Bette is a wildly-successful singer with numerous hits, adoring fans, and showbiz friends who often drop by. Keeping her grounded is her professor husband Roy, 13-year-old daughter Rose.Bette is a wildly-successful singer with numerous hits, adoring fans, and showbiz friends who often drop by. Keeping her grounded is her professor husband Roy, 13-year-old daughter Rose.Bette is a wildly-successful singer with numerous hits, adoring fans, and showbiz friends who often drop by. Keeping her grounded is her professor husband Roy, 13-year-old daughter Rose.
- Nominated for 1 Primetime Emmy
- 4 wins & 5 nominations total
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The first fall TV hit of 2000 happens to be the perfect vehicle for Bette Midler since she plays herself ala Jerry Seinfeld. It's well written, well acted and she has an outstanding supporting cast including Joanna Gleason as her best friend and manager Connie. Even though the show runs opposite "Millionaire", "Bette" could be the final answer to compete with Regis. A very funny show! I hope (to borrow a quote from another hit Wednesday CBS show from this year) it doesn't get "voted off the island." The best CBS sitcom on Wednesday night since "The Nanny."
Oh my gosh, I loved this show, I am so sad it is cancelled, that was my Wednesday nights, watching Bette, I didn't miss one episode, not one, and I couldn't be disturbed while watching it, I am just so disappointed that it's gone, especially after it won a People's Choice Award and a TV Guide Channel award! I wish it would continue to be on and I just want to know why it was cancelled, I mean the cast was great!!!
I really like Bette Midler. I was excited that she was going to have a tv series. But........
Every episode had Bette coming on like gangbusters claiming "i'm a diva, aren't I too much! Then her husband would come out and claim, "Bette your too much." Folllowed by Joanna Gleason, the gay personal assisant, her daughter and assorted guest stars claiming, "Bette calm down, you're too much." How can any other character be happy with lines like this!
Then Bette would be too much. No one else was allowed to be funny -or have a joke. It was as if the writers were afraid to develop others characters or God forbid--throw them a joke. I wish stars who go on tv wouldn't be afraid of being an ensemble. Only ensemble shows survive. Rosanne had one! Mary Tyler Moore had one. The Golden Girls had one! Hopefullly Bette learned to save her divaism for her concerts. Sit-Coms don't work that way.
Every episode had Bette coming on like gangbusters claiming "i'm a diva, aren't I too much! Then her husband would come out and claim, "Bette your too much." Folllowed by Joanna Gleason, the gay personal assisant, her daughter and assorted guest stars claiming, "Bette calm down, you're too much." How can any other character be happy with lines like this!
Then Bette would be too much. No one else was allowed to be funny -or have a joke. It was as if the writers were afraid to develop others characters or God forbid--throw them a joke. I wish stars who go on tv wouldn't be afraid of being an ensemble. Only ensemble shows survive. Rosanne had one! Mary Tyler Moore had one. The Golden Girls had one! Hopefullly Bette learned to save her divaism for her concerts. Sit-Coms don't work that way.
This was a series that ended too soon, in my book. The comedy was well paced and Bette was wonderful to watch. The first episode was a scream and had me hooked from the get go. I wish it had lasted longer and I thought it really beat out the other new shows starting about the same time (The Gena Davis Show). It is too bad it went off the air so soon. If you ever get a chance to watch it, enjoy, and have a laugh for me.
This show represents everything that is wrong with some sit-coms. It appears that television executives, unable to come up with an original idea, constantly fall back on "celebrities" such as Midler, as the end of their career. Since they are at the end of their career, they are more willing to do the lowly sit-com (see: Gena Davis). Unfortunately, the shows most often have the supporting characters orbiting around the star, Midler, feeding her opportunities to drop her "funny" lines. If the supporting characters do have a joke, it is only meant as a set-up to Midler "sassier" line. With these sit-coms, Midler and Davis, the lead actor appears to have distaste for the genre of situation-comedy, and judging from the writing, the writers have the same distaste. Moreover, the t.v. execs must have a lowly opinion of the genre to assume that an ex-movie actress automatically equals television gold. This is only validated when Emmy judges, seeing the ex-movie star (Midler) doing the lowly sit-com, assumes she must be so much more talented than other actresses on other sit-coms who did not have the same movie career (Heaton, Louis-Dryfus, etc.) Seinfeld offers the best cure for this disease, when the huge comedy star (Seinfeld) had a show, but rather than having all the actors orbiting around him, he gave them the funniest lines. The result: perhaps the television show ever. Hopefully people have learned, and such tragedies as "Bette" will never be allowed to happen again.
Did you know
- TriviaLindsay Lohan played Bette's daughter in the pilot. When filming, the show was switched to Los Angeles, the New York-based Lohan dropped out of the project.
- GoofsThroughout the series when Bette's accompanist Oscar is playing piano it is frequently clear that is not actually playing because the position of his hands is nowhere near the actual range of what is being played.
- ConnectionsFeatured in The 58th Annual Golden Globe Awards 2001 (2001)
- SoundtracksNobody Else But You
(theme song)
Written by Bette Midler and Marc Shaiman
Performed by Bette Midler
©2000 Divine's Music Ltd.
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