Avant la nuit

Evocative and moving story based on the life of Cuban writer Reinaldo Arenas. The film has excellent acting from Javier Bardem (and smaller but equally excellent performances from Johnny Depp and Sean Penn), wonderful scenery and, most of all, powerful and moving snippets from the work of a novelist whose poetic powers can inspire and lift above the poverty of life or bring emotional poignancy to the depths. This is set in a country where, under Castro's rule, there is no "upper class" - and yet where brutal intolerance can be shown to any 'misfits'. Arenas happens to be homosexual, which is unacceptable, and his poetry extols natural beauty (which is, it seems, seen as counter-revolutionary). The writer survives torture and imprisonment but his works survive and the success of his novels prove an inspiration to him as he survives in abject conditions. The film is a bit slow to start, and occasionally meandering, but overall it provides a powerful piece of cinema.

Incredible central performance from Javier Bardem ties the film together and makes you really care what happens. Great supporting players: Sean Penn has one incredible scene early on, who had us convinced he was Cuban. We didn't at all recognise him. Johnny Depp plays two small parts, but two very memorable ones. Growly-voiced Michael Wincott (played the bad guy in The Crow and Along Came a Spider and The Doors' manager in The Doors) is memorable. Andrea di Stefano is great as a central antagonist of Reinaldo, as is the now-Hollywood-famous Olivier Martinez who plays a touching, platonic friend to Reinaldo.

Beautifully photographed and directed in an admirable manner that draws attention to style every now and then in a poetic way very fitting for a bio-pic about a poet, and at other times just utilises style to tells the story very well, and seem not to be fussing about style at all.

There are scenes here where the sound effects track stops and this gorgeous cello music by Carter Burwell (composer of Being John Malkovich, Meet Joe Black, Man who Wasn't There, with another beautiful score) plays while we watch Bardem sitting in a club while people dance around him, and the music tells us he is far away. It is a wonderful scene, akin to Kurosawa's use of music in the brilliant burning of the first castle scene in Ran.

The way the camera tells this story was so marvellous and slick (though using rough camera work to tell moments of uneasiness, importantly this is not over-used as it was in the recent Eternal Sunshine of the Spotless Mind) that i knew the filmmaker had been influenced by American filmmaking, but throughout i had no idea the guy actually WAS American! The TV program misleadingly told us it was a Cuban movie (which it is not - it is an American production with Spanish, Cuban and American actors)

I'm even more shocked considering this is the guy who made Basquiat, which i always thought was more a tele-movie, and more about art than about movie-style. Julian Schnabel, i now learn, was a neo-expressionist painter in the 80's! Basquiat, about an artist, perhaps was a movie where he was making the transition between art-language and movie-language. Before Night Falls uses traditional storytelling, to be sure, but it has such a spellbinding cinematic quality i felt sure its director was one with cinema on the brain. Perhaps Schnabel has caught the bug after all.

A film with strong and powerful moments. The movie uses some documentary footage and exposition about the revolution in Cuba and the problems that people went through, but the real story is about a writer and his struggle to find peace and recognition.

It took some time for me to get invested. It bothered me a bit because the movie is narrated by the writer and you see his life since he was young. So, you would expect you to be invested right away. But, for me it took some time in first act getting in to the story because here and there stock footage would pop up and it would take me out of it. Once the main character ends up being accused for something he didn't do, the film picks up and his journey becomes riveting.

I like the vintage look of this film, the colors makes it feel like the film was made in the 60's and 70's. Johnny Depp is funny playing two roles, but the actor stealing the show is Javier Bardem who is fantastic in this performance. The movie does a good job in making you understand his motives and ambitions. Even though I didn't care much about his relations, you still understand the fact that it's just how he is personally and he doesn't try to force you to like him. He just appears like himself and doesn't try to be someone he isn't. Which makes the audience respect him.

The scenes in a prison were really hard hitting, especially when he is forced to be in a tiny, tiny cell. That most be horrifying, and Bardem completely made you believe what kind of a traumatic affect it would have on someone. Brilliantly made.

In short, a fantastic performance all the way through (especially towards the finale), but the film is a bit unbalanced and some of the most interesting parts of the story pass by too soon. It stays a little too long on the writer's romantic life in the beginning, and unfortunately that aspect wasn't as compelling as I think the filmmakers were hoping it would be. Everything about the writers escape and the prison scenes are however great and I would still recommend checking it out.

There's no doubt that Julian Schnabel knew exactly what he was doing and what he wanted in making this semi-bio on Cuban poet-novelist Reinado Arenas ('43-'90).

Trouble is, how interesting a film is it? Clocking in at 133 minutes, it's a long time to wade through so much flabby footage to get to the good material.

In a most meandering manner, the film mixes fact with fiction, and contains equally engrossing and tedious episodes. Often actors take too long to react to too little. Then again, the screen is filled with some compelling scenes, which make impressive statements.

Like his "Basquiat," made four years earlier, Schnabel doesn't seem to be able to create a consistently viable product with a sense of directorial energy, timing, or structure.

On the plus side is Javier Bardem's well executed lead performance. Almost unrecognizable American actors Sean Penn as Cuco Sanchez and Johnny Depp as a striking Bon Bon and slimy Lt. Victor also equip themselves extremely well.

But it's Schnabel whose at the helm here. This self-proclaimed neo expressionist "lion of New York art world" painter-art director-writer-director is a bona fide talent. What seems in order is for someone to shape and direct that talent into something with more pertinence and drive.

"Antes que anochezca" does have its followers, however, and they can continue to support Schnabel's esoteric art house film career.

The little-discussed topic of the persecution of homosexuals in Castro's Cuba is the prevailing theme throughout Julan Schnabel's masterful film of the life of writer Reinaldo Arenas. But this is far more than a simple piece of political agit-prop; instead, it's a beautifully constructed movie about the artistic temperament but with plenty of the same quality itself; visually, the movie is consistently striking, and yet of a piece. There's also a fine performance from Javier Bardem in the lead role. What the film doesn't do very much is follow it's characters in real time for anything longer than the duration of a snapshot; this slightly distances the viewer from the mechanics of the drama, and in consequence, at times it feels slow. Instead, it communicates through images (and fragments of the writer's own poetry); and the scene where the hot air balloon rises through the roof of a ruined church is so perfectly created it's a work of art in itself. 'Before Night Falls' is not light entertainment; but it's seriously good.