Focus

For many, perhaps Arthur Miller is most famous for his 4 1/2 years married to Marilyn Monroe. For me, it is his Death of a Salesman for which I did a lengthy report as a college assignment in the mid-60s. I had never heard of Focus, and it is a movie that few have seen. An interesting premise, well-executed. His WASP-ish everyman character in 1943 (during the war) comes under attack after he gets a pair of new eyeglasses, which apparently makes him "look Jewish." His Americanism is questioned, his garbage is overturned, is forced to quit his job, he gets thrown out of a union rally when he fails to stand up and clap, he and his wife get roughed up by thugs on the street at night. The film is an examination of our tolerance for prejudicial treatment of others, then our own reaction towards such treatment.

The critic Ebert has a fine and complete review. William Macy, David Paymer, Laura Dern, and Meat Loaf Aday are all fine in their roles. A worthwhile 106 minutes of thought-provoking entertainment. The DVD, which was a free loan from my local library, has a sharp picture and good use of DD 5.1 sound. There is a very interesting extra which includes Arthur Miller discussing his book and the movie.

Others' main criticism of this film--namely that Macy suddenly looks Jewish upon donning his glasses--is misplaced. The glasses are just the little bit of change needed to CONVINCE others he's a Jew. The scene in which he says to his boss, (paraphrasing) "but you KNOW what my background is," along with another discussion with his mother, suggests that he's had to fight this same assumption in the past. The glasses now make him look just Jewish enough to "confirm" his neighbors' and co-workers' existing suspicions. Then there is his new wife's large nose and taste for loud clothes, which OF COURSE means she's Jewish. The whole point of the film is how those little stereotypical nothings become the entire basis for judging others.

If he has a lisp, he must be gay. If he has long hair, he smokes dope. If he's Hispanic, he's got a knife...and if he has round black glasses and he's slight of build, he must be Jewish. Those statements all sound equally (im)plausible to me. If the conclusion people were jumping to in Focus was reasonable, the whole point of the story would be lost.

William H. Macy is incredible in this! There's a lot of discrimination and bigotry in this movie but it doesn't take away from a great movie about people in a neighborhood and businesses against Jews. I love that the director/writer wanted to do this project since college; I wish I was at least a famous writer or consultant of some kind. Not bad at all except I must say I can't stand Laura Durns acting!

First they came for the Communists, and I didn't speak up, because I wasn't a Communist. Then they came for the Jews, and I didn't speak up, because I wasn't a Jew. Then they came for the Catholics, and I didn't speak up, because I was a Protestant. Then they came for me, and by that time there was no one left to speak up for me.

Attributed to Rev. Martin Niemoller, 1945

When faced with intolerance or injustice, the easiest thing to do is nothing - speak up and you risk becoming an object of scorn. But when does enough become too much? Global anti-Semitic sentiments allowed Hitler's genocidal policies to thrive, and equal doses of fear-mongering and ignorance made it possible for the anti-Communist purges of McCarthyism to destroy thousands of peoples' lives. Inaction makes one no less culpable.

Lawrence Newman is a chameleon of a man: quiet and nondescript he blends seamlessly with his surroundings. Lawrence doesn't like to get involved - when he witnesses an attack on a young woman, he tells no one and goes about his business. His world spirals into chaos when he buys a pair of glasses, and is mistaken for one of "them." Lawrence's view of the world and its view of him is forever altered.

While the subject matter of this film is not new, its presentation is definitely unique. It is much easier to understand the irrational nature of prejudice, when placed within a certain context - Lawrence is more concerned with the assumptions that he is Jewish, than he is with the views of his attackers. He believes that if he corrects this "oversight" that everything will be all right, not realizing that logic and prejudice never go hand in hand.

Whether playing a schemer (the only thing I liked about "Fargo") or a down home nice guy sheriff, William H. Macy's roles are linked by a common thread -his characters share a subtle, deliberate countenance that gives them substance. Macy nails Lawrence down to the smallest detail, and says more with a furtive glance or tremble in his voice than a page of dialogue. By showing, rather than telling, Lawrence is able to share his fear and bewilderment with the viewer. The supporting cast brings the story together.

Laura Dern is compelling as Gerty, Lawrence's bombshell wife with a past. Trailer park rough, yet other worldly wise, she has also felt the wrath of prejudice as the result of "a mistake" and unwittingly exacerbates Lawrence's situation. Michael Lee Aday (aka "Meatloaf") is frightening as Fred, the prototypical redneck next door, equal parts ignorance and venom, rallying neighbours to his virulent cause. In the midst of the chaos is Finklestein (David Paymer), the focus of the aggression, and the voice of reason that raises the important questions. Paymer's even handed portrayal keeps Finklestein from becoming a stereotype or someone whose sole purpose is to engender sympathy, making his one of the strongest performances in the film.

The tight editing and close-cropped cinematography make for a clean picture with few distractions, and mixes an air of claustrophobia in with the small town USA feel - it is simultaneously comforting and disturbing. The deliberate use of harsh two-tone lighting to accentuate the malevolent aspects of the piece and the carefully scored soundtrack, are powerful without being overwhelming. Finally, the set and costume designs recreate the feel of the era, an essential component in the film's message.

"Focus'" unconventional approach in dealing with prejudice is reason enough to recommend this film. Just consider the excellent story, solid acting and look of the film as added bonuses.

First I must admit that I have not read the story on which this movie is based. Secondly I have to confess that I am always highly suspicious of movies which depict actions that are supposed to have happened more than fifteen years before production and try to create an authentic setting.

That much said, I would like to explain why this film disappointed me so deeply. I presume the aim of the story consists in denouncing the outrageous absurdity of racism and prejudice and not in setting up the period piece this movies tries to be. In the center of this story should be a pair of glasses generating prejudice (hence the title focus)! Instead we have performances of brilliant acting talents such as Macy (at one time absurdly, "artfully" distorted like a comic book character), Paymer, Dern and Meat Loaf, clean sets with theme park quality, flawless fotography, brilliant colours. Everybody is striving to give his or her best – and it all confounds the issue. Ambition and ultimately vanity prevailed and killed the story to a large extent. In my opinion the whole approach to the story was a wrong one.