biceped pretty boy, but you'd never know it from these scenes. Also, again, the fact that all the NRI women in the film are dressed like hookers is just WRONG.

And last of all, although I love all the emotional exaggeration in Hindi films MOST of the time, I thought there was just a bit too much weeping in this one...a little less snivelling from Shahrukh and Hrithik would given the remaining scenes a bit more punch, I think. (But Khan is the King of snivellers, so I guess Karan Johar had to let him do his "thing")

Overall I think this is an enjoyable film, mainly because of the cast, and a pleasant diversion. I recommend it.

Saw it Own it. And not just because I'm a woman either. The movie is rather lengthy but well worth sending the message it sends, which is: Family is our most precious asset we can own in this world. No matter what Family is Family and you love them regardless of their choices, mistakes and what nots. This is the type of movie that should be shown to all, to wake up our society and make them realize that life and family are too precious to take for granted. I wish more people knew about this movie, it has a universal language and appeal. And while others may think its too long of a movie to watch, I say get an attention span. I wish American movies were more like this one. The musical numbers while at first seem a bit weird, are rather entertaining and joyful to watch. Excellent movie!!

This movie is truly a work of art, with the emphasis on art. Dazzling costumes, magnificent buildings, glitzy cars, tons of emotions. Karan Johar is a master at extracting the exact emotion that he wants from the viewer. You cannot help but weep or cry at various scenes, even though you see them coming a mile away. The storyline is cliched and has been done many times before, but NEVER has it been packaged in such a powerful way. Kudos to the director, who despite the small flaws in the script, steers the viewer away from it, and engrosses you in the myriad of artistic explosions on the screen. Amitabh Bachan plays the patriach and is fairly good in the role, although he has done it before and is starting to stereotype him. Some scenes, I thought, were a little demeaning to him [the dance with the females in the Shava song], and should have been done more tastefully.

Jaya Bachan is very good as the wife, with the amazing ability to sense her son. The scene where she stands up to Amitabh is brilliantly executed, as is the scene where ShahRukh meets her in the shopping mall in London.

Kajol is brilliant, and this is probably her best role/performance of her career. She is pure magic and fills the screen with bubbly enthusiasm and sheer excitement whenever she is in frame.

Kareena Kapoor is appropriately cast and is also excellent in the role of Poo. She is a delight to watch, and does not falter, even in the comic scenes with Shahrukh. One cannot imagine anyone else in this role.

Hrithik Roshan, to me, was the surprise of the movie. He was brilliant and just about steals the show in the second half of the movie. His performance is sincere and visually a treat. He is indeed the superstar of the future. Bulging muscles and hip dance steps aside, this guy is a brilliant actor through and through.

But for me, Shahrukh Khan is the star of this movie. He is stupendous, magnificent, brilliant. He makes you laugh, cry, dance, cringe, smile. He does all this with flawless perfection. His pairing with Kajol is magical, and it shows on screen. I can now understand why Karan Johar says that he cannot imagine doing a film without Shahrukh. The guy is amazing.

On the whole, this is an excellent movie that is worth at least 4 trips to the cinema. Thank you Karan Johar.

Glossy emotional drama, bringing together talent across the acting generations of Indian cinema.

With a cast that reads like a Who's Who of Indian cinema, Karan Johar's film focuses on the tensions within a divided family, namely the rift between strict disciplinarian father Yashovardhan (played by Bollywood megastar Amitabh Bachchan) and his estranged son, Rahul (Shah Rukh Khan).

With Bollywood heart-throb Hrithik Roshan in the role of brother Rohan and Kareena Kapoor as sister Pooja, the A-list cast is completed by Jaya Bachchan. Following the fortunes of wealthy non-resident Indians in the UK, the film takes in beautiful locations from the British Museum to Blenheim Palace and serves as a paean to the motherland, India.

K3G (as it is more commonly known) is a glossy emotional drama, bringing together talent across the acting generations and includes the show-stopping number 'Shava Shava.'