Focus

This movie packs a punch. There are a few every now and then that make me think deeply, and disturb me a lot. I could see myself in this same predicament - passively allowing things to happen around me, not standing up for the right and decent thing, just trying to avoid trouble. How often do we avoid making waves or sticking our necks out? How often does our inaction condone the evil actions of others. We would never join them, we tell ourselves, we recognize that what they are doing is bad, but do we do anything about it?

Lawrence Newman (William H. Macey) is a low-key, nerdy office worker who has paid off his home in Brooklyn, NY in the waning days of World War II. He rarely gets engaged in what is going on around him, has never married, rarely socializes, just goes to work and cares for his invalid mother. Then a series of events in his very "white" little neighborhood pull him out of his complacent shell into a maelstrom of events. It starts as he witness from his bedroom window the rape of a Puerto Rican girl by the son of his neighbor. Soon after he gets glasses because of poor vision. As he is now better able to see, he becomes less able to deal with the circumstances of his life. The one bright spot is a new love in his life, and he marries, hoping to continue on in his normalcy. Then the virulent anti-semitism on that street catches him, despite his credentials as a Presbyterian WASP. As things spiral further out of control, he discovers he must make an important decision - does he take a stand or does he simply go away.

I cannot how anybody can view this movie without being affected and having to think very much about themselves and what they really stand for. Post war anti-semitism is the setting here, but there is injustice at all times and in all places. It is for the individual to decide where he or she stands.

One of Arthur Miller's finest works, Focus, comes to the screen and while there was a lot to like about the movie, some of it seemed like it was almost unreal (though I'm not sure if that's in a good or bad way).

William H. Macy, great as always, plays Lawrence Newman, average Joe and good guy in Brooklyn, NY in the early 1940's who finds he needs a new pair of specs. Unfortunately, his choice of glasses makes him appear to be, well, Jewish, as this seems to his mother from the start. Lawrence tries to ignore the ignorance and bigotry in his neighborhood against the Jewish people, but with a string of events involving his neighbors (Meat Loaf, David Paymer), and a new girlfriend (Laura Dern in one of her best performances) who knows what trouble Lawrence is in, push him into the conflict of his life.

Often, Focus, delivers a poignant, startling and smart story in showing a character with so much at stake it is making him insane. Macy and the rest of the cast are so close to perfect and if only for them make this a must see. Not to dissapoint the fans of Miller's book, I suppose, but if it does then that is just another flaw. B+

This movie tells the story of prejudice against jews in New York City, during World War II. It's great in the fact that I never knew such prejudice existed in our own country, and tells this story well. I would have liked to give this movie 4 stars, the acting was incredible all the way around. The storyline, however, kinda went nowhere, and the ending left a lot to be said. Since this is a book adaptation, which I haven't read, but I almost think they left out the last chapter. If there was some kind of resolution at the end, this would be an even better, fantastic movie. Should you see this movie? Great performances and a driving story, but just nothing left at the end. 10-21-02

For many, perhaps Arthur Miller is most famous for his 4 1/2 years married to Marilyn Monroe. For me, it is his Death of a Salesman for which I did a lengthy report as a college assignment in the mid-60s. I had never heard of Focus, and it is a movie that few have seen. An interesting premise, well-executed. His WASP-ish everyman character in 1943 (during the war) comes under attack after he gets a pair of new eyeglasses, which apparently makes him "look Jewish." His Americanism is questioned, his garbage is overturned, is forced to quit his job, he gets thrown out of a union rally when he fails to stand up and clap, he and his wife get roughed up by thugs on the street at night. The film is an examination of our tolerance for prejudicial treatment of others, then our own reaction towards such treatment.

The critic Ebert has a fine and complete review. William Macy, David Paymer, Laura Dern, and Meat Loaf Aday are all fine in their roles. A worthwhile 106 minutes of thought-provoking entertainment. The DVD, which was a free loan from my local library, has a sharp picture and good use of DD 5.1 sound. There is a very interesting extra which includes Arthur Miller discussing his book and the movie.

Others' main criticism of this film--namely that Macy suddenly looks Jewish upon donning his glasses--is misplaced. The glasses are just the little bit of change needed to CONVINCE others he's a Jew. The scene in which he says to his boss, (paraphrasing) "but you KNOW what my background is," along with another discussion with his mother, suggests that he's had to fight this same assumption in the past. The glasses now make him look just Jewish enough to "confirm" his neighbors' and co-workers' existing suspicions. Then there is his new wife's large nose and taste for loud clothes, which OF COURSE means she's Jewish. The whole point of the film is how those little stereotypical nothings become the entire basis for judging others.

If he has a lisp, he must be gay. If he has long hair, he smokes dope. If he's Hispanic, he's got a knife...and if he has round black glasses and he's slight of build, he must be Jewish. Those statements all sound equally (im)plausible to me. If the conclusion people were jumping to in Focus was reasonable, the whole point of the story would be lost.