Dummy

Steven (Adrien Brody), nearly 30 and living with his parents, sees an old Edgar Bergen movie on TV and decides to fulfill his longtime dream of becoming a ventriloquist. His beautiful unemployment counselor Lorena (Vera Farmiga) finds him work, but puts out a restraining order on him when he paints a thank-you note on her door. Later, this young mother agrees to date him anyway, but finds his bickering family, and his inexperience with women, daunting to a relationship. Steven's sister Heidi (Illeana Douglas) is a wedding planner with a drunken ex-fiancé who keeps showing up at the door. His friend Fangora (Milla Jovavich) is a pseudo-punk rocker whose sex does not prevent her from giving him terrible advice about women. The wedding of a Jewish girl, who wants Klezmer music and gets something unexpected, will become a turning point in everyone's lives.

Whoa, this is bad. Greg Pritikin directs his own script, about a tenth of which is funny. The rest strains hard to give us quirky characters, wacky situations and unexpected plot twists; but we can't buy any of it. The movie becomes unrecoverable when Lorena changes her mind about the restraining order and agrees to date Steven—after he mails her a videotaped apology featuring himself and his dummy. The message on her door disturbed her, but the tape charmed her? I could almost hear Vera Farmiga's brain going "ZZZZZT!" as she tried to play this character. Their relationship grows into the least believable nerd-with-beautiful-girl scenario I've ever seen.

The performances are varied. Adrien Brody recovers fairly well from playing such a pointless character. Farmiga is charming, especially considering the impossibility of her job. Jovavich, with her affected Jersey accent, never quite seems to inhabit her character. Illeana Douglas, a good actress, does a lousy job here. She doesn't seem to get what she's doing, and we can hardly blame her.

This is part of a sub-genre in comedy that I dislike: one that blurs the distinction between celebrating and belittling the losers it depicts. "Napoleon Dynamite," "Waiting for Guffman" and documentaries like "American Movie" and "Gates of Heaven" all belong in this dubious category. But "Dummy" is much worse. It's as phony as it is condescending.

Dummy (2002)

A fun, offbeat, somewhat frivolous charcoal gray comedy. It's hilarious in spots and touching in spots, and has some terrific acting. The overall scenario is a situation comedy, drawn out over the hour and a half, and it might have made a tighter hour long television show. At times it seems to really hit an eccentric tone that's terrific and even a little surreal, as with some of the family interactions, played with beautiful deadpan steadiness. And when it's a moving romantic comedy, you appreciate the restrained, sympathetic acting of several of the leads. There isn't a bad performance in the lot of them.

Adrien Brody , Milla Jovovich, and Illeana Douglas are all hilarious in this great little comedy... Beautiful Milla shows her unique talent for being simultaneously really sexy and really funny, as she did 5 yrs earlier, in "The Fifth Element"... What I like most is that the humour is mainly subtle. The funniest bits are more understated than they are in the bigger-budget comedies with the in-your-face – appeal to the broadest possible audience stuff... "Dummy" is a fine example of not compromising, in order to harvest the biggest-possible box-office receipts. I give this side-splitting indie 8 big-ones and whole-heartedly recommend it.

This movie is terrific. It's very funny and very powerful. Everything that happens is a necessary plot point to tell the story. Nothing is extraneous. Each character is uniquely entertaining and real, they each remind us of someone we know. We root for Stephen, we dislike Heidi, and we can't help but love Fanny. The characters are developed wonderfully. The performances are all terrific. I've never seen any of Adrien Brody's work before, but if it's all as great as this then he's destined for super stardom. Illeana Douglas is hilarious and perfect as usual. I was most blown away by Milla Jovovich. She's amazingly fun to watch on screen and her New Jersey accent is dead-on. Great dialog and flawless directing. Simply put it's a wonderful film with a unique theme, which is unique in itself.

DUMMY, one of Adrien Brody's two shelved indies that finally made it to theaters after he won his PIANIST Oscar, is much more likable and watchable than the other one, LOVE THE HARD WAY (about which I groused at length elsewhere in the IMDb). TV Guide Online critic Maitland McDonagh described this quirky young-adults-coming-of-age comedy as "repetitive and obvious but somehow endearing, like a truly ugly dog with sweet eyes," and I pretty much agree with her assessment. This Long Island-based story of a pair of twentysomething siblings still living at home with their annoying, critical parents (Jessica Walter and Ron Leibman are so convincing as Mom and Dad, it's scary!) while trying to find their respective paths to independence could have been shrill and tiresome, and at times it teeters dangerously close to being so. Luckily, the superb leads bring a gentle, non-cloying sweetness and poignancy to their performances that makes you keep watching and rooting for them. That's saying quite a bit when you consider that the road to full-tilt adulthood for brother Steven (Brody) involves honing his ventriloquism skills (Brody learned ventriloquism for his role, and he does a good job! I wonder if Brody drops such acquired-for-a-role skills once the movie wraps, or if he keeps them honed just for fun?) with a rather unnerving, unnamed dummy (not to keep digressing, but with such rare exceptions as Charlie McCarthy, aren't most ventriloquist's dummies rather unnerving? :-) as he woos Lorena, his employment counselor (enchantingly played by Vera Farmiga), who's got issues of her own. High-strung sister Heidi (Illeana Douglas) is trying to forge a career as a wedding planner, but she's got her work cut out for her, what with an inept stalker ex-fiance (Jared Harris) dogging her every move, her first major professional assignment turning out to be a Jewish wedding where the bride insists on klezmer music, and not owning her own car; the scenes where Heidi has to beg their mom for the car are both funny and painful. Adding to all this anxiety-laced wackiness is Steven's high school pal Fangora, née Fanny (Milla Jovovich), an aspiring punk rocker and all-around nutty chick who claims she can play klezmer music so she'll get the wedding gig, as well as giving Steven well-meant but questionable advice on how to win Lorena's heart, such as spray-painting a message on Lorena's front door. Fortunately, in writer/director Greg Pritikin's world, even restraining orders and omnipresent ventriloquist's dummies can't block the path to love and happiness for long, and everyone gets what they deserve. Brody and Douglas are particularly well-cast; with their attractively angular faces, almond-shaped green eyes, and overall air of angst, they make very convincing siblings. Jovovich is hilarious, especially in the running gag where she and her punk band practice their klezmer numbers. Between DUMMY and ZOOLANDER, it's clear that Jovovich has a flair for comedy. I hope she gets more chances to keep her funny side up!